This '70s ghost drama began with Wang Jian, a policeman, discovering neighbor Huang Yinggu's ghost who has been trapped in a braid inside the police station for over ten years. Yinggu slowly reveals her story to Jian. She was wrongly sentenced to death for a crime she never committed. Yinggu's nephew Ye Jiasheng committed the murder and heartlessly set Yinggu up and made her his scapegoat. Fate is always ironical and cruel, as Yinggu discovers. She soon gets involved with Ye Jiasheng's affairs a second time. First, she manages to persuade her daughter Sun Minghua (Irene Wong) to break off with Ye Jiasheng's son Ye Zuguang, who is a flirt. Later, Ye Zuguang commits mass murder (locking people inside a building, preventing them escaping from the fire). Minghua is on the scene coincidentally and Jiasheng decides to frame her for the crime. Wang Jian, by then a police inspector, is in charge of this case and knows Minghua is innocent and Zuguang involved. He tried his best to solve the case, to ensure justice for the dead and innocent (Minghua) but Ye Jiasheng, a senior police inspector, just seems to be too smart and cunning for Wang Jian to deal with. Ye Jiasheng is willing to do anything (framing Minghua, falsify evidence, killing witnesses) to get his son off the hook. Yinggu's ghost finally meets face to face with the arrogant Ye Jiasheng, who isn’t even scared and taunts Yinggu saying she ought to blame her sorry fate instead. Justice prevails however, Wang Jian finds new evidence to charge Zuguang with and by then a remorseful Zuguang finally confesses to the crime. Ye Jiasheng dies a sorry death from cancer and Huang Yinggu is assumed to have reincarnated. There is a sub-plot toward the end where Wang Jian's wife Baoyan (Maggie Cheung) accepts corruption money from Jian’s superior who asks her to take on behalf of Jian. Wang Jian finds out and Baoyan decides to turn herself in. The show ends with Baoyan being released from jail and a family reunion with Wang Jian and family.

Rasika is a modern girl who is self-confident and likes romantic novels, especially when it has time travel. One day, she buys the novel Dung Prom Likit Ruk and somehow finds herself as Karakade, the heroine in the novel. Karakade lives in 1923 and is the daughter of someone with high status. She meets the hero and they fell in love instantly. The story describes the journey they go through in order to fulfill their love even though she already has someone she is supposed to be engaged to.

The leader of the Divine Knife sect, Bai Tian Yu, was mysteriously ambushed and killed in the border town Plum Nunnery. Twenty years later, Fu Hong Xue, leaves the western regions and returned to the central plains (China) in order to investigate his adopted father’s death. At the same time, Bai Tian Yu and Hua Bai Feng’s biological son, Ye Kai, also left for the border town. The two find that it was Bai Tian Yu’s sworn brother, Ma Kong Qun, who organized the assassination. As luck would have it, Ma Kong Qun’s beautiful daughter, Ma Fang Ling falls for Fu Hong Xue, while Ye Kai falls for her…together, they will face Ma Kong Qun.

Ching Wai (Chow Yun-fat) is a fresh graduate from university, and is hired by a jewelry company called Yu-Fook, and he rises up the career ladder quickly, due to his superb performance, and he forges a relationship with the Director's daughter, Fong Hei-man (Carol Cheng). The story continues smoothly, until an incident occurs. To pay his mother's (Tang Pik-wan) gambling debts, he embezzles company funds and is reported by the cunning Yuen Kei-cheung (Lee Tao-hung). Ching is sent to prison, where he meets and befriends a gangster chief Lung Koon-sam (Shih Kien), who helps him both in and out of prison. Ching gets a job at another jewelry company, and collaborates with Lung to expose Yuen's wrongdoings. Eventually, Yuen is caught, and Ching proposes to Fong. Ching Chan (Liu Wai-hung), is also another main character. Known as Ah Chan, he is an idle immigrant from the Mainland. He is forced to care for the Chings when Ching Wai is sent to prison. Unfortunately, Ching Chan commits a crime and is jailed, but manages to forge a family with his love Cheung Mei-po (Kong Ho-oi)

