A short W.C. Fields film (1933).

The war against organized crime in Hong Kong has opened a new front: the school. And police Commandant Wong orders officer Kin to go under cover as a school teacher. Kin's assignment: to stop the infiltration by Taiwan's underworld. Kin's girl friend Hyun has jilted him. Once in school, Kin falls madly in love with the sexy teacher Moon. The students, however, make fun of him. Among his mentors, student leader Aaron stands out. But Hyun is also assigned to the school as an undercover student

An assistant commercial director gets a big break when he has a chance to direct a commercial with a cat. But when a student trainee loses the cat, everything falls apart very quickly.

ZEGEN (The Pimp). “Of Imamura’s late films, Zegen is the most like his early masterworks: epic, energetic, sexually impudent, and grotesquely funny. A satire about colonialism, commerce, and carnality, Zegen is based on the true story of a hairdresser, Iheiji Muraoka (Ken Ogata), sent to Manchuria to spy on the Russian army. A born entrepreneur, Muraoka set up a chain of brothels throughout Asia —a kind of fornication franchise— and became ‘the big Boss of the South Seas.’ As Imamura portrays him, the ‘zegen’ is a decent but doltish and blindly patriotic businessman who views his development of a prostitution empire throughout Southeast Asia as the vanguard of Japan’s military adventurism: ‘For the sake of a great cause, I procure women.’”Imamura's rambling epic is filmed entirely outside Japan in early 1900's South East Asia. It satirizes Japanese imperialism with considerable bite, but is also very entertaining in its characters and story. Based on the autobiography of a Japanese business man named Muraoka, if follows the main character from when he jumps ship swimming ashore in Hong Kong harbour, to Manchuria where he works as a Japanese spy using prostitutes to gain information from the Russians, to Malaysia where he sets up brothels of Japanese prostitutes in a effort to further Japanese colonization in the area. Ken Ogata plays the lead, giving a nuanced performance of the man who runs brothels as part of his noble service to the Emperor. There is also a compelling love story, some very humourous satirical lines and plenty of half clothed women. What more could you want?Note: The title 'oyabun' is used for Muraoka often in the film. It means Boss, or Big Boss or Godfather... I think you get the picture. Trivia: Director Takashi Miike was given his first film credit, as assistant director on Zegen. He was a student at the Japan Institute of the Moving Image at the time. The Institute was founded by Imamura.

Takashi Hayama (Nijiro Murakami) is a third year high school student. He falls in love with Azusa Oribe (Akari Hayami) at first sight and they begin to date.

One day, Azusa tells Takashi "people who meet me, forget about me several hours later."

Takashi doesn't believe Azusa, but by chance he realizes that he forgot about Azusa. So he won't forget Azusa, Takashi begins to leave a note for himself and Azusa.

dapted from a novel, with the same title, by Hirayama Mizuho (平山瑞穂).

Da-hui, a "motelier" working at a love motel located in the heart of Seoul, hosts a podcast to share the incredible stories she witnesses at her job. From a young couple's struggles to have their first time to two curious girlfriends' trials of various adult toys, the stories she shares are full of cute, fun, silly, and sexy moments.

A Ball at the Anjo House is a poignant look at the fate of an upper-class family in postwar Japan. The U.S. Occupation Forces, in the move toward greater democratization, strip the influential Anjos of their wealth and mansion. On the night before they’re supposed to vacate the premises, the family throws one final party, inviting friends, family and hangers-on to bid farewell not only to them but to a way of life.

Aimi and her father move into an old, apartment building and learn quickly that things are not normal here. The landlord warns Aimi and her father of the curfew. First, all residents must cross the rope in front of the property by midnight. Second, no one can move out until a new tenant arrives. Those brave enough to break the rules are unmercifully killed by a mysterious force. Aimi begins to see visions of a girl that doesn't exist. She learns that a girl named Ai lived here 30 years ago before she vanished one day on her way home from school. Aimi is driven to find out more about her. She learns that Ai wasn't abducted, but in fact came back to the building the day she disappeared. Can Aimi learn the horrible truth of what happened to Ai? And what is the dark, disturbing secret that the two girls share?