Seeking a brighter future in megacity Manila, Oscar Ramirez and his family flee their impoverished life in the rice fields of the northern Philippines. But the sweltering capital's bustling intensity quickly overwhelms them, and they fall prey to the rampant...

Kusuo Saiki is a 16-year-old high school student. He was born with psychic powers, but he hesitates using his super powers in front of other people due to a childhood experience. Kusuo Saiki now tries to keep a distance from others to hide his psychic power ability, but his classmates with distinct individuality gather under Kusuo. Can Kasuo keep his precious ordinary daily life?

Seoul Station, dust alarms go off regularly. Tae San is homeless here. At first glance, he looks different from other homeless people. With Mr. Kim and Do Joon, they live as a family in underpasses or empty stores. One day, Tae San meets art student Moa and draws a picture with her on a dusty car. Tae San and Moa’s ‘Dust Art’ drawings start becoming widely known through social media. Through the cuts on his arms associated with suicide and the sporadic images, we learn that Tae San received great shock in the past and still has not recovered. Then Tae San starts having a positive outlook on life and becomes free from the trauma through the dust drawings. Through Tae San’s explanation on ‘Tyndall phenomenon’, the film tells us that homeless life and dust art are essentially the same. “Even an invisible being has a story to tell.” DUST-MAN seems to convey a message that art can project a light of hope not only to the world covered with dust but also for the artist themselves.

Jin-Sang (Ahn Bo-Hyun) is a troublemaker in his family. He is suspected of fraud and murder, while Detective Choi (Park Chul-Min) is chasing after him. Jin-Sang has a younger brother Jin-Ho (Hoya). He always tries to get close to his younger brother, but Jin-Ho hates him. Jin-Ho is a high school student and dreams of becoming a singer, but he keeps failing his auditions.

Nilalang tackles the underbelly of corrupt Philippine cops with the Japanese 'Yakuza' and its links to a centuries’ old curse that may be responsible for the spate of serial killings happening in Manila.

Smuggled out of the kingdom of Mahishmati as a baby and raised by tribal people in a village located at the foot of a waterfall, Shivudu (Prabhas) is the Bahubali, a human with god-like strength and valor. After repeated attempts...

A new shogun is appointed to the throne when his brother dies. He find out that the former Shogun one of the women from his brothers harem became pregnant, but she escaped. The new Shogun would loose the throne if the child is a boy. Genshiro is doctor who, among other things, performs abortions, and is sheltering his love, another women who escaped from the harem. The new Shogun threatens to arrest the girl unless Genshiro hunts down the woman and aborts her child. Genshiro learns that the woman releases a "musky scent from her special area" when in ecstasy. Both Genshiro and his friend set out to find all the women of the former harem and have sex with them, by force if necessary. What we have is an immensely well-produced, nearly two hours long movie about what the life inside a shogun's harem is like. There are many complex characters (incl. the shogun), and several plot-lines which are all resolved beautifully by the end. We are made privy to every aspect of a concubine's life. Discovery, training, internal intrigues, what happens to them when the shogun dies, etc. It is a rare glimpse into Edo period history (~1680 A.D.), incl. a detailed portrayal of an abortion doctor. It is an incredibly worthwhile and satisfying movie in every way; a well-rounded period classic to rival any literary costume drama produced in the West.

Hamari Adhuri Kahani (English: Our Incomplete Story) is a 2015 Indian romantic drama directed by Mohit Suri and produced by Mahesh Bhatt under the banner Vishesh Films and Fox Star Studios. The film stars Emraan Hashmi, Vidya Balan, and Rajkummar...