Asian Drama

After suffering from serial paranormal events, a wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'.

In order to exhume the grave and relieve the ancestor, Hwa Rim seeks help from top-notch geomancer Sang Deok and mortician Yeong Geun. To their dismay, the four find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath.

(Source: showbox.co.kr)

Duration: 2 hr. 13 min.

Content Rating: 15+ - Teens 15 or older

Mizushima Satoru is a designer, who prefers traditional things like handmade items and handwritten works. One day, he happens to meet a mysterious woman, Miharu Miyuki, at the cafe named Piano. She seems to have similar values to him and he is attracted to her. Mizushima Satoru asks for her cellphone number, but she doesn’t own a cellphone. They make a promise to meet at the cafe every Thursday. Since then, Mizushima Satoru & Miharu Miyuki meet every Thursday and their relationship develops romantically. Mizushima Satoru decides to propose her, but, on the day he is going to propose her, Miharu Miyuki doesn’t show up at the cafe.

(Source: AsianWiki)

Adapted from the novel "Analog" (アナログ) by Beat Takeshi (ビートたけし).

Duration: 2 hr. 0 min.

Content Rating: G - All Ages

Ratings: 8.2

Legend has it that after Pangu created the world, in order to stabilize the cosmos, the Grand Ancestor Hongjun took the Yin and Yang energies of heaven and earth, refining them into the Profound Heaven Divine Sword using the power of the universe. It stood at the pinnacle of the Nine Heavens, guarding all living beings below. One day, Donghuang Taiyi and Demon Emperor Di Jun engaged in a fierce battle in the heavenly realm. Unintentionally, they disturbed the Profound Heaven Divine Sword, which was in the midst of cultivation. The sword body and scabbard were knocked down to the mortal realm by the combined spiritual power of Taiyi and Di Jun. The sword body was reborn in the Xingxiang Town Zhou Mansion, becoming Zhou Qian, the young master of the Zhou Mansion, losing both memory and spiritual power. The scabbard, carrying memories and residual spiritual power, fell into the Peach Blossom Forest, and became known as the Peach Blossom Fairy due to her efforts to help the world.

In his 40s, the stuntman Woo-seok wishes to go back to the prime of his life in 1997, before a facial scar ended his acting dreams. One day, he purchases five talismans from an unknown monk, hoping to change his life. However, during a film shoot, a car accident transports him back to his high school days in 1997. Now living as the high school student, he embarks on a project to revamp his past life, which was filled with a troublesome father, son, and husband.

Dalits, in the Indian caste system, belong to the lowest social sphere and therefore they always endure discrimination as well as the violation of their Human Rights. Also known as “the untouchable,” this group was vindicated by Bihmrao Ambedkar, a...

When a clever, carefree gangster is recruited to help an overseas crime lord take down a rival, he is caught off guard by the moral dilemmas that follow.

Children go missing in a town and the adults around them die suspiciously. When an internet rumor spreads that an adult met a child who went missing, and the adult dies 3 days later, local newspaper reporter Shunya Ezaki begins to investigate the mysterious deaths. Meanwhile his girlfriend, Nahomi Harada, works at a kindergarten school. A boy's mother does not pick him up and she takes him with her. Then a mysterious man appears and the boy under Nahomi’s care soon goes missing.

When Suzuki Yori was a child, he swore that he would become a celebrity with his childhood friends Shizuku and Subaru. Later, Yori moved away and became separated from his two childhood friends. He grew up as a plain-looking guy with glasses in the countryside. However, when he founds out that Shizuku had become a popular model and Subaru a popular actor, he transferred to his friends' high school on impulse to also follow his dream. There he meets Shizuku again and decided to become her manager to support her behind the scenes. However, when Shizuku was participating in a lingerie photoshoot, he helps her out and entered the entertainment, when he captivates the public as the Mysterious Boy.

Elite researcher Suenaga Takuya, his department rival Hashimoto Atsushi, and Manager Nishina Toshiki plot to kill Amemiya Yasuko, the CEO’s secretary and a shared mistress, whose pregnancy threatