Yong-soo lives in a small coal-mine village in North Korea with his wife and young son. Although living in extreme poverty, the family is happy just to be with each other. Then one day, Yong-soo's pregnant wife becomes critically ill. Let alone medicine, Yong-soo can't even find food for her in North Korea. So he secretly crosses the borders of China hoping to find the medicine for his wife. After many life threatening moments in China, Yong-soo is forced into South Korea, becoming an unwanted refugee prohibited to return to his family. Meanwhile, his wife passes away leaving their young son alone in desperation. With no one to turn to, his young son sets out to find his father not knowing where or how to find him.

Shawn Yue (Love in the Buff) is entangled in an enigmatic love triangle with Shu Qi and Shu Qi! The award-winning actress of Three Times serves up another breakthrough performance in her challenging multiple roles as a pair of twin sisters - and the characters they play in the story-within-the-story - in The Second Woman, the latest from independent writer-director Carol Lai (The Third Eye). Produced by renowned Hong Kong filmmaker Gordon Chan (Painted Skin), the erotically charged suspense thriller offers a complex and twisting tale of sibling rivalry and switched identities, which will keep audiences guessing until the very end.Huibao (Shu Qi) and boyfriend Nan (Shawn Yue) are busy rehearsing for their theatrical troupe's new play "The Legend of Lady Plum Blossom". She is under heavy pressure as the second female lead of the play, and she falls ill just before the crucial final show of the national tour. Surprisingly, she manages to deliver a career-best performance that night to the surprise of everyone. Turns out, however, that it was actually Huibao's identical twin sister Huixiang (Shu Qi) who secretly took her place on stage and won over the audience. That fills Huibao with jealousy and suspicion, as she begins to see her sister as a serious threat to her career and even her relationship with Nan. After a confrontation between the two sisters on the seaside one stormy night, Huixiang has mysteriously disappeared while Huibao has come back a different person...

This little goldmine from writer/director Kim Ji-Woon starts with a young woman who asks her brother to videotape her confession. The brother thinks this is all a joke and unnecessarily ridiculous. The woman nevertheless insists on proceeding on telling on...

Chinese college student Alex has a big problem with women, but he wants a girl friend. A difficult and funny situation set in Los Angeles where anything is possible.

Jun is a university student. She meets high school student Haru. To Jun, Haru looks just like Sachiko who was the girlfriend of her now deceased father. Jun and Haru meet Tokio. Tokio is the grandson of Sachiko and they...

Tondo. The Ancient Gangland. Year 1950. Gwangwars were in. Violence was the name of the game. Gangsters carried Thompson?s and grease guns in a Bayong. Police Characters were just too tough resulting in bloody encounters. All notorious hoodlums dreamt to be the King. But one smart and slippery hoodlum rose to power and reigned as King. He was the youngest and toughest Public Enemy No. 1 (Criminal) the Tondo Underworld ever bred. He was feared, respected and loved. A legendary Robin Hood in his time Tondo will never forget. His gang called him Hitler. Tondo remembers him by another name?. ASIONG SALONGA He robbed the rich to give to the poor. He lived and died by the gun. He lived fast and died young. This is his bloody career and salvage true-to-life story.

Ja-yoon is a high school student who struggles with memory loss after she endured some unknown trauma during her childhood. While trying to uncover the truth, she is unwittingly dragged into a world of crime and finds herself on a journey that will awaken many secrets hidden deep within.

“Life's more fun when you're an idiot,” says one of the characters in FINE, TOTALLY FINE and this movie is Exhibit A in the case against brains. Set in the dusty margins of Tokyo, FTF is a surreal comedy that's a spiritual successor to previous festival hits like THE TASTE OF TEA, and it charts a lazy love triangle between the world's clumsiest woman, Akari (Kimura Yoshino of Cannes hit BLINDNESS and SUKIYAKI WESTERN DJANGO), who can't even open a box of Kleenex without setting off destructive shock waves, a tamped-down hospital administrator Hisanobu (Okada Yoshinori) and his brother, Teruo (Yoshiyoshi Arakawa), a clueless part-time park keeper who is so unconcerned with the world around him that he doesn't even realize he's working part-time (“Why do you think you have so much free time?” a co-worker asks). Teruo is obsessed with building the world's greatest haunted house, one that will terrify grown-ups but he'd rather spend his time talking about it than doing any actual work. It's a star-making performance by Arakawa who has appeared in dozens of Japanese films playing everything from a cloud of flying sperm to Vinnie Jones' translator, and who can get a laugh from something as simple as typing on his computer. Gormless and weird, his Super! Ultra! Deluxe! deadpan is this movie's stylistic touchstone. First time director, Yosuke Fujita, was a hospital janitor for eight years before making FINE, TOTALLY FINE and this movie is full of characters who are all turning 30 and going nowhere fast, and what stands between them and true happiness are the exact same things that ruin all of our lives: the magic marker that's going dry just when you really need it most, a disappointing corndog or even that horrible person who won't let you gracefully escape their boring company before three o'clock in the morning. This is a movie made by someone who is cautious about strong emotions and who treats them with a hushed respect. There isn't a big moment of emotional catharsis here, instead the closest these characters come to nirvana is when they're all sitting quietly together, listening to the rain. Life can be an unfair string of humiliating indignities, but sometimes it gives you these moments where you can't possibly imagine wanting anything more