Aces Go Places 2 is another slice of silly action/comedy from director Eric Tsang, which sees Sam Hui reprising his role as a high-tech thief who uses James Bond style gadgets to outwit his enemies. Also returning for this second outing of zany 'fun' are Karl Maka and Sylvia Chang as police officers who once again get involved in the action. Following directly on from Mad Mission, this sequel sees our heroes in all sorts of bother as a US gang attempts to take revenge for the death of villain White Glove. A local gang offers to protect them, but only for a hefty cut of the diamonds which were stolen in the original film.

Following the collapse of his clan, unemployed samurai Hanshiro Tsugumo (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to commit ritual suicide on his property. Iyi's clansmen, believing the desperate ronin is merely angling for charity, try to force him to eviscerate himself—but they have underestimated his honor and his past. Winner of the 1963 Cannes Film Festival's Special Jury Prize, Masaki Kobayashi's Harakiri is a scathing denouncement of feudal authority and hypocrisy. Part Review from Film Reference http://www.filmreference.com/Films-Se-Sno/Seppuku.html The recurrent image in Seppuku is of Tsugumo in his black robes (having refused the white ones appropriate to the ritual suicide), seated cross-legged on the white harakiri mat in the center of the courtyard, surrounded by the massed spears of the Iyi warriors, and speaking in calm, unhurried tones. Around this image of charged stillness, the action of the film proceeds through visual compositions of intense lyrical beauty: most notably in the duel between Tsugumo and Omadaka, finest of the Iyi swordsmen, breathtakingly staged as a formal ballet of stylized, sweeping gestures amid long wind-tossed grass. Kobayashi's coolly reticent camera perfectly matches the rhythms of his studied narrative, supported by Toru Takemitsu's evocative score and, in the central role, a performance of epic stature from Tatsuya Nakadai. My Opinion In my opinion this film is a masterpiece and equally as good as any Kurosawa film. I really cant praise this film enough, if you only see one Japanese classic by a master director try this one.

Writer Yudi (Saif Ali Khan) wrote a hit book five and a half years ago but he is still living life king-size in Los Angeles, enjoying fame and affairs, avoiding commitment, doing no work, partying with his miserably married friend Montu (Ranvir Shorey) or having conversations with his fat, bearded inner voice Yogi (also Saif). Suddenly, Yudi's money runs out and his publishers dump him for hit romance novelist Aanchal (Ileana D'Cruz), visiting from Mumbai. The only work Yudi now gets is from Bollywood single-screen superstar Armaan (Govinda) who insists he copies Hollywood movies and writes a multiplex-style rom-comedy. Meanwhile, Yudi's dentist and once-girlfriend Vishakha (Kalki Koechlin) is pursuing him obsessively, even loading videos of him singing in the shower on her laptop, forcing Yudi and Montu to break into her home when she's away. On top of this, Yudi's got severe writer's block, stopping him from finishing any work. Running away from it all, Yudi tries to charm Aanchal but she's commitment-averse too. However, she gradually warms up to him, escorting him to Armaan's party, trying to help Yudi write, even agreeing to take a road trip with him to her book reading in San Francisco. The duo has fun singing classic Bollywood numbers on the way until doziness overtakes them and their car skids. While they wait for the repair van, Yudi and Aanchal have a ball posing sexily on the highway in search of lifts. Eventually reaching San Francisco, the couple is forced to share a hotel room – and agreeing to keep it simple and commitment-free, they end up making love. Their relationship grows funnier – on Aanchal's last night in LA, they argue over dinner, Yudi throws her phone into a vase while she douses him with water – but neither expresses anything more than a sense of light fun. It's only when Yudi's ex Divya (Priety Zinta in a cameo), having argued with her husband and visiting Yudi with her kids, tells him he loves Aanchal that he admits it to himself. Yudi then races Aanchal's taxi to the airport in a hilarious scene and tells her his feelings – but she says, thanks, let's just be friends. As she leaves, Yudi's sunk in depression – and then starts to write. Along the way, Vishakha gets engaged to a panic-stricken Yudi by falsely claiming she's pregnant – but then breaks it up, saying she doesn't want him to marry her out of pity. Armaan, who has meanwhile got himself cosmetic surgery and six-pack abs in LA, is impressed with the 'kick-ass' script Yudi presents him. However, for the script's ending, Yudi goes to Mumbai and sees Aanchal where he tells her they can take it one day at a time – and perhaps live their whole lives together like that. Aanchal smiles and the Happy Ending begins.

