Based on the comic by Tsuchida Seiki, inspired by the artist's own life experience, this film portrays the loss and regeneration of the life of four men.

When a ten-year-old tunnel is about to be completed, affected by global geological changes, a series of geological disasters such as ground fissures, earthquakes, landslides, mudslides and so on are coming. The tunnel and the entire county are at stake. Lao Hong and Xiao Hong, the father and son stood up in desperate situation. How did they survive this life-and-death crisis with 160.000 people?

The drama revolves around the relationship between Rei Kosaka (a tsundere guy who easily gets worked up and who always says, "Just die already") and Nana Shikano (a girl who habitually cuts her wrists and who always says, "I want to die.")

“The age of dejection.” This is how Director Lee Chatametikool remembers Thailand in 1997. Concrete Cloud is a film that tells us about the young men who survived an era of financial crisis. Mutt, who is working as a stockbroker...

When Qing Cheng was a teenager, he was attacked by an unknown mutant monster and lost his family and memory. He was regarded by the villagers as an ominous person who would bring disaster. Ten years later, the mutant monsters resurfaced to sweep Cheng's village. Qing Cheng vaguely realized that these monsters were related to his lost memory. In order to save the village and retrieve his memory, Qing Cheng launched a desperate confrontation with the monsters. But what was unexpected was that there was someone behind the all this. A terrifying human experiment was unfolding in secret, and the whole village was involved in it, facing a catastrophe...

A story that follows eight gossiping friends who are no longer in touch but because of a string of events involving a bottle of breast milk, they are reunited again. Along the way, they sort through their long-standing misunderstandings to regain their friendship.

The most audacious film to date from visionary director Tsai Ming-liang, The Wayward Cloud is about a porn actor and the museum tour guide who enters into a strange relationship with him, unaware of his profession. Hsiao-kang (Lee Kang-sheng) is the same alienated youth whose chance encounter with Shiang-chyi (Chen Shiang-chyi) provided the spark that fueled Tsai's earlier films. Once again, these two lost souls cross paths—he now works as an actor in no-budget porn films, and she wanders around Taipei, hoarding bottles of water because of a serious drought. In fact, the government is recommending that people eat watermelons to hydrate themselves. This fruit sets in motion a perverse (and often hilarious) symbolic theme throughout much of the film. As in his earlier film The Hole (SFIFF 1999), Tsai adds campy musical numbers into the narrative. These sequences play against the raw sex scenes, creating a bizarre, existential chaos. The filmmaker has created a perfectly realized alternative universe in his ongoing exploration of sex, bodies and loneliness. His stationary camera perfectly illustrates the isolation and exploitation the characters are trapped in—yet the film is as funny as it is emotionally tortured. Tsai's characters are indeed wayward clouds, drifting through life without purpose, in a world without water. And prepare yourself for the film's unbelievable final scene (no spoilers here), which manages to be both weirdly erotic and profoundly disturbing. For mature audiences only.

Jong Beom, the stylish captain of the 'Piggy Back ferry' in the port of Busan, struggles every day to protect his beloved family from his immature younger brother's sudden marriage announcement, his son's first love, and friendship with his friends.

One day, his alter ego and son No Ma was on the verge of losing something mother-like that he can't live without, the 'Piggy Back ferry'.

In May, the family month, 'Piggy Back' which will bring joyous laughter and tearful tears is coming.