13 years ago, the Abe family moved to a town in the suburbs, surrounded by nature. The Abe family consists of their French father Toma (De Lencquesaing Nozomi), his Japanese wife Mikiko (Rinko Kikuchi) and their beautiful daughter Yuko (Kanon Tani). They appear like the perfect family. Mikiko managed to get her daughter Yuko to take part in a CM audition and she was picked by Murano (Joe Odagiri), director of the advertising agency. Yuko is now in show business. Several years later, Yuko (Nana Komatsu) transfers to a large entertainment company. As her mother wishes, Yuko is now popular and appears on the cover of magazines, variety shows and drama series. Yuko, though, feels an uncomfortable imbalance between her public image and her real self. During this time, she meets a dancer, Seiko (Mackenyu), who marches to the beat of his own drum, and falls in love with him. The nightmare begins.

Su Wan is a sophomore in college, and she works part-time as a tutor to cover her tuition since her father lost his job and started a small chicken eatery. It's been only 7 days since she started teaching her new student, and already she's been sacked. "No tutoring, no tuition," declares her mother to make sure she understands she has no choice. So Su Wan is back on the market and meets her next challenge - the impossible, the unconquerable and the unreformable Ji Hoon.

Su Wan is determined not to lose this job since she doesn't want to disappoint her Mom. And from then on, things start happening one after another.

Jungho – a character that the audience does not know anything about – abandons Sohyun. She is now on her own, away from home, somewhere in a motel, trying to kill herself. Out of nowhere comes her saviour: a transgender woman called Jane, who helps Sohyun. It turns out that Jane looks after a group of young runaways; without hesitation, she invites the girl into her little ‘family’ and helps her settle. Everyone seems to be caring and loving; however, it all ends suddenly when Jane passes away; and yet again, Sohyun ends up on the street. While watching this part of the film, everything at first seems to be normal and real, but then the viewers see the girl with another group of people; with another ‘family’ that is run by a strong and brutal man, and where the hierarchy is measured by how much money you can get for the ‘family’ to survive on; Sohyun’s life in the second runaway home doesn’t end well either. Two different families, two different ways of living, which is real and which is the figment of Sohyun’s imagination? She longs for a happy home and imagines one, but which one does she actually end up in?

The film was made with the support of Korean Film Council’s Independent Film Fund and won the CGV Art-house Award at the 2016 BIFF.

Stephen Chow plays a rich playboy who is blown up by a mafia boss when he flirts with the boss's girl. Through a series of circumstances his professor makes him a synthetic (robotic) body that allows him to change into a variety of "Mrs. Wong's Household products" like a microwave and toothpaste. Chow eventually goes to work at a school notorious for it's rowdy students and singlehandledly disciplines them all. He then goes on to marry a former classmate played by Gigi Leung. But before the wedding happens, the mafia boss finds out that Chow is still alive and sends in his own human-robot to take Chow out for once and for all.

Higashigaoka Junior High School is in turmoil as one of the pupils, Noguchi, who had been bullied, attempted suicide last term. On the first day of the new term, a substitute teacher arrives to take the second year class. When the teacher, Murauchi (Hiroshi Abe), introduces himself, the pupils are surprised by his stutter. He has a speech impediment. Unable to speak eloquently, Murauchi faces his pupils with 'words of truth'. His first instruction to the pupils is to return Noguchi's desk and chair to the original place in the classroom. Every morning Murauchi greets the empty desk, "Good morning, Noguchi." This causes a ripple beyond the classroom and among other teachers and parents, but Murauchi will not stop doing it. Eventually the day comes when Murauchi must leave.

Park Tae-ho (Jung Wung-in) is running an underground organization, which specializes in the smuggling of jewellery. In order to bust the crime ring, the police assigns an undercover agent to join the group who discovers evidence for the alleged illegal proceedings of the gang. Tae-ho who does not want to get caught, hides the jewellery, which is worth 3 billion won in display objects and plans to transport everything out of Korea. Therefore, the police launches a mission called 2424 (which means movement in Korean) under the supervision of Choi Doo-chil (Jeon Kwan-ryul) to solve the case. However, both the police and the mob lose track of the precious jewels during the course of transport; thus a dramatic search on both sides ensues ??

An obstinate policewoman joins hands with an old police officer to catch a murderer on a killing spree.

It has been concluded that a serial murderer is on the loose as multiple victims have died in a similar fashion. To solve the case, Xing Min and Old Zhou form a two-member team. Xing Min uses herself as bait to become the murderer's next target, but their plan puts her in grave danger.

The vengeful spirits of Kayako and Toshio return to continue their deadly curse against any living person that cross their path. Four women’s lives become intertwined and ultimately affected when they come into contact with Kayako and Toshio. Driving home one night, an actress and her husband hit what they think is a cat. It soon becomes clear they have picked up an extra passenger - the vengeful child, Toshio, who purposely caused them to crash. The husband is put in intensive care and the wife loses their unborn child, but it gets even worse...