Cheng Jie, chairman of a certain group, was instructed by a "master" to have sex with a woman to change his luck. He targeted Han Mei, a "single mother" employee of his company, and raped and injured her, leaving her in a vegetative state. Afterwards, he lied to the media that it was Han Mei who seduced him and asked his pregnant wife to cooperate in the play, successfully changing public opinion. Han Mei's sister, policewoman Qiu Yi Zhao, firmly believed that Cheng Jie was lying and started an investigation. In the process of collecting evidence, she encountered many obstacles from evil forces, and Cheng Jie's ugly face of a beast in human form gradually surfaced. For her sister's sake and justice, even if she was in danger, Qiu Yi Zhao was still determined to fight to the end with the other party!

Content Rating: Not Yet Rated

Eun Sim, at the age of eighty, has returned to her hometown after more than sixty years. She is relieved to spend some time with her old friends Geum Soon and Tae Ho, who, unlike her, are still living in their hometown. At an age when death is closer than life, there is not a single part that does not hurt in her body, but she feels that she has lived well enough.

It is a trot-like movie where friendship and love bloom only in the twilight of life.

(Source: HanCinema, BIFF)

Release Dates: Oct 5, 2023 (Festival) || Feb 7, 2024 (Cinema)

Duration: 2 hr. 0 min.

Content Rating: G - All Ages

Trot singers Shinhwa have a lot of worries. No matter how many times they work and release a new song, the world only discovers trot singers from Mr. Trot or Miss Trot, but there is no place for their group Shinhwa.

Kyeong-jin, a member of Shinhwa, decided that it should not happen, tries to create a new trot hybrid group that fits the modern times by expanding, adding new members with good visuals.

Meanwhile, Ji-won, who was preparing to become an idol singer for God's Dream has been a trainee for 6 years. Now, she is the oldest in the group and is being under the spotlight of her younger members.

One day, in her hard life as a trainee, the head of the agency calls for support and offers her a position as an academy instructor, saying, "Wouldn't it be better to give up your dreams and teach your juniors instead?" Ji-won, who was worried about her dream and reality, stops by a regular bar in pain. There, she had a fateful meeting with the group Shinhwa.

"Trot Is Life" a comedy drama about the group Shinhwa and an aspiring idol Ji-won who don't seem to go together at all is just getting started.

Hyeongwu goes on a trip to Thailand with his girlfriend Daeun. However, Daeun gets sick and Hyeongwu ends up falling in love with an attractive photographer named Saejin, whom he meets while travelling alone.

Award-winning veteran actress Kara Hui delivers a tour de force performance as a mother driven to the edge by her seemingly possessed daughter in the chilling horror suspense thriller Daughter. Psychologist Sharon's (Kara Hui) only wish is for her daughter Jenny (Super Girls member Yanny Chan) to marry well. Despite Jenny's objections, Sharon sets her up with a rich suitor but things do not go as she planned. Jenny's actions become increasingly rebellious and strange, scaring off those around her, and Sharon herself also feels increasingly anxious and unstable from the stress of dealing with her daughter's condition. Sharon's friend introduces her to a priest/exorcist who insists that Jenny is being bothered by an evil spirit. Even after the exorcism ritual, however, bizarre incidents keep occurring. Is Jenny really haunted by ghosts, or are inner demons at work?