Greedy Ghost(simplified Chinese: 贪心鬼见鬼; pinyin: Tān Xīn Guĭ Jiàn Guĭ) is a Singaporeancomedy horror film and the third film in the SingaporeGhost franchise (the first beingWhere Got Ghost?, and the second being The Ghosts Must Be Crazy; the cast differs, though), directed and written by Boris Boo. The film is executive produced by local funnyman Mark Lee, stars Kang Kang, Henry Thia, Brendan Yuen andJesseca Liu, and is about the greed of a worker at afuneral parlourcausing him to see actual ghosts. The film is Lee's very first attempt as an executive producer and is also the inaugural time in which his talent company, Galaxy Entertainment, is funding a movie. Officially opened in cinemas on August 16, 2012, in Singapore, and on July 26, 2012, in Malyasia, filming commenced and took place in the latter.

Fang Dong (Yang Run Kun) has everything going for him. He is happily engaged to Yu Ting (Yao Yuan), and his life is going well. But one day, he gets a prank call from Xia Xiao Duo (Zhang Hong Lei), and it unexpectedly changes everything. He drastically changes his views on life and love at the expense of his fiancée.

Kwai and his buddies are back! Everything seems to be going well for Kwai, until an evil executive threatens his entire business. They all have to work together to fight the hostile takeover of their company before it's too late.

10 years has passed since the confrontation between Kira and L. Again, Shinigami sends death notes to the ground and due to this, the world soon falls into chaos. Tsukuru is a member of the Death Note special task force team with 6 other investigators including Matsuda who experienced the Kira case of 10 years ago. Mass murders caused by the death note takes place on Wall Street in the U.S., Shibuya in Japan and other places. World famous private investigator Ryuzaki, who is the rightful successor of L, also investigates the mass murders. They discover that 6 death notes exist in the world. A computer virus called Kira spreads in the world. A message in the Kira virus says to turn in 6 death notes. A person who has 6 death notes overwhelm the world. The confrontation begins between the person who wants Kira’s revival and the people who want to stop it.

Based on the hit anime of the same name, "Honey and Clover" deals with five college art students. While the premise may sound simple, it's quite the opposite; the characters struggle through school, work, and love. All within the confines of a university, "Honey and Clover" showcases the journey that everyone must take from being a young adult and following the long and challenging road to becoming a full fledged adult.First off, the cast is wonderfully presented. Their likeliness to their anime counterparts is great and for the most part (albeit hair color) spot on. The mannerisms of the cast also reflected the anime greatly and fans of the anime will certainly enjoy this aspect of the film. Another great aspect of the film is definitely the cinematography. Since this film's environment is mostly held at or around an art school, you would expect for most part, as viewer, to be stimulated visually, right? Indeed this is the case with "Honey and Clover". The film accurately displays the happenings of an art school, from the constant unfinished student projects scattered about, to the multiple classes that art students participate in, it is faithfully recreated here.The musical score by famous composer Yoko Kanno is wonderfully implemented into the movie too. I for one have taken notice that Kanno is starting to produce more film scores, and she has done great job so far. With her most recent contributions to Su-ki-da and Kamikaze Girls, her slow transition from anime composition to film composition can only be seen as a good thing. I hope to see her contribute more to the realm of films in the future. Putting music aside though, "Honey and Clover" does run into some slight problems… Based on an anime series, one can truly see the tremendous amount of time and effort it would take to condense 26 episodes into roughly a two hour film. What happens in most cases when this occurs in other adaptations is that entire story arcs, characters, and original endings are left out. "Honey and Clover" suffers from the all these. While significantly better in many regards than most anime to film conversions, the story of "Honey and Clover" is just too character driven for a film. Maybe a Japanese TV drama would perhaps work well, but due to the time constraints of a film, it doesn't provide the adequate depth that the anime series does. This leaves viewers who aren't fans of the anime or manga sometimes clueless as to what is happening on screen. Some characters relationships might be questionable for those viewers who haven't seen the anime or read the manga. Some characters just pop in with little to no background and the viewer is expected to already know who they are, what their purpose is, and what their relationship is to plot. By the end of the film, all we are left is with a cast we don't really care for (even if you have seen the anime/read the manga). This hurts a film that otherwise is a moderately accurate retelling of a rather well crafted anime series.With all but one minor quibble (a major one if you haven't seen the series or read the manga), "Honey and Clover" is one of the better anime adaptations out there. While fans of the anime will definitely enjoy this film, non-fans will probably be asking themselves why certain characters do this or that, unknowing to the fact that their questions are clearly explained in anime. In the end though, I recommend this film for fans, but I have to say pass if you haven't seen anything that has to do with 'Honey and Clover".

The descendant of the servant of a cruel and vicious samurai returns to the town where she was born, only to find that a cat who is possessed by the spirits of those murdered by the samurai is trying to kill her.

Tuong (Trong Khang), may look may look like your typical eight year old adorable country bumpkin, but he has a secret: he actually is friends with a princess. Although everyone in his family and village may not believe him; Tuong knows that the princess exists and she will make him her prince. His pureness of the heart and beliefs give him the confident nature to not back down from any challenge or obstacle that he faces. In contrast, Thieu (Tinh Vinh), Tuong’s slightly older brother, is very studious but also very timid in nature. His shy personality makes him an easy target for Son (Cong Huan), the school bully. Son not only humiliates Thieu in front of his classmates regularly, but is also a rival for the affections of Moon (Thanh My), Thieu’s first love. Set in Vietnam in 1989, this coming of age story explores the relationship between these two brothers as they seek to uncover the truth about the myth of the princess of the enchanted forest and the man-eating white tiger that guards her. Victor Vu, a seasoned filmmaker who started his filmmaking career at Viet Film Fest, has made a cinematic marvel in Yellow Flowers on the Green Grass. He has created a glimpse into the beauty and serene environment of Vietnam through this film that not only captures the audience’s hearts right away, but also leaves them with warm feeling of joy at the end.

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