Depicts a forbidden romance between an older woman and a younger man.

Kiranan is married to Leryot, but he's cheating on her. He also starts to get physically abusive towards her. One day, she meets Tawan, a young artist who loves art. She felt a strange warmth when talking and being beside him. Their relationship develops into love. But it will not be easy for Kiranan to get a divorce - she needs to gather evidence of her husband's infidelity first. Meanwhile, Tawan has a dark secret - he's selling his body in exchange for money to pay for his sick mother's treatment.

The biography of Lin Mo Niang [Ma Zu] (Goddess Of The Sea).

This drama reflects the lifetime achievements of Ma Zu through the incorporation of over 30 folk legends with the goal of restoring a venerable, kind and lovely image to a legendary goddess.

According to legend, Lin Moniang was born on March 23, 960 (during the early Northern Song Dynasty) as the seventh daughter of Lin Yuan (林愿) on Meizhou Island, Fujian. She did not cry when she was born, and thus her given name means "Silent Girl."

There are many legends about her and the sea.

Although she started swimming relatively late at the age of 15, she soon became an excellent swimmer. She wore red garments while standing on the shore to guide fishing boats home, even in the most dangerous and harsh weather.

According to legend, Lin Moniang's father and brothers were fishermen. One day, a terrible typhoon arose while they were out at sea, and the rest of her family feared that those at sea had perished. In the midst of this storm, depending on the version of the legend, she fell into a trance while praying for the lives of her father and brothers or dreamed of her father and brothers while she was sleeping or sitting at a loom weaving. In both versions of the story, her father and brother were drowning but Moniang's mother discovered her sleeping and tried to wake her. This diverted Moniang's attention and caused her to drop her brother who drowned as a result. Consequently, Moniang's father returned alive and told the other villagers that a miracle had happened. Other versions of the story relate to four drowning brothers, with three returning and the fourth lost to her being revived (with no mention of a father).

Mazu is usually depicted together with two guardian generals known as "Thousand Miles Eye" (千里眼, Qianli Yan) and "With-the-Wind Ear" (順風耳 Shunfeng Er). Though their iconography can vary, both are usually represented as demons; "Thousand Miles Eye" is often red with two horns, while "With-the-Wind Ear" is green with one horn. They are said to have been two demons whom Mazu conquered. The both of them were in love with her, but she said she would marry the one who defeated her. Using her Martial arts skills, Mazu defeated them both and they became her friends.

Mazu herself is usually depicted wearing a red robe in paintings or murals, but in sculpture is always clothed in the jewel-festooned robes of an empress holding either a ceremonial tablet or a jewelled staff whilst wearing the easily recognized flat-topped imperial cap with hanging beads at the front and back.

The alien invader Goa plots to conquer the Earth. He first warns the Murakami family (father Atsushi, mother Tomoko, and son Mamoru) of their invasion, and demonstrates his powers by transporting them to a prehistoric jungle and destroying a Giant Dinosaur (in reality, Agon, the title monster of a Godzilla-like TV series) before their very eyes. But they will not agree to surrender to Goa, so hope comes in the form of Magma, an armored, golden giant with long hair and antennae. He and his human-sized wife Mol, both created by the wizard Earth (who indeed lives deep beneath the Earth), are sent to defend our world against Goa. They befriend Atsushi and Mamoru; the latter has touched Magma emotionally, as he wanted to have a child with his wife Mol, so Earth creates a duplicate of Mamoru, named Gam (who wears a helmet with antennas). Earth gives Mamoru a whistle, with which he can call Gam (when blown once), Mol (when blown twice) and Magma (when blown thrice) in times of crisis. So when Goa unleashes his various daikaiju, chances are, Magma, Mol, and Gam will fly to the rescue.

Set in the 1980's, Yonosuke Yokomichi is a college student, with a warm heart, from the port city of Nagasaki. His girlfriend Shoko Yosano (Yuriko Yoshitaka) is the daughter of a company president.

