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  • Ep 1 SUB

    Suteki na Kakushidori (2011)

    Suteki na Kakushidori
    Genre:
    Comedy
    Country:
    Japanese
    Saijo Mie is the new concierge at a hotel. She receives unreasonable requests from different guests everyday. Sugawara, her superior tells her that there are three words that a concierge should never say, “No” “It’s not possible” “I can’t”. It is not just the guests who come to the concierge desk that aggravate Mie. Those pampered guests who stay in the hotel’s suite rooms also give her tall orders beyond all imagination. Will Mie be able to deal with the challenges posed by these troublesome characters?
  • Ep 49 RAW

    Seua Chanee Gayng 4 (2019) (2019)

    Seua Chanee Gayng 4 (2019)
    Genre:
    Comedy, Romance, Sitcom
    Country:
    Thailand
    N/A
  • Ep 10 RAW

    The Werewolf Game: Lost Eden (2018) (2018)

    The Werewolf Game: Lost Eden (2018)
    Genre:
    Horror, Mystery, School, Thriller
    Country:
    Japanese
    10 high school students who are in the same class get caught and forced to play The Were Wolf game, where they have to kill each others to survive.
  • Ep 8 RAW

    21st Century Family (2012)

    21st Century Family
    Genre:
    Family, Romance, Sitcom
    Country:
    Korean
    Here comes the story of a heart-warming and down-to-earth modern family! Duk Hwa, a former celebrity who married a hot wife who is 20 years younger than him. Keum Pyo, a first-born daughter in her second marriage after a failure of her first. Eun Pyo, a second daughter who's down-to-earth and born to love a man. Dong Pyo, a bigmouth phony-baloney living his restless youth. These outrageous members reveal their stories as their family feud unfolds.
  • Ep 33 RAW

    Mr. Ji, Your Wife Ran Away Again (2022) (2022)

    Mr. Ji, Your Wife Ran Away Again (2022)
    Genre:
    Drama, Romance, Variety
    Country:
    Chinese
  • Ep 1 SUB

    Kiri no Hata (2014) (2014)

    Kiri no Hata (2014)
    Genre:
    Investigation, Mystery, Novel, Revenge
    Country:
    Japanese
    Yanagida Kiriko (Horikita Maki) works at a food processing factory in Kita Kyushu as she lives a modest life with her intellectually disabled younger brother, Masao (Furuhata Niino). When work at the factory ends, she declines invitations from her colleagues, and waits for half-price at the supermarket so that she can buy Masao’s favourite squid rings. Then she heads straight home where her brother is waiting. Masao stuffs squid rings into his mouth with child-like delight as Kiriko fondly gazes at his smile. The next day, Masao is overjoyed to get his salary. On the way home, Kikue who is seeing off a young man from a house nearby, spots Masao counting the notes inside an envelope. She has an uncomfortable smile on her face when she jams 10,000 yen into his pay packet and asks if he can keep quiet about this. His hand is taken by Kikue and placed on her chest. A shaken Masao is left speechless. Hearing that he had accepted 10,000 yen from Kikue, Kiriko admonishes him. He is not supposed to take money from other people for no reason. Kiriko is about to go and return it, but Masao says he will go alone tomorrow. The next day, Masao visits Kikue’s home. His heart unexpectedly races as he recalls her behaviour yesterday. However, Kikue has been murdered by someone and Masao is detained as a suspect. Getting word of this, Kiriko desperately asserts, “My brother is different from an ordinary person!” But the police officers do not listen to her. On the other hand, Masao trembles in the interrogation and is not able to give an answer. If this goes on, he could end up becoming the murderer. A fretful Kiriko is reminded of the activities of the famous lawyer Otsuka Kinzo (Shiina Kippei) whom she had seen in the news and goes to Tokyo on her own. She pounds on the door of Otsuka’s law firm. Otsuka, who has been extremely busy, is exhausted. He has cleared a big court case and is going on a holiday with his lover, Kouno Michiko (Kimura Yoshino). That is when Kiriko comes to visit. “Can you help my brother? Please!” Otsuka seems moved by Kiriko’s emotional appeal, but Michiko has already come to get him. When he snubs Kiriko, telling her that his fees will go up in price even for cases in faraway places. She concludes, “I see, so you won’t help the poor” and leaves. Bile rises up in Otsuka … … Returning home Kiriko scrambles about for Masao’s sake, but he is sentenced to life in prison at the trial. Even so, Kiriko tries to save him. However, her brother dies of heat stroke while in prison. The abysmal conditions of the cell resulted in his death. Kiriko does not even shed tears in front of Masao’s dead body. She feels an emotion seething within her and vows revenge on Otsuka.
  • Ep 6 SUB

    Calculating Love (2020) (2020)

    Calculating Love (2020)
    Genre:
    BL, Romance, School, Youth
    Country:
    Thailand
    "Secretly Loving your close friend and changing him to be a love one" is an uncomfortable feeling for Sine and Tan. They don't know each person's thoughts. Will their relationship be the same after the love confession? Hoping this love will be calculated with the correct answer.
  • Ep 51 RAW

    Han River Ballad (2004) (2004)

    Han River Ballad (2004)
    Genre:
    Family, life, Romance
    Country:
    Korean
    MBC TV's weekend drama, "Song of the Han River" is a story of life and love involving a vibrant middle-aged woman, her two daughters, a niece, a nephew, and a cast of other characters surrounding them. The woman, named Kim Yeong Hui, is a widow who sells fish to support her family. Through their often turbulent lives, we are able to experience the difficulties of a not uncommon family and the persistence of the love its members have for one another. "Song of the Han River" is a warm but enervating story of ordinary people dealing with the normal difficulties of life. To bring about a sort of renaissance in MBC's weekend drama offerings, "Song of the Han River" ambitiously reunited the team of Kim Jeong Su and Choi Jong Su from the popular MBC drama "You and I" for the first time in 6 years. Planning and preparations for this new presentation were undertaken from May 2004, and the target audience ranged from those in their early 30s to those in their 50s.