The film is based on the life of a samurai named Nakamura Hanjiro who was involved in the Meiji Restoration along with Saigo Takamori and other prominent men. Set during the waning days of the Tokugawa shogunate, it depicts Hanjiro’s rise from a low ranking samurai to one of Saigo’s most trusted men due to his generosity and excellent swordsmanship.

The Yorozuya need money to pay their rent. They decide to do several small jobs but in each place, they meet the Shogun. Meanwhile, the Shinsengumi is facing divisions. The internal conflict of special forces is linked to shenanigans that involve the Shogun.

Among the most memorable things about Megane are an empty white beach, a luminous turquoise sea, and a verdant country road. Descending on this paradise, Taeko, a buttoned-up, bespectacled woman dragging a very large suitcase, checks into a tiny seaside inn. Expecting to be left alone, she's put off when the hotel's proprietor, Yuji, sits down to eat with her. She's even more disgruntled when Sakura, a placid, revered older woman, takes the liberty of entering Taeko's room to wake her up! But seeking haven at another hotel proves farcical, and Taeko sheepishly returns to her unconventional hosts. Relieved, she gradually tunes into their simple community and cultivates what Yuji calls “the talent to be here.” There's a lot of talk about the “visceral power of film.” But Megane takes a step further, manifesting a process whereby the viewer can partake in the characters' peace. As Yuji and Sakura prepare exquisite meals and practice playful exercises on the sand, we, like Taeko, begin to yield to their pace and absorb their benevolence. As all engage in “twilighting,” a pastime involving staring into space, we, too, find that our breathing deepens, our gaze relaxes. Watching Megane becomes a meditation. A soulful journey rife with subtle “aha” moments, Megane is minimalist and quiet but never didactic or serious. Like a good Buddhist teacher, its unexpected humor delights and thaws us.

Young-Woong is a psychiatrist (Kim Kyeong-Ik). He has been married to Soo-Hyun (Jin Hye-Kyung) for 10 years, but their love has waned and they now feel indifferent towards each other. One day, Soo-Hyun's daughter Haru (Ayaka Tomoda) appears before them. Soo-Hyun gave birth to Haru while she was studying in Japan. Haru carries a wounded heart from her boyfriend's betrayal. Soo-Hyun asks Yoong-Woong to treat her daughter. Through their consultations, Young-Woong begins to dream of more than just a doctor and patient relationship.

Saya (Yui Aragaki) is a young widow mother. Her husband Yutaro (Yo Oizumi) died in an accident. Yutaro abandoned his wealthy family to marry Saya. To protect her baby, she goes to the town of Sasara where her aunt lived. Her aunt passed her house down to Saya. Saya and her baby settles down there, but she has difficulties dealing with her situation. At this time, her dead husband Yutaro borrows other people's bodies to help Saya, but Yutaro's family tries to take her baby away.

“Dream” tells the story of a team of people trying out for the Homeless World Cup, an annual international soccer event.

Yoon Hong Dae is a professional soccer player on disciplinary probation after being caught up in an unexpected incident. He becomes the coach of a thrown-together soccer team, but as time passes, comes to sincerely care for and trust in the team members, becoming a true leader.

Lee So Min is a producing director who dreams of finding success through a documentary about Hong Dae’s team.

Five hundred years ago, when the havoc in the heavenly palace, the wick Zixia in front of the Buddha's seat was about to burn out. With the help of the Moonlight Treasure Box, Zixia sees that her lamplighter is the Great Sage Monkey King who will haunt the Heavenly Palace in five hundred years! But in this life, he is just an ordinary person named Zhizunbao, and is ready to inherit the noodle shop of his father. The first generation lights up the lamp, and the third generation becomes attached. What is the fate of Zixia? Is the Supreme Treasure the one he loves?

Based on the successful Taiwanese movie of the same name, in Japan in the early 2000s Kosuke Mizushima is a popular yet childish high school student living a comfortable life. He wants to start a relationship with his classmate, but she's a serious honors student.