Asian Drama

Jung-yoon was approached by a random stranger named Jun-woo, who told her she'd be dead in six hours. As she follows him for answers, she begins to question whether he's her savior or the one trying to put her in danger.

On a pretty, placid little island in the Japanese countryside, Nishikita teaches physical education at the high school he himself attended. The man is hardly an agent of change. He knows his place in the order of things and is careful not to rock the boat, perhaps even a little too much. When he receives a call from a former classmate Takagi, announcing her return, a flash of emotion strikes him. Takagi was Nishikita's best friend and unrequited first love, who had suddenly moved to Paris 10 years earlier to study. At the time, Takagi was constantly teasing him to shake him out of his torpor, and he notices that her attitude hasn't changed in the slightest when they are reunited. In fact, while in France she has only improved in the art of the retort, and Nishikita is still as bad at it as ever. He'll have to get used to it, though, as the new teacher he'll have to train is none other than the beautiful Takagi.

A mysterious woman teams up with a man whose daughter was killed and who is now seeking revenge. Together they kidnap members of an organization and torture them to find out what really happened.

Two old college pals, Asai and Jiyong, make their annual pilgrimage up a mountain in the middle of winter in honor of their friend Sayuri who disappeared there 16 years earlier. However, Jiyong seriously injures his leg in the middle of a violent blizzard. Overcome by cold and pain, he asks Asai to let him die here and save his own life. First, though, he confesses to a horrible secret that has been eating away at him. He was the one who killed Sayuri that fateful day, out of jealousy. The problem, if there is one, is that Asai finds a cabin nearby that they hadn’t seen because of the blinding storm. Once inside, the murderer's confession takes on a whole new dimension, and let's just say that the elephant in the room is more of a mammoth. To say that it's going to be a long night would be an understatement.

"The Deserted Wraith" adapted from 1945 Xiangxi real supernatural events, the first time the "Xiangxi Vampire," "Hmong Gudu" Xiangxi Miao and other places thriller Confidential big screen. Videos and mountainous Xiangxi Miao creative depth to the ancient...

Chaw is the name for a man-eating wild boar with a body length of 2m and approximate weight of 410kg. Sameri is a quiet village on the foot of Mt. Jiri in South Korea where no incidents have occurred in 10 years.

One day a mangled human wrist is found and the village of Sameri is placed in fear and severe anxiety. Shortly later another body part is found and then footprints are discovered with bloodstains. Former hunter Cheon Il Man lost his granddaughter and he now suspects her disappearance is tied to the man eating boar. Cheon Il Man then gathers some residents to find the boar including Kim Sun Kyeong, professional animal hunter Baek, and Detective Shin. Animal ecosystem researcher Su Ryeon is also enlisted in their hunt.

The Fuccons began as a series of comic sketches on the Japanese TV program Vermillion Pleasure Night: A family of Americans, James and Barbara and their son Mikey, move to Japan "to live as Japanese." The brief skits consist of still photographs of window store dummies in Kennedy-era outfits juxtaposed with over-the-top vocal performances and lots of forced laughter. The humor is labored and inane; the dummies--obviously a Japanese take on Caucasians--recall the American cartoons of the 1930s that trafficked in ethnic stereotypes. Graduate students in sociology may someday write theses about what The Fuccons reveals about Japanese attitudes towards Americans; connoisseurs of outré cultural phenomena may revel in the series' we're-so-dumb-we're-hip charms. Episodes run the gamut from the silly to the surreal, sometimes ending with a joke and sometimes not. Episodes invariably end with the characters laughing hysterically, even if the episode ends on a serious note. Occasionally the series diverts from following the Fuccons and instead focuses on a destitute Japanese family, the Kawakitas.

High school student Hye Ji is a troubled teen with a scarred mind and a secret. She is dramatically reunited with her grandmother, Gye Choon, after going missing for 10 years. Gye Choon lives as a hanyeo (female diver) on Jeju Island.

Chul, Seop, and Deok-kyu are desperate for just one performance. They desire for a chance to play their songs, but being on the stage is even difficult. It is hard for Chul and Seop to meet Im-jae, the leader of the free-spirited band.

In 2010, when Ha Jung-Woo won the best actor at the 46th PaekSang Arts Awards for his work in movie "Take Off," he mentioned in his speech that he would walk across South Korea if he wins the award again. In the following year, Ha Jung-Woo won the best actor award again at the 47th PaekSang Arts Awards for his work in movie "The Yellow Sea." To fulfill his promise, Ha Jung-Woo dragged along other actors and actresses including Kong Hyo-Jin and they walked from Seoul to Haenam over 19 nights and 20 days. The walk lasted for 577 km.

A married couple finds themselves in a dire financial situation after they lose their restaurant in a fire. The couple determined to run a restaurant again turn to crime. The wife scopes out potential targets and her husband commits marriage fraud ... Their victims include 31-year-old office lady Satsuki Tanahashi (Rena Tanaka) who lives with her parents, lonely office lady Reiko Mutsushima (Sawa Suzuki), single mom Takiko Kinoshita (Tae Kimura) who takes care of her old father and young son by herself.

Synopsis: In one of the most remarkable productions in many years, noted filmmaker Miike Takashi has created a stage play version of the Zato Ichi story. Based on the character created by Shimozawa Kan and popularized worldwide by the great Katsu Shintaro, this version is everything that the 'Beat' Takeshi film was not. The play is at once exciting, charming, suspenseful, humorous, and features superb swordsmanship. The Japanese classical theater, or Kabuki, has a long history of samurai era productions which eventually led to the rise of motion pictures. This play carries on that tradition and breathes new life into a beloved character in a surprising way.