Da-hui, a "motelier" working at a love motel located in the heart of Seoul, hosts a podcast to share the incredible stories she witnesses at her job. From a young couple's struggles to have their first time to two curious girlfriends' trials of various adult toys, the stories she shares are full of cute, fun, silly, and sexy moments.

Constantly on the run from a vicious loan shark, two small-time con artists, Take and Tetsu, plan their biggest and most complex con yet in order to get revenge and retire from a life of crime. However, things get complicated when they cross paths with Mahiro, a young woman that Take inadvertently orphaned during a job gone awry years ago. Seeing Mahiro down on her luck, Take tries to relieve his guilt by taking her on as a partner, while hiding his true identity. But as his plan unfolds, Take discovers that he isn't the only one with a secret.

The film begins in the city of London, where a 30 year old man sits in front of a university board of 3 women. Apparently, the subject the man is being assessed in is Psychology of women, so hence the unisexual university board. The man is yet again told he has failed completely in the subject, and as he exits the university he is identified as Cheng (Ekin Cheng) by his colleagues. Not giving up, Cheng decides to continue with the subject, but at this time, his girlfriend decides to end their relationship. With no females to talk about and understand, he cannot continue with his essay. On top of that, his mother is getting increasingly worried that Cheng will not settle down, and urges him to marry. She introduces Cheng to her friend's daughter Yoyo (Charlene Choi), and tells them it is a good idea to marry. In this modern world, both Yoyo and Cheng sees this as ridiculous, but Cheng's grandmother is 93 years old and she wants Cheng to marry too. So in the end, Cheng is forced to marry Yoyo, who is 18 at the time. They make a contract that they will divorce within a year and no sexual relationship will occur. Yoyo agrees based on the fact that Cheng is quite wealthy, and she sees it as an opportunity to feed her lifestyle. By chance, Cheng becomes Yoyo's teacher, and she has to hide the relationship from her school and her crush Kelvin. As life continues slowly, various things occur, and Yoyo slowly finds herself falling in love with Cheng.

Set in the 1980s, the film tells the story of Bo Kyung, the older sister of a math prodigy and high school student Jun Kyung. They both live in the roadless countryside of North Gyeongsang Province. With the help of his girlfriend Ra Hee, Jun Kyung works together with Bo Kyung and the village people to create a train station.

Dong Chul can't fight at all, but he's a gangster who can talk. He can't show off his skills as well as before, but his spirit is still alive. But the girl who seems nice on the outside moves next door, and she doesn't feel threatened by him. If he calls her "the girl next door", she gets defensive. But for some reason, he wants to be nice to her!

Se Jin has put herself out on the job market. She has big plans and got the semi-basement room. But a gangster who doesn't even look like one lives next door. This man calls her "the girl next door" as if he knows her. The gangster that talks too much. She doesn't hate him!

Jong Du is autistic who ignores society's rules; unaware or unconcerned with the consequences of his actions. Unable to hold a job and always on the edge, he has been in jail three times: for attempted rape, for causing an accident while drunk, and for armed robbery.

On the spur of the moment, he decides to visit and apologize to the family of the man killed by his brother. When he arrives, he finds a husband and wife moving out of their apartment, leaving the husband's seriously disabled sister, Gong Ju, for the neighbors to look after.

Jong Du and Gong Ju slowly begin a friendship based on their mutual feelings of isolation. He provides her with the closeness she desperately needs; and she has found someone to care for, for the first time in her life.

As their relationship becomes known, both their families are scandalized; and aided by the prejudices of society, transform the innocence of their love into something sick and twisted.

Toshihide works as a doctor at a clinic located by the sea. One day, he meets Ako. She looks exactly like the woman he admires. Due to her, his heart flutters. Soon, Toshihide realizes that Ako is not his ideal woman. A case leads to Ako to begin living with Toshihide and his family. Living with the warm-hearted family, Ako slowly regains herself and becomes a person with a truthful and honest mind.

(Source: AsianWiki)

Duration: 1 hr. 53 min.

Content Rating: G - All Ages

As with the rest of his oeuvre, duplication and mirroring of female characters once again informs Hamaguchi Ryusuke’s latest work, Guzen to sozo. It would not be out of place to make a literary analogy and, if one were to regard his two previous films (Happy Hour and Asako I & II) as novels, this new work could be described as a collection of short stories. The film’s recurring rhythm amplifies this effect. The three episodes, which each revolve around a woman, are in turn divided into three movements, like a piece of music. They tell stories of an unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding. The fragmentation serves to emphasize rather than undermine the exquisitely organic storytelling and mise en scène. Although most of the action takes place in a single space and involves just two actors, not once does it feel like filmed theatre. The secret lies not only in the writing, but also in the notion of a more complex temporality in each episode that flirts with science fiction in the final instalment. The moments we witness are crystallized into touching universal destinies marked by choices, regrets, deception and coincidences. They are the film’s true protagonists.