Asian Drama

Post-war Japan is at its lowest point when a new crisis emerges in the form of a giant monster baptized in the horrific power of the atomic bomb.

(Source: IMDb)

Aruo, the dragon girl from the East China Sea, is determined to find her beloved, and comes to the mortal Wang Sheng at all costs. However, the fox demon Xiaoman wants to get the most precious spiritual leaf from the dragon girl, and designs to break Wang Sheng's heart. Aruo has no choice but to use Lingye made up for Wang Sheng's heart, so the two women started a "heart-stealing" contest with Wang Sheng as the center.

Facing an unacceptable reality, a teacher is trying to reclaim relationships with his family, students and former friends. Reassessing his past, he contemplates how to go on with his life.

When the world is hit with a naturally occuring virus that spreads among all living things, humans begin to turn into insatiable zombies. In a blink, the world as we know it collapses. Furthermore, the few remaining survivors are unable to use the available food resources. They therefore develop a new crop to support themselves. Survivors depend on one profession, their only hope; someone in this profession must brave the dangers to send and recieve food and packages of necessities. These people are called Riders.

Pastor Park works to expose suspicious religious groups. He's hired to look into the cult group Deer Mount. Meanwhile, Police Captain Hwang investigates a murder case and the main suspect is a member of the Deer Mount cult.

"Farewell, My Concubine" is a movie with two parallel, intertwined stories. It is the story of two performers in the Beijing Opera, stage brothers, and the woman who comes between them. At the same time, it attempts to do no less than squeeze the entire political history of China in the twentieth century into a three-hour time-frame. 

After a bar brawl with an off-duty cop, aspiring thug Fan (Neo Yau, Fire Lee’s gonzo Robbery) is sentenced to three months in juvenile detention like Hong Kong’s Sha Tsui Detention Center, which practices military-style rehabilitation. Insults and abuse are...

The film portrays King Naresuan's life, the great king who ruled Siam from 1590 until his death in 1605. He conquered the wars and declared the freedom to Ayothaya, the homeland that was invaded by Burma's troop. The film is directed by Chatrichalerm Yukol and is a followup to his 2003 film, The Legend of Suriyothai. Naresuan, born in 1555, was the son of King Maha Thammaracha by his chief queen, who was the daughter of King Maha Chakkraphat. He had been taken off to Burma as a hostage for his father’s good behavior in 1564; he returned home in 1571 only when his sister was presented to King Bayinnaung. Though Naresuan was then only 16 years old, his father sent him north to take charge of the Phitsanulok region, thereby maintaining the Sukhothai line's traditional claim on the manpower of that region. At the same time, Naresuan was officially designated uparat, heir-presumptive to the throne of Ayothaya. Over the next decade, he matured to power and demonstrated his great military capabilities in several actions against Cambodia. In the midst of Ayothaya's difficulties in 1581-82, the young prince was sent to Pegu to represent his father in paying homage to King Nanda Bayin, who had succeeded Bayinnaung at the end of 1581. There he must have seen at first hand the factionalism and jockeying for power that soon threatened to shake the powerful Burmese Empire apart. Legend has it that, in the course of that visit, Naresuan participated with his troops in a Burmese expedition against a Shan state and succeeded in taking a city after the Burmese crown prince and another prince had failed to do so. He thereby gained the jealous enmity of the crown prince, and the Ayothaya chronicle's accounts of the Thai-Burmese conflict that followed are enlivened by the personal rivalry and animosity between the two men. Soon, relations between Pegu and Ayothaya worsened. In 1583, reports reached Naresuan that the Burmese were constructing a road toward Ayothaya; and in the following year, Naresuan was summoned to assist Nandabayin in a campaign against a rival prince in Ava. Naresuan complied and marched with his troops from Phitsanulok to the Mon region of the lower Salween River. There he was informed that the Burmese planned to ambush and kill him. After rounding up captives in the region, he marched back to Phitsanulok and then moved down river to Ayothaya, bringing with him considerable numbers of men to bolster the defenses of the capital. Naresuan now clearly was in defiance of the Burmese court. When a small force sent to punish him early in 1585 was easily repulsed, the Burmese sent vast expedition against Ayothaya in 1585-86 and 1586-87, but on both occasions Naresuan was able to withstand them. In the latter case, he also dealt successfully with a small Cambodian attack. Following the death of King Maha Thammaracha in June 1590, Naresuan formally became king of Ayothaya, perhaps appointing his younger brother Ekathotsarot as his junior co-ruler; soon thereafter the Burmese resumed their attacks. Annual expeditions culminated in a major Burmese offensive at the end of 1592. Led by the crown prince, Naresuan's old rival, Burmese troops marched over the Three Pagodas Pass to Kanchanaburi and from there northward toward Suphanburi, aiming to approach Ayothaya from the west. Informed of their approach, Naresuan led a force from the city and encountered the Burmese at Nong Sarai, twenty-three kilometers northwest of present-day Suphanburi. A massive battle between the two forces ensued on January 18, 1593. The Burmese won the initial skirmishes and pressed down hard on Naresuan's main force. Rather than reinforced his vanguard, Naresuan stood his ground while the Burmese rushed forward, breading ranks in pursuit of the crumbling vanguard. Naresuan and his brother, Ekathotsarot, then plunged into the fray mounted atop war elephants and, on seeing the elephant of the Burmese crown prince, advanced toward it. To the crown prince, Naresuan shouted out, "Come forth and let us fight an elephant duel for the honor of our kingdoms." In a few moments it was all over. As the two elephants closed, the crown prince slashed a glancing blow at Naresuan with his war scythe, whereupon his body lay exposed to a sudden slash of Naresuan's sword. The crown prince was slain, and the Burmese army fell into disarray and retreated toward Kanchanaburi. The Ayothaya army followed, inflicting heavy casualties upon them. Ayothaya's independence now was secured, and for the next generation, the Burmese kings would be on the defensive against Ayothaya, the tables of war thus turning for the first time in 30 years.

Master Face Changer

B. Tech graduates Antony and Vinay Dasan are talented, but unemployed. That changes, however, when they approach the cyber cell with a new perspective to a film piracy case.

Diving to save a camera from a fall down a flight of stairs, high school junior Naomi Sukuse wakes with no memory of the last four years. Naomi must remember who she was and figure out who she wants to...

17-year-old Iguchi Tatsuya has just been released from juvenile detention and is on probation. He's been relocated to a new area, away from the bad influence of his old friends, and is under the care of his aunt. He is determined not to be sent back to lockup, and he works hard in his aunt's restaurant. However, he still has the same personality, the same tendency to violence, and still falls in with the same sort of people. It's going to be difficult for him to stay out of trouble.

(Source: Mangaupdates)

Adapted from the manga series "Out" (OUT) written by Iguchi Tatsuya (井口達也) and illustrated by Mizuta Makoto (みずたまこと).