After the civil war that tore apart the regions of Touto, Hokuto, and Seito, the new governors of each region work together to reunify Japan. In reality, however, they are part of an organization called "Blood Tribe", which intends to take over the entire world. Considering Sento Kiryu/Kamen Rider Build as a major threat against their plans, the Blood Tribe begins their plan by somehow manipulating his friends and other civilians to attack him. With even Ryuga now against him, Sento must now fight to survive while trying to stop the Blood Tribe's plan from succeeding.

LIM Jung-hwan (Choi Sung-guk) is still nowehere close to graduatiing after nine years of college. He is more than happy taking it easy and living his playboy lofestyle, preying on young innocent college girls. Once, Jung-hwan saved Eun-joo (Shin yi) who is almost drowned. Eu-joo falls for Jung-hwan so much my Jung-hwan wouldn't give a damn. One night, as Jung-hwan gets drunk, Eun-joo takes the chance to make love to him... Years passed, Eun-joo is now a prosecutor. Howeverm she can't help herself and falls madly in love with Jung-hwan. She persistenly pursues Jung-hwan and brings him his kids, as their one-night stand leaves her pregnant with twins. Jung-hwan unwillingly gets married to her for the sake of the tiwns, but he is unhappy and he is tryign to get rid of her. On the other hand, Eun-joo is ready to put her husband-taming project into action...

As with the rest of his oeuvre, duplication and mirroring of female characters once again informs Hamaguchi Ryusuke’s latest work, Guzen to sozo. It would not be out of place to make a literary analogy and, if one were to regard his two previous films (Happy Hour and Asako I & II) as novels, this new work could be described as a collection of short stories. The film’s recurring rhythm amplifies this effect. The three episodes, which each revolve around a woman, are in turn divided into three movements, like a piece of music. They tell stories of an unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding. The fragmentation serves to emphasize rather than undermine the exquisitely organic storytelling and mise en scène. Although most of the action takes place in a single space and involves just two actors, not once does it feel like filmed theatre. The secret lies not only in the writing, but also in the notion of a more complex temporality in each episode that flirts with science fiction in the final instalment. The moments we witness are crystallized into touching universal destinies marked by choices, regrets, deception and coincidences. They are the film’s true protagonists.

Oro, Plata, Mata is a 1982 multi-awarded Filipino film directed by Peque Gallaga, and is considered his most significant contribution to Philippine cinema. Set in the Philippine province of Negros during World War II, it tells the story of how two haciendero families cope with the changes brought about by the war. In translation, the movie is also known either as "Gold, Silver, Bad Luck" or "Gold, Silver, Death." The title refers to an old Filipino architectural superstition saying that design elements in a house (particularly staircases) should not end in a multiple of three, in keeping with a pattern of oro (gold), plata (silver), and mata (bad luck). The film is structured in three parts that depict this pattern played out in the lives of the main characters, from a life of luxury and comfort in the city ("oro/gold" ), to a still-luxurious time of refuge in a provincial hacienda ("plata/silver" ), and finally to a retreat deeper into the mountains, where they are victimized by bandit guerillas ("mata/bad luck" ).

A sunshine of about 26 years old, a pure wedding dress designer working hard in Shanghai to strive for his dream, of course, accompanied by this failure, in the low point of his career, he has long endured other people ’s incomprehension, ridicule and even use, but he Still grateful. After repeated failures, he not only realized his dream of starting a business, but also moved others with his persistence, kindness, generosity and tolerance, and harvested his own love story.

After the unexpected death of her husband a new life begins for Toshiko. 30 years of a happy marriage seem to suddenly vanish as she finds out that her husband had lived a double life. Struggling between her anger and...Terao

movie

Takabayashi Matsuri learns that she only has 10 years to live due to an incurable disease. She decides to not dwell on her life and not to fall in love, but she meets Manabe Kazuto at a school reunion.

Adapted from the novel "Yomei 10 Nen" (余命10年) by Kosaka Ruka (小坂流加).