Joe Yabuki is an aimless young man who runs away from an orphanage with no money and no place to stay. He runs into a former boxing trainer, Danpei, who still has a strong passion for boxing. Danpei watches Joe fight and regains his desire to train future boxers. Joe, however, does not have any interest in boxing until he ends up in a juvenile prison where he meets Rikiishi, a former boxing prodigy. They quickly develop a rivalry, and a newfound interest in boxing overcomes everybody in prison, including Joe.

It tells a touching story about a loyal dog named Ba Tong who waited for the return of his owner for ten years even after his owner's death.

University professor Chen Jing Xiu meets a puppy on the street and secretly takes it home out of pity. However, his wife Li Jia Zhen blows up at the "family meeting" and scolds him for violating their agreement before marriage to not have dogs at home.

Given that their son Chen Xin Qiao and daughter Chen Xiao Zhou keep adding oil to the fire, the puppy seems to have become the source of a lot of trouble in the family. Nonetheless, Ba Tong also opens doors to a joyful story between the Chen family and their beloved canine.

N/A

N/A

An honest, low-ranking samurai, Munezo Katagiri finds himself buffeted by the confusion of old and new in mid-19th century Japan. Facing outside pressure, the Shogunate is trying to open Japan to the West and some carefully selected Western ways, while maintaining its fragile political base. Munezo, and his colleague Samon Shimada try to maintain their footing, paying heed to the demanding moral code of the samurai while also learning new military strategies, particularly the mastery of Western artillery. But Munezo also has a personal complication. He is secretly in love--so secretly, he may not even admit it to himself--with his family's maid, the sweet and beautiful country girl, Kie. His passion leads him to rescue Kie from a loveless marriage after she leaves his household; the samurai even shocks propriety by carrying away the low-caste young woman on his back. Just as Munezo starts to get his domestic situation in something to resembling order, Munezo hears devastating news. A comrade, Yaichiro Hazama, has been caught up in a plot in Edo. Their clan has sent the rebellious samurai home in the humiliating transport of a "prisoner's basket." Munezo comes under suspicion because he and Yaichiro, the clan's best swordsmen, shared a famed instructor, but Munezo refuses to cooperate with the chief retainer's witch hunt. Tension finally leads Munezo to confess his growing affection to Kie, a development that the young woman begins to hope will lead to the abandonment of caste structures. But before Munezo can realize his romantic destiny, Yaichiro escapes. Munezo is ordered to kill him, and the loyal, honorable samurai is faced with one final challenge to his principles.

Kuroneko is set during the Sengoku Jidai (the Warring States) period and tells the story of two women, a mother (Nobuko Otowa, The Naked Island, Onibaba) and her daughter-in-law (Kiwako Taichi, Strange Affinity, Live Today, Die Tomorrow!), who are raped by a gang of samurai. The women and their farmhouse are burned down, but their souls return as evil ghosts and swear to kill every single samurai in the land. Note: I limited the encode to grayscale and cleaned up the grain hence the size difference from the existing 720p encode

Karthik is an investigative crime reporter from 2019, while Sujatha is from 1993 . An accidental cross time phone talk connects them. When Karthik knows about her difficulties, he tries to change her future by changing the incidents from her past.

As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.