Ohashi Taeko (Koyanagi Yukimi), the owner of a real estate company, is stabbed to death. Yamaoka Seiji (Hira Takehiro), who rents property from Taeko and runs a restaurant serving Western food, is sent as a suspect to Higashimaru Shinsuke (Sawamura...

Set in the year 2092 and follows the crew of a space junk collector ship called The Victory. When they discover a humanoid robot named Dorothy that’s known to be a weapon of mass destruction, they get involved in a risky business deal.

In the year 2092, space is full of dangerous floating garbage like discarded satellites and deserted spaceships. The crew of The Victory travels through space looking for the garbage they can make money off, while also competing with junk collector ships from other countries and using the speediness of their craft to defeat their rivals.

Kihachi Okamoto's The Sword of Doom is likely to strike the unalerted viewer as an exercise in absurdist violence, tracking the career of a nihilistic swordsman from his gratuitous murder of a defenseless old man to his final descent into what looks like a rehearsal for global annihilation, as, in a kind of ecstasy, he slaughters a seemingly endless army of attackers both real and phantasmal. The extreme but stylized violence of Okamoto's 1966 film epitomizes a mode of Japanese filmmaking that profoundly influenced such directors as Sam Peckinpah and Sergio Leone, and it would be easy—and not entirely inaccurate—to read the film in the light of the cynical antiheroic trends that surfaced in genre films all over the world in the 1960s and surmise that it represented the same kind of break with heroic tradition as, say, spaghetti westerns. It should be kept in mind, however, that The Sword of Doom was only the most recent episode derived from a long line of stage and film versions of an immensely long, structurally meandering novel that has remained popular ever since the appearance of its first installments a year after the death of the emperor Meiji (the ruler who oversaw Japan's transition from hermetically sealed feudal state to modern industrialized nation), and whose ostensible theme is religious.

From the closest location to see God's homeland Flown over 2000 hours, shooting more than 400,000 negatives, captured by a professional photographer on the helicopter beyond 10,000 feet in the air cruise, you never imagine from the height of the original records of the beauty of Taiwan. Standing in the position closest to God, can not help but wonder, what kind of blessing that God has given us a glittering island biodiversity. --- Liu Xiang

Somewhere in the jungles of South Africa, a multinational military unit, Special Force Unit, ambushes a convoy and kidnaps several scientists working on a highly-volatile compound extracted from a recently discovered meteorite. Among the operatives is a Hong Kong national identified as "Jackie Chan". The CIA assigns Morgan to investigate the incident, unaware that he and newly retired Lieutenant General Sherman orchestrated the abduction for their personal profit. At the same time, the CIA assigns another operative in South Africa for a more covert operation. Chan wakes up in a tribal village somewhere in the African veldt, still recovering from injuries sustained in an accident he cannot remember; as a result, when asked for his name by the natives, he responds by asking himself, "Who Am I?", and is referred to as that by the natives. The tribesmen show him the remains of a crashed helicopter and graves of those who perished aboard. He spends weeks recuperating from his wounds and learning about the tribe's culture. After spotting rally cars from several miles away, "Who Am I?" bids the village farewell and ventures on a journey back to civilization. He befriends Japanese rally navigator Yuki after saving her brother from a snake bite and offering to help them finish the race.

Kiyo (Nanako Matsushima) is a female school student in Saga Prefecture, Japan. She admires nurses and wants to be helpful to her nation. Kiyo decides to become a war nurse. She undergoes strict training and finally graduates from nursing school. Kiyo then gets her draft notice and leaves for Manchuria, China. Everyday, she takes care of injured soldiers. A Japanese immigrant in Manchuria, Wataru (Hidetoshi Nishijima), brings two injured people to her. One person is Hikaru (Hidekazu Akai) and the other injured person is a native Chinese person named Son (Yuta Kashikura). Kiyo persuades Army Surgeon Hideyo (Tsurube Shofukutei) to treat Son and he does so in secret. Lieutenant Colonel Kisuke (Satoshi Hashimoto) soon discovers about the treatment.

A group of junior high school must find out the truth of their classmate's death is he was killed by someone or committed suicide.