My brother "Investing" and his younger brother "Electric Rabbit" grew up in an orphanage. They were adopted by the school worker "Thunder Sir" and received the help of "Lei Master" and stayed in the village boxing gym. The intensive support...

Seen through the prism of the Lin family, this complex family drama from Taiwanese master Hou Hsiao Hsien details a brief but crucial moment in Taiwanese history between 1945, when 50 years of Japanese colonial rule came to an end, and 1949, when Chiang Kai-shek's Nationalist Kuomintang forces established a government-in-exile after the Communist army captured mainland China. The film opens with the reedy voice of Emperor Hirohito announcing Japan's surrender as the eldest of the Lin clan's four sons awaits the birth of his child in a coastal town not far from Taipei. Soon afterward, he changes the name of his Japanese decorated bar to "Little Shanghai" and begins trading in the post-war black market. The second son has died in Philippines during the war. The third son, who had a nervous breakdown in Shanghai, starts to consort with Shanghaiese drug dealers upon his return to Taiwan. Once the eldest learns of the third's dealings, he forces him to stop. In retaliation, the Shanghaiese mob arranges for the third son to be imprisoned on trumped up charges of collaboration with the Japanese. The youngest son, Wen-ching, is a gentle deaf-mute photographer who has leftist leanings. The film climaxes with the notorious Incident of February 28, 1947, a Tiananmen Square-style massacre of native Taiwanese committed by Kuomintang troops resulting in between 18,000 to 28,000 causalities. The wounded pour into the neighbor clinic as Wen-ching and his friend Hinoe get arrested. After his release, Hinoe heads for the mountains to join the leftist guerillas while Wen-ching promises to look after his friend's sister Hinomi. Soon after, Wen-ching and Hinomi marry. Just as she is about to bear a child, however, the Kuomintang arrests Wen-ching for his involvement with the guerillas. 

(Short Film / 15 min) Landing in the Philippines for an operation he’s a little embarrassed to discuss, Jacques finds himself caught up in an amusing – and frantically escalating – series of predicaments with no apparent end in sight. DIRECTOR: Anuj Gulati / FESTIVALS: Best Film Award, Recognition of Achievement in Directing, Producing, Cinematography, Acting and Editing at First Run Film Festival; Clermont-Ferrand International Short Film Festival; Palm Springs International ShortFest

The story of Sultan Agung Hanyakrakusuma, the king of Mataram when he was still a teenager until he becomes a king.

Kurumi and Kaede run a "traveling sandwich shop" that wanders around Japan and offers sandwiches made from local produce.

The Last Witness (Hangul: ??? ??; RR: Choehuui jeungin) is a 1980 South Korean mystery film directed by Lee Doo-yong, based on the 1974 novel of the same title by Kim Seong-jong. When the film was originally released, a 40-minute portion was cut due to censorship laws of that time.[1] A remake with the same title was released in 2001.

It was one day after summer vacation, in 2008. So Jeong, a senior high school student, lives with her sick mother, but dreams to live alone and be a musician though the reality is frustrating. Just listening to music on MP3 and writing down the lyrics of the songs she wrote on her mini-homepage is So Jeong's only escape.

Hikari Shintani, a trans woman, works at an ornamental fish company and lives alone in Tokyo. While occasionally feeling an indescribable distance between herself and others, she enjoys the company of her trans women friends and workmates. One day, Hikari returns to her hometown for a business trip. To reveal her true self as a woman, she gathers her courage and texts her old classmate Takashi, a long-unrequited love from high school.