Sumida and his schoolmate Keiko are 14 year old school kids living a dystopian existence where each of their parents' hopes and encourages them to die. Set in tsunami-hit areas of Japan about May 2011, which is used as a backdrop, the story follows roughly that of the manga of the same name wherein Sumida fights frequently with his father, is abandoned by his mother and tends to reject friendly advances of others. Eventually, he kills his father and then, assuming his life is ruined, attempts to improve society by killing "bad" people. Although not immediately obvious, what instead happens is that he attacks psychotic and violent characters, while he instead learns from Keiko and the Yakuza and people who befriended him that he himself has become "sick", eventually breaking free of the cycle of violence, but without a complete resolution of the issues raised during the movie before its end. Written by Jeff K.

Snow Leopard Secret War is set in 1943, when the war in the pacific was still going on, causing the Japanese army to be affected and had to switch to defense mode. However, they were carrying out another battle plan, a large-scale attack began, they also tasked agents with lying in the area and illegally transporting weapons. . At this time, the leader of the Independent Troupe Tiger Tou Son Bat Lo Luu Vien found the spies and successfully prevented an impending war.

Sequel to the 2015 film 'Surga Yang Tak Dirindukan'.

drama

A horror movie about the things that happen when the spirit of a murder victim appears.

Jia’s first feature shot outside his native China is a generations-spanning drama that unfolds in three parts, set in the 1990s, the present day and 2025, respectively.

Two feuding eccentric families with super powers clash when their young sons confront each other after a silly mistake. Meanwhile, the local high school principal has mysterious powers of his own that trump those of the two rival clans. How did this civilian acquire them? Or perhaps a better question, who or what is using him?

Deals with the vivid everyday life horrors that can be easily encountered in familiar places around subjects like noise between floors, secondhand furniture, mannequins, and social media.