In order to improve his fighting power, Sun Wukong asks Old Master Taishang to upgrade the Golden Cudgel. However, the cauldron was destroyed and the cudgel fell to the earth and disappeared. In order not to annoy Sun Wukong, he decides to send a child named Silver Horn to the mortal world to find the Cudgel. In a fight with a bandit, Yinkaku befriends the village bully Haewa, who has lost his magic power. Under Yin Horn's coercion, Haeva agreed to help find the whereabouts of the Cudgel. At the Old Demon River, Haeva is forced by the Nine-Headed Insect to reveal the prototype of the Cudgel at the moment of crisis, thus solving the nightmare that has been haunting Haeva for 18 years. However, the sudden appearance of the Monkey King brings more doubts to Silver Horn and Haeva, whether there is a sudden change in the heavenly court, who is destroying the alchemy furnace and who is holding the Cudge

Undergraduate Tiffany undertook compensated dating, regarding it as pure personal choice that has nothing to do with ethics. Until she met long term sponsor (Cheung) and a young guy of integrity and passion(Rex) respectively, she finally realized she had to pay for what she had chosen.

An unemployed programmer Manson Ma is kidnapped and later found in abandoned hotel which is believed to be haunted since a gruesome murder occurred there many years ago. After his return, Manson is acting strange, as if he became different person altogether. Detective Pit Kwan who is in charge of this case is determined to find out the truth. Is Manson being possessed, or is something else lying behind his strange behavior?

A young husband appears to be cheating on his wife, he thinks she is having an affair with her cousin. She retreats to a large upstairs room covered in cobwebs, and is willing herself to become an insect, just like the character in Kafka’s Metamorphosis.

It's New Year's Eve for the Hotel Avanti, and the whole place is in panic mode. There's an award ceremony and countdown party to prepare for, guests to greet, entertainment to organise, a persistent call girl to deter, an escapee duck to find, and more.

It is near impossible to sum up this film in a few neat concise paragraphs. The level of writing that has gone into this film is fantastic. Throughout, it really feels like a stage play. The viewer feels intimate with the story and characters, and there is a real warmth and closeness there that is rare to find. Perhaps it the writer's experience with the stage that allows that quality to come through, and as such it is a real strength for the film.

This intimacy really helps the viewer to involve themselves in the story, which is incredibly fast-paced and deliciously mischievous in design. The film is really funny, and represents a very full spectrum of humour, from "hmmm" funny to "hah hah", and wry to downright silly, but still manages to be quite understated. This isn't the kind of film that you will make Pepsi come out your nose, but it is really funny all the same, and and there are some hilarious cock-ups that will have you giggling gleefully.

The jokes of course wouldn't work without the film's biggest strength: the characters. They are all so enjoyable to watch, as their adventures and mishaps tangle and spiral together, gathering momentum in one huge snowball effect. Some scenes are the culmination of so many threads that it is wonderfully painful to watch it all come together. It is hard not to talk at the TV. To the writer's credit though, the film is often refreshingly unpredictable, and I was impressed to find that this comedy of errors didn't just rely on the same old gags as similarly styled comedies.

The film also carries a dramatic message, and while all of the characters are caricatures of sorts, they are much deeper than that, and live and breath to the extent that the viewer finds themselves genuinely caring about what happens to them. There are so many great characters and scenes in this film that it would be a very cynical viewer that couldn't take away something memorable from it.

The Uchoten Hotel is a delightful film, expertly written, directed and performed. Even as the film effortlessly straddles zaniness and sophistication, and its many threads entwine together, the viewer can, just as the Hotel Avanti promises, think of the place as their second home.

Trick or Treat king Fan little busy (Zhang Liang ornaments) and justice girl Li Xin (Kitty Zhang ornaments) childhood mutually exclusive, once after a dispute Fan Xiao Li Xin busy curse not being married. Fan little busy when they grow...

Devastated by a love affair, former in-demand gigolo Future Chang retreats to Thailand, leading the life a dissolute. Thanks to the intervention of Mr. Lo, his high school teacher, Future summons the courage to return to Hong Kong. With the help of his friend Ricky, a gym trainer, he works hard to get back into shape, determined to make a comeback in the "duck" (male escort) trade.

Jung Il and Soon Nam are a married couple. Their son died in The Sewol tragedy. Jung Il feels guilt that he was not there with his family when his son died. Soon Nam misses her son dearly. She supports her family by working at grocery store. The film explores the aftermath of how The Sewol tragedy effected many families.