Because his film failed and his producer ran away, Man-su (Duek-mun Choi) needs to pay back all the debts for the film. While Man-su also makes plans to run away, he receives a call from the money lender. Instead of paying back the money, the money lender proposes a favor to Man-su, which is to make a movie for his old father. Old Bae is from North Korea, and has been longing to visit his hometown before he dies. With no other alternative available, Man-su accepts the threatening proposal to shoot the film but since the very beginning of the shooting, things get more complicated and soon they find themselves in a big mess.

Three times, three identities, three love stories:

"Juliet's Choice" (By Hou Chi Jan)

Taiwan in the 1970s. Xiu Zhu is a printing worker with handicapped legs who gives up on love. Everything changes when she meets a university student, Luo Wei, who requests her factory to print a newspaper, where the content is critical with the views about social reform.

As Taiwan was under martial law during that period, the factory owner had to reject his request. In order to gain Luo Wei's attention and possibly love, Xiu Zhu promises him to privately print the newspaper by herself, no matter how serious the consequences would be, and Luo Wei reacts with a smile. Can their love begin from this?

"Two Juliets" (By Shen Ko Shang)

Thirty years ago, a dancing troupe owner's daughter Julie fell in love with the puppeteer's son, Xiao Luo. During festive seasons the two families would perform together, and soon it turns into a business rivalry. As a result of this, both fathers hate each other and forbid their children to be in love.

Julie and Xiao Luo are secretly in love, and their meeting place is a mental hospital located on the hill. One day, Julie's father finds out about their relationship, and their relationship ends. Before Xiao Luo leaves, he asks her to disguise herself as a mental patient in the hospital and wait for his return. Will Xiao Luo ever return to meet Julie?

"Another Juliet" (By Chen Yu Hsun)

After failing love 28 times, 40-year-old bachelor Chu Li Ye decides to take his own life on a mountain. However, there is a tv crew making commercials nearby, they not only save him but also invite him to join as an extra actor. This opportunity turns him into a star, and suddenly, he has the courage to live on. And perhaps, looking for love once again on the 29th attempt?

"Pae" Arak Amornsupasiri stars as Kreng, a lovelorn veterinarian who thinks he still has a chance with his high-school crush, Fai (Yarinda Bunnag), when he learns she's just divorced. But she doesn't remember him from their school days. As the result of a drunken-driving arrest, Kreng is reunited with Fai, who comes to bail him and his best friend (her ex-husband) out of jail. Kreng is sentenced to perform community service, and so he becomes the volunteer teacher for a group of retirees who are learning how to use the Internet. This puts Kreng and Fai in touch with the older couple - Sompit (Sunsanee Wattananukul), a widow who has fallen in love with her classmate Jamrus (Krissana Setthatumrong). The silver-haired gent is a smooth talker, but he has a problem - he's losing his memory.

Dream Concert revealed the first line up of performers for this year’s concert taking place in June. Hosted by Korea Entertainment Producer’s Association and backed by Hyundai Oil Bank and Ministry of Culture, Sports and Tourism, I Love Korea 2014 Dream Concert will be taking place on June 7 at the Seoul World Cup Stadium. Celebrating its 20th anniversary, Dream Concert will be inviting many idol groups to commemorate its 20-year history.

Eden Lake is a little known British Horror-Thriller back from 2008. Its big claim is that it stars Michael Fassbender. Rest of the way, it was a textbook thriller, with Slasher and Snuff elements. There were a few good things about the movie and you'll find almost all in Anushka Sharma's latest NH10. The inspired story, is adapted to an Indian setting. Certain changes are actually pretty good. But once you know the movie is inspired, it just robs you of all the drama and fun. It would be safe to say, if you haven't heard about the original then you're in for a decent surprise. These kind of Indie horror thrillers have never been attempted in Hindi cinema. You wouldn't have seen something like this before.

It's pretty evident, the film won't score any marks on its borrowed concept. Where it does deserve a critique is its execution and treatment. The story deals with a young couple driving out to their vacation. Unfortunately they run in to a group of Jats out on an honour killing. Arjun (Neil Bhoopalam) is swayed by adrenaline and a saviour complex. He decides to meddle with the gang of unruly and angry North Indian men. And that's where the fatal chase begins. The basic story has been tweaked here to include elements of honour killings and women empowerment. That's what makes this movie worth while.

It's good to watch a woman who's more level headed than her better half. Who can smoke a cigarette just for the sake of having one. Who can drive a car better than any tom, dick or harry in Delhi. And one who doesn't take things lying down. That's Anushka Sharma's character, the spirited Meera. Everything about her makes this film better than a run-of-the-mill DVD replica. Having said that, Eden Lake's big punch to the gut comes from the sense of peril experienced by its female lead. In NH10, that sense of despair doesn't hit you. You've got a regular Delhi girl on the run from ruthless men. If apprehended, she'd mostly be raped and killed. But the film never quite manages to establish that tension. Anushka's character sails through the challenges with too much ease. In movie formula terms, the bad guy never gets his moment. That's never a good sign in a thriller.

Director Navdeep Singh's treatment of the film is slick. The visuals are appropriately dark and murky. The sense of gloom prevails throughout. It sets the right mood. But when it comes to the final act, he drops the ball. That Anushka's character is not the clichéd victim is great. But when it comes to believing in her struggle, its a bit pat. Her sense of loss and her on-the-edge situation are too incidental. Anushka handles the myriad emotions with aplomb. She's great in the action scenes too. The actress is the main reason you connect with the character. Her performance reverberates the right kind of energy into the film. But then you have the creative making her do ludicrous things like killing a man with just a ball pen. It just defeats the whole purpose of things.

Performances by Neil Bhoopalam, Darshan Kumar and Deepti Naval are credible. None of them falter, not even a bit in convincing you about their characters. As for the film itself, it does not offer the same conviction. It has the trappings to sway the average Hindi movie buff, some might even see a great leveller in it. But to the Hollywood regular this one's just another release.

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