Kurata Kenta lives with his parents, Taichi and Keiko, and younger sister, Nana, in a house in the outskirts. He is a struggling commercial artist with his own firm. But because he is timid and a coward, he cannot assert himself and is not successful in his work. Kenta takes after his father in that aspect, but he does not want to be spineless and unreliable like him. The relationship between father and son has soured. One evening, Kenta is standing in line for the train at a station platform when a man jumps the queue and shoves a female aside. Kenta would usually silently let such situations pass, but on this day, he corners the man and warns him. The man tries to resist, but the passengers around him also agree with Kenta. At that moment, a young lady picks up the cigarettes that the man had dropped, hands it over and suggests that the man leaves. Kenta is shocked by his own uncharacteristic behaviour because he is venting his anger about his job. After that, Kenta takes the train and bus to go back home, but along the way, he realises that he is with the man who jumped the queue. Fear swells in Kenta who jumps out at the bus stop in front of his house and the man follows behind. Kenta runs and shakes him off. When he reaches home, he tells his parents and sister about the incident. He is cautioned by Taichi not to get involved in unnecessary things. However, that day is the turning point. The next morning, Kenta is awakened by Nana’s panicky voice. The flowers in the flower bed have been entirely uprooted. But Kenta and Taichi both head to their workplaces because it is office hours. When Kenta goes to the train station after work, the young woman who had made the man back off yesterday is there. Kenta talks to her about the resentful man following him as well as the flower bed incident. Then the young woman hands him her name card and asks if he would like to look into it. She is Kando Asuka, a magazine reporter. At the same time that the harassment begins, Taichi discovers alleged improprieties at his company and worries about what he should do. As Kenta and his family attempt to identify the stalker, several questionable people emerge around them.

After the Onin War, the world is plunged into chaos. Amid this situation, heroes of the warring states begin to emerge in an attempt to unify the country and rule in these turbulent times. In the mid-1540s, there is a young wandering samurai in Mino which is strategically located between the East and West. His name is Akechi Mitsuhide. At this time, there is plenty of internal strife within the Toki clan which rules Mino. Surrounded by the Oda of Owari, the Imagawa of Suruga and the Asakura of Echizen, Mino has constantly faced the risk of invasion. Mitsuhide is pulled into battle and destroys the enemy. His bravery as well as stratagem catches the attention of Saito Toshimasa, the chief retainer of the Toki clan, and he is singled out. This man who is also known as Saito Dosan will go on to takeover the Toki and make Mino his own.

In Korea during the first half of the 1700s, Yi San is an aloof and perfection-loving young prince. His father’s killing haunts him, although it leaves him in the position to take the throne once his grandfather – the cruel and ruthless current king responsible for Yi San’s father’s death – dies. He has resolved to become a benevolent monarch who will reform the law when he eventually takes the throne, but the way his father was killed has scarred him emotionally.

At court, he meets a young woman named Sung Deok Im. Yi San falls in love with her and tries to convince her to become his official concubine. But Sung Deok Im is strong-willed and free-spirited. She is also intelligent enough to understand that becoming a royal consort to the future king is a prestigious role, but one that would restrict her freedom and likely bring her little in the way of joy. But Yi San’s love for Sung Deok Im is true, and she starts to understand that forming a union with him could ultimately benefit his troubled realm.

Adapted from the novel "The Sleeve's Red Cuff" (옷소매 붉은 끝동) by Kang Mi Kang (강미강).

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Ha Yeon Woo was once the toast of Chungmuro – Seoul, South Korea’s answer to America’s Hollywood. As a maverick young movie director, his debut film was a massive hit for both filmgoers and critics alike. But after this auspicious start, he fell into a lengthy slump. He is now listless and unsure if he is really cut out to be a top movie director after all.

One day, he meets Sung Woo Jae, a famous fiction writer who he once knew – but has not spoken to for some time. Sung Woo Jae also has demons, however. His first love ended in sadness, and he took solace in his writing, eventually going on to become a prolific web-based novel author. Their meeting ignites a passionate romance that burns as bright as the flames of war. Will this relationship heal Sung Woo Jae’s wounds – and lift Ha Yeon Woo out of his slump?

3 Gongdan is a village where missing deceased people, including Kang Eun Sil and Oh Il Yong, stay. Meanwhile, Kim Wook, Jang Pan Seok, Lee Jong A, and Detective Shin Joon Ho try to find the bodies of missing people and chase after the truth behind their deaths.

Space aliens from a different planet invade Earth in an attempt to expand their territory. They are confronted by 3 individuals, who have overwhelmingly mechanic technology and individual creativity.

Fang Yuan, the chief judge of the Xingcheng District People's Court, and Song Yufei, the deputy chief judge of the Criminal Division of the Rongzhou Intermediate People's Court, are the apprentices of Zhang Weimin, the vice president of the Xingcheng District People's Court. The three teachers and apprentices dedicated their youth and passion to China's judicial career.

Now, Fang Yuan's apprentice and legal assistant Zhou Yi'an has just become a post judge. The former group of mentors and apprentices is now scattered to different trial positions and continues to shine. The sudden drop of Ye Xin, a young female cadre of the Supreme Court Research Office, brought more changes to the Xingcheng Court. These three generations of court personnel, in each case, have carried forward the fine tradition of court help and guidance, and they have always adhered to the bottom line of justice, morality and humanity.