Asian Drama

Facing an unacceptable reality, a teacher is trying to reclaim relationships with his family, students and former friends. Reassessing his past, he contemplates how to go on with his life.

When the world is hit with a naturally occuring virus that spreads among all living things, humans begin to turn into insatiable zombies. In a blink, the world as we know it collapses. Furthermore, the few remaining survivors are unable to use the available food resources. They therefore develop a new crop to support themselves. Survivors depend on one profession, their only hope; someone in this profession must brave the dangers to send and recieve food and packages of necessities. These people are called Riders.

Saeba Ryo is a "sweeper" in the city of Tokyo. He works as a trouble shooter, cleaning the streets of vermin, and helping out desperate people. Sometimes he's a bodyguard, sometimes he's an assassin, whatever Ryo does he does it well. In fact, his only flaw is his hormones - he loves the ladies and sometimes turns into an idiot when he's near them. Thankfully he's got people like his partner Kaori Makimura to keep him in check.

(Source: Mangaupdates)

Adapted from the manga series "City Hunter" (シティーハンター) by Hojo Tsukasa (北条司).

Duration: 1 hr. 42 min.

Ratings: 8.1

After suffering from serial paranormal events, a wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'.

In order to exhume the grave and relieve the ancestor, Hwa Rim seeks help from top-notch geomancer Sang Deok and mortician Yeong Geun. To their dismay, the four find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath.

(Source: showbox.co.kr)

Duration: 2 hr. 13 min.

Content Rating: 15+ - Teens 15 or older

Remake of the 2005 South Korean movie "Marathon", this special is about an autistic boy guided by his mother and his coach in training for a marathon.

Following the story of Ran, who confronts a mysterious organization by participating in a no-rules deathmatch after discovering her missing younger sister Yuzuki is involved in a crime. With danger at every corner, Ran must trade in her boxing gloves for brass knuckles. Will she save her sister?

(Source: Amazon)

Adapted from the webtoon "Knuckle Girl" (너클걸) written by Jun Sang Young (전상영) and illustrated by You Sang Jin (유상진).

Ichigo no kakera deals with a female manga artist Ichigo Nekoda (Miyazawa), whose career is heading into a downward spiral as she can't reinvent the success of her 12 year old hit the Cherry Road. Now in her early 30's she's become quite fond of alcohol and egoism to some annoyance of her loyal manager Tomoko (Kajiwara), who isn't willing to leave her side even though the financial strains of her client are also becoming her personal burdens. Ichigo still gets greeted by her female fans and willingly signs autographs, but getting praised for work that she's done over a decade ago doesn't digest as smoothly as one would assume. Her on and off man, who happens to also be her editor steers toward the off days more than usual as he also grows tired of Ichigo's uninspired ways. But when the going gets tough, Ichigo heads down to a transvestite bar where she's more than welcomed with words of wisdom and a few hard drinks.

Tax Inspector Madogiwa Taro: Case File 24

Japan is in trouble. Serious trouble, to the tune of 800 trillion yen. At the current rate of national debt accumulation, the country will effectively collapse in a few years' time. The Ministry of Finance traces the beginning of the end to 1990 when a real estate cap set in motion a series of events that caused the bubble economy to burst, plunging the nation into hard economic times. But the Ministry has a crack plan to reverse all this. Into the picture comes flighty indebted bar hostess Mayumi (Hirosue Ryoko) whose mother has just passed away - or so she thinks until grave-faced civil servant Shimokawaji (Abe Hiroshi) shows up on her doorstep. It turns out her mother Mariko (Yakushimaru Hiroko) invented a time machine and traveled back in time to prevent the Finance Minister from making his disastrous policy move. Mariko has since gone missing, however, and now it's up to Mayumi to go back to 1990 to find her mom and, oh yes, save Japan. Directed by Baba Yasuo, Bubble Fiction: Boom or Bust is a delightfully over-the-top comedy that colorfully and good-naturedly pokes fun at Japan's contemporary concerns and past bubble economy. Heads would burst if one tried to analyze the time travel logic or economic reasoning presented in the film, but the goal here is laughter, and Bubble Fiction: Boom or Bust delivers it in large, sidesplitting portions. Director Baba contrasts the somber present with a hilariously excessive neon-lit 1990, a time when dresses were tight, eyebrows were thick, and money was everywhere for the taking. Abe Hiroshi (Trick) transforms seamlessly from a humorless, gray-haired salaryman to a goofy and irresponsible womanizer, while petite pop idol Hirosue Ryoko (Collage of Our Life) and former 80s idol Yakushimaru Hiroko (Always - Sunset on Third Street) make a formidable time-travelling mother-daughter duo. Packed with broad humor, pop culture references, and bubbly nostalgic fun, Bubble Fiction: Boom or Bust is easily one of the most enjoyable and entertaining films of 2007.

One day, Joon Woo wakes up to find that a mysterious virus outbreak has occurred. The outbreak suddenly spread throughout Seoul and rapidly grows out of control, trapping survivors alone inside their apartments without access to cellular data, Wi-Fi, texting, or phone calls. Joon Woo and Yoo Bin struggle to survive in an isolated apartment complex from those infected with the virus.

Based on the original scenario by Matt Naylor.

The film tells the story of a near future in which the earth is irreversibly sandy, as human emissions and rubbish exceed its carrying capacity. As plants and animals mutate to create the Earth’s new masters, the “sand worms”, which are slaughtering the planet and driving humans to the brink of extinction, the survivors are left to their own devices to find the only remaining refuge in the deep desert, the “Oasis”. An exiled team of wealthy businessmen, scientists, security chiefs, mechanic families and gangsters set out on an adventure to find the Oasis in a special armoured vehicle, but the bloodthirsty insects are hot on their heels.

Hello Babies is about two married couples. Dai Zhi and Cher decide not to have children to maintain their peaceful lifestyle. Meanwhile Xiu Bo and his wife Xiu Ping are still trying for a baby after many years of marriage. When Dai Zhi’s wealthy uncle is diagnosed with early stage Alzheimer’s disease, their lives are forever changed. Dai Zhi will only inherit his uncle’s vast fortune on one condition: He must have children. The film revolved around stories of couples of different ages and backgrounds, and how they dealt with issues relating to reproduction in a hilarious and heartwarming manner.