Time travel has always been a popular topic among fiction, and recently it has been successful in creating hits. The storyline has heavy influences from the American movie Frequency, perhaps some Butterfly Effect, and reminds me of the countless movies using this idea such as the Korean hits, Ditto and Il Mare. Here it freshens it up an overused concept by combining crime/detective stories with time travel. Despite the lack of style seen in other works of this genre, To Get Unstuck in Time has an amazing script carried out by a chemistry-packed cast. Even if you can't make sense of some parts of the story, this series is a must see. Ho Tin-kwong or Morning Sir (Roger Kwok) is a capable policeman, but takes everything too seriously and is hot-tempered. Although already in his 30s, he has never dated and spends whatever free time he has with his mother, who raised him up in a single parent household. Morning Sir's father, also a policeman, died in infamy 20 years ago, of drug overdose and in the bed of a prostitute. This has left this to be a sensitive spot in both their lives. When his father was still living, they were a close-knit family and this shameful death came as a shock to both mother and son. Neither could comprehend exactly what kind of person was this man they loved--faithful husband and loving father--or scumbag. Through a freak of nature, Morning Sir discovers that he can transcend time with his father's old cell phone (first generation, water bottle-style) from the present year 2004 to talk to his father in the year 1984! Despite his father's wrongs, Morning Sir is overjoyed at being able to communicate with someone so close he'd lost and the two hit it off. His father becomes Morning Sir's "secret informant" and helps him with cases. His father is also able to "send" him things, such as clues and evidence by burying them under a designated spot, which Morning Sir is able to unearth in the present. At first Morning Sir distances from his father, only identifying himself as "future person," but as they get to make up for lost time through talking and solving cases, Morning Sir gets to know him and discovers the mystery behind his father's death. Ko Shan (Flora Chan) is an eyewitness in the opening case and clashes with Morning Sir because of different personalities, creating a bad start. A car accident when Ko Shan was 7 years old left the bottom half of her body paralyzed, but she has lived a carefree and happy life. It was this accident which strengthened her parents' rocky relationship during a crisis that would have separated her parents. Ko Shan is a crime/detective novelist. She strongly believes in her intuition and often uses this to make assumptions, which Morning Sir thinks is irrational. Although physically handicapped, her brilliance is equal to that of Morning Sir. Through coincidental involvement in more cases, Ko Shan and Morning Sir prove to be a compatible pair in working together to solve cases and become good friends. He is changed by her optimism, kindness, and perseverance in life; and she also has fond feelings for him. But shortly after they become a couple--Ko Shan suffers under a sense of inadequacy. She is unable to go on normal dates with him, with many places being inaccessible to the handicapped. She faces mocking from others for being a cripple trying to dating a normal person. Although Ko Shan tries to overcome all of this, she feels that she has never felt so helpless until she started going out with him, and it's nobody's fault, but painfully decides she would feel more comfortable being just friends. Morning Sir decides he would change destiny by telling his father to stop the vehicle which hit Ko Shan in 1984, thus prevent the accident from happening and make everything perfect in the future. As they spend their last date together as a couple watching the rainbow, Ko Shan falls asleep on his shoulder, and he smiles thinking that when she wakes up, their problem would be solved--she would be able to walk, and they would be able to be together. But when he wakes up again, Ko Shan is gone. What has he done?! Morning Sir never imagined that changing one incident would cause a chain reaction to happen, i.e. different outcome for everything it impacted. The world as he knew it before changes altogether. Because Ko Shan never got hit while running away from home, her parents divorce, Ko Shan was kidnapped and never found. It turns out that she was brought up by triads, and now works within them. Ko Shan no longer seems to be the same person, going by Nicole. As Morning Sir and Nicole stand on opposing sides, they know that only one side can win. For a series that's in the crime/detective genre, Time, is surprising versatile. The cases are gripping and thoughtful. The strong father & son relationship is beautiful and touching. The interaction between the cast members is endearing and funny. Time leaves you unable not to have connected with the entire team and their different facts. The series play with the idea of the cause-and-effect, family, love, friendship and issues such as forgiveness, letting go & moving on in such a powerful way that it's therapeutic. To indicate time warp, a cheap-looking insertion scene came on every time that got tiresome after a while, but other than that, this was an excellent series. Ever since winning My Favorite Male Lead in TVB's Anniversary Awards for Square Pegs, it seems as if Roger Kwok has been shadowed by his character in it, a retard. In Time, he surfaces and shows off his acting ability in an emotionally-charged character. Although Roger didn't win me with Square Pegs, he sure did in Time along with Flora Chan. Ironically, Flora has won me over with her last TVB series. Even if they were technically the same person, Ko Shan basically played 2 different personalities, Ko Shan and Nicole. She was so excellent you could read her without her saying anything. But what surprised me was she finally took on a semi-villainous role and performed it well. I also have nothing but praise for the supporting cast minus Cherie Kong who played Lee Sze Ching. However she is new and I see potential. The way the series end suggest the idea of leaving things to fate. You can't put a finger on it, but probably the most satisfactory kind of ending I've seen in a very long time. The ideas are somewhat philosophical and I personally found pacifying, perhaps rooted in Buddhism, which makes me wonder whether there is a neo-Buddhist movement going on with it surfacing in other recent Hong Kong works.

The course of the husband learning the true meaning of love, when his wife struggle for her life with deadly sickness This love story illustrates the conflicts and dynamics of an older wife, who lives her life to the fullest despite her poor background, and a younger husband of hers, who was raised in an affluent upper class family. The process of them falling in love, getting married, and facing the difficulties along the way, is portrayed and the course of the juvenile husband learning the true meanings of love, when his wife struggles for her life with deadly sickness, is tragically and beautifully illustrated.

The Special Mission Task Team is not considered as important as it might sound. It's positioned in the lowest section of the Metropolitan Police Department and headed by Ukyo Sugishita. Together with his partner, Kaoru Kameyama, this team is Japan’s version of The Odd Couple, solving clueless cases in original and outrageous ways.