1) Fixed ideas about a national hero are brought up for a secrutiny. No hero has ever been sent by heaven. He has emerged as one ultimately after undergoing a lifelong process. Drama "Yi Sun-shin" is designed to challenge the fixed ideas about him who has been remembered in the form of an imposing statue standing at the Gwanghwamun intersection in Seoul and the Hyeonchungsa Shrine in South Chungcheong Province, while shedding a new light upon him as a human being. 2) Drama "Yi Sun-shin" depicts Yi Sun-shin as a soldier who struggled to survive turbulent days. At the time when Yi Sun-shin lived, the Joseon Dynasty had to achieve political reforms and stabilize the livelihood of the people, while defending the country against the Yojin (Nu Zhen) Tribe and Japanese pirate raiders. Yi Sun-shin was regarded sometimes with jealousy in the process of protecting grass-roots people and sticking to the principles of reforms and lost some battles. He was removed from his duties three times and reinstated to the military service two times as a rank-and-filer. But for all this disgrace, Yi Sun-shin was reborn as a true hero who led the Joseon Navy to a myth of invincibility during the Hideyoshi Invasion (1592-1598 A.D.). Yi Sun-shin, as a soldier who struggled to protect grass-roots people, is what Drama "Yi Sun-shin" has planned to depict. 3) Drama "Yi Sun-shin" is a Korean version of "War and Peace" in the 21st century Drama "Yi Sun-shin" is not a biography of Admiral Yi Sun-shin, nor does it intend to reconstruct a part of the Joseon Dynasty that existed in the 16th century. It will merely look into many human beings, including Yi Sun-shin, who underwent an extreme situation called the Hideyoshi Invasion, in efforts to study all kinds of human nature, from the most noble down to the most crude... While dramatizing a war in which human beings turn into inhuman wretches in an extreme way, we hope that this drama will serve paradoxically as an opportunity to remind people of the importance of peace. 4) We are not going to depict characters based on a dichotomous criterion. We will cast a new light on another military leader, Won Gyun, whose evaluation has been severely distorted in the process of making a hero of Admiral Yi Sun-shin, and maintain an objective view of the military leaders of Japan and the Chinese Ming Dynasty as well. While based on a historical fact on the national hero of Japan, Hideyoshi Toyotomi, we are going to find out how his distorted ambition had led many people to be killed in the war and laid a stumbling block to the peace in East Asia. We will remain neutral in our evaluations of Ming generals, such as Chen Lin and Li Rusong. 5) We have made an attempt to shed a new light on numerous officers and soldiers under Yi Sun-shin's command by looking into the admiral not as a hero, but as a true leader. Yi Sun-shin had a staff of many talented officers under his command. Some of them include Kwon Jun, a strategist, Na Dae-yong, a scientist, and many nameless people who assisted Na in building the turtle ships and making armory. Besides, many other officers, including Chung Un, fought in the war, setting their own life at naught. The drama will describe Yi Sun-shin, a man of virtues, as the leader of these men. 6) In part, the drama will shed light on the life of the villagers at "Gonyang Pottery" in a bid to emphasize the superiority of the culture of the Joseon Dynasty. The Japanese were so enthusiastic about the Joseon culture that the Hideyoshi Invasion was called a war of porcelain bowls. Many Joseon potters were taken as prisoners of war to Japan, where they produced china and porcelain that later formed the basis of the economic power of the shogunate government of Ieyasu Tokugawa in Edo, Japan. The drama is going to lay stress on the superiority of the Joseon culture by depicting the life and conflicts of potters at the Gonyang Pottery Village. 7) We are going to make a detailed description of the life of grass-roots people, who underwent a war, in efforts to reiterate that such people are the true heroes of history. In such turbulent days, the king, senior government officials or military leaders were not the only ones that were concerned about the future of their country. There were merchants, who did not hesitate to donate their purses to the national defense despite the cold treatment they received in society based on social status; numerous army volunteers and their leaders, who tried to save their country with their own life; and monk soldiers and their leaders, who rose in arms in the belief that real redemption would come from saving the country. While depicting their resolute stance, we are going to reaffirm the stark fact that "grass-roots people are the real heroes of history." 8) We will try to shed light on the history from an objective point of view, while also taking a look at the background of a historical view that was instigated by the Japanese colonial government. Some historians, including Lee Gwang-su, who have been advocates of such a distorted historical view, have tried to attribute the outbreak of the war and the subsequent defeat to the government officials' preoccupation in political strifes. But this view is obviously a misjudgment. Political contests are not a prelude to the national ruin. The Joseon society, which was an absolute monarchy, was not ready yet to receive such a political system. 9) This drama will draw a real picture of the Joseon society, which was not well acquainted with the international situation at the time, in a bid to learn a lesson from this example. In East Asia at the time, Ming was losing his influence gradually, while Yojin was emerging as the central power in Manchuria. In Japan, Nobunaga Oda died after putting an end to a 120-year civil war, and Hideyoshi Toyotomi took power and unified the entire Japan. During the civil war, Japan accepted the Western civilization and came in contact with quite a new weapon, harquebuses. Records have it that the military capabilities of Japan at the time were stronger than those of the European countries combined. Japan had the high ambition to conquer East Asia based on such military capabilities. Regrettably, there were not many people in Joseon who had a correct understanding of the international situation. The drama will point out, first of all, these points as the primary causes of the 7-year Joseon-Japanese War and the ensuing bitter defeat. We are going to look into the life of Yi Sun-shin, Yu Seong-ryong and Won Gyun who went through such turbulent days as contemporaries. From this history, we are going to learn a lesson for today's Korea, a small and weak nation in the dynamics of the international relations.

The show starts with Sakina, a young girl who runs away to marry a guy she loves. Musa, Sakinas's cousin is informed by Isa about her Nikkah. Musa rushes towards the backyard where the Nikkah is taking place. Musa starts fighting with the men, grabs Sakina's hand and drags her away. When they return home, Musa gathers everyone and tells them what Sakina was going to do. Sakina's Uncle fixes her marriage with his son, Isa. Nikkah takes place against Sakina's will and at that time she curses Musa that he falls in love with someone but cannot achieve his love.

Then after a week, Musa told his mother that he will only marry someone if she wears a hijab and her hands are also covered meaning she should be a very religious girl. Once he sees a girl named Zohra in a bus, wearing hijab and gloves and Musa gets attracted and falls in love with her at first sight. He starts following that girl daily as she is a university student. On following her, Musa proposes to her but instead of considering it, she tells him to reach a certain address at night. Musa reaches that place at the stated time and is shocked to see that it's a modern party and is very shocked to see Zohra dancing in jeans and shirt. He learns the reality that Zohra is an escort.Musa is shocked and quite angry and drags Zohra out of the party and confronts her for concealing her real identity. Zohra in reply criticizes the hypocritical standards set by men and says that true love is not affected by the good or bad of the other person.

After days, Musa decides to meet with Zohra with the help of a hawker, Muraad, near Zohra's residence. He takes away the money (that Musa had given him) to Anna ji and requests him to allow to meet Musa with Zohra. In return of money given by Musa, Anna Ji allows Zohra and she goes away with Musa. There Musa has arranged all the setup of Nikkah e.g Moulvi Sahab and Gawahaan. Zohra shocks when she comes across about the Nikkah. She crticizes her love that his love is everything is for him.