Jung Yup tries to find a job as a lawyer for a law firm in Seoul. It's not so easy for him, with Jung Yup being from a smaller city. In the meantime, he begins work at a child welfare center in his hometown. He goes with a co-worker from the child welfare center to the police station and meets 10-year-old Da Bin. The young girl reported to the police that her stepmother Ji Sook choked her around her neck, but there isn't anything Jung Yup is able to do. Da Bin is returned to her family. Da Bin and her 7-year-old brother Min Joon begin visiting Jung Yup at the child welfare center daily. He makes an effort to spend time with them to keep his job. Jung Yup is aware that the children are abused by their stepmother, but he is powerless to do anything about it.

Jung Yup then learns that he has been hired by a law firm in Seoul. Without saying goodbye to Da Bin and Ji Sook, he heads off to Seoul. One day, he receives a phone call that Da Bin has killed her younger brother Min Joon.

The lives of Misong, an indebted prostitute living in a red-light district, and Geunhee, her parasitic pimp, may be the most vile and futile on earth. The harder they try to escape, the deeper they fall into the pit. Every day, survival becomes a war. Every day, Misong grows more and more exhausted, deprived of any hope. She also grows to resent Geunhee, a jobless burden. Geunhee is and always has been a patronizing deadbeat. One day, when Geunhee gathers the spirit to find a work, he encounters a familiar street thug who offers him dangerous opportunity that he cannot refuse. Geunhee now stands at a fork in the road where he must decide.

A tragic love story between a girl and a man living in the gutter...

It's an outsider's (Ddaraji) life that cares for no one and no one cares about...

Director Yoo Ha helms the period saga A Frozen Flower as a plunge into the intrigues and machinations of the Korean dynastic era. The period is the late 14th century, and the last waning gasp of the centuries-old Goryeo Dynasty. As that regime comes to a bitter end thanks to the machinations of the Yuan Dynasty, The Goryeo king responds by organizing a military force known as Kunryongwe, led by the daunting commander Hong Lim. The leader captivates the king to an alarming degree - to such an extent, in fact, that he almost completely diverts the regent's attention away from his queen, leaving her with tremendous feelings of reluctance and hesitancy about this relationship. Meanwhile, the manipulativeness of the Yuan doubles: they unsuccessfully attempt to subvert the king by placing a threatening ruler in a high position, but the king - sensing this Machiavellian scheme - adamantly refuses, much to the consternation of the top-tiered Goryeo officials. The ruler also devises a complex and wickedly clever scheme to protect the Goryeo line for future generations by appointing Hong Lim to impregnate the queen and father a new ruler with her.

Trucker buddies Momojiro and Jonathan ( Bunta Sugawara and Kinya Aikawa ) are back in this second film of the popular trucker series about the crazy duo and their adventures driving around Japan in their pimped out trucks. Momojiro has rather enjoeyd his hedonistic lifestyle as a single truck driver with a large number of women and heavy consumption of alcohol, however now he thinks it's time to get married and begins his quest for a bride. Meanwhile his family man buddy Jonathan, who previously worked as a traffic cop, receives an unwelcomed guest from the past who holds a grudge against him.

Kawamura Shunsuke works for a real estate company. He is usually first at first when it comes to sales. He is respected by his boss and colleagues. Kawamura Shunsuke is also set to marry the daughter of the CEO of his company. His life is going great by every metric one can think of. On the day before his wedding, his colleagues hold a surprise party for him. On his way home from the party, Kawamura Shunsuke falls into a deep manhole. When he wakes up, it is late at night and he struggles to get out of the manhole. His wedding is also fast approaching.

A writer with a sad past returns to a house he has been away from for many years, accidentally breaking into the private space of a female tenant.

Kiyo (Nanako Matsushima) is a female school student in Saga Prefecture, Japan. She admires nurses and wants to be helpful to her nation. Kiyo decides to become a war nurse. She undergoes strict training and finally graduates from nursing school. Kiyo then gets her draft notice and leaves for Manchuria, China. Everyday, she takes care of injured soldiers. A Japanese immigrant in Manchuria, Wataru (Hidetoshi Nishijima), brings two injured people to her. One person is Hikaru (Hidekazu Akai) and the other injured person is a native Chinese person named Son (Yuta Kashikura). Kiyo persuades Army Surgeon Hideyo (Tsurube Shofukutei) to treat Son and he does so in secret. Lieutenant Colonel Kisuke (Satoshi Hashimoto) soon discovers about the treatment.

When an idealistic governor disobeys the reigning feudal lord, he is cast into exile, his wife and children left to fend for themselves and eventually wrenched apart by vicious slave traders. Under Kenji Mizoguchi’s dazzling direction, this classic Japanese story became one of cinema’s greatest masterpieces, a monumental, empathetic expression of human resilience in the face of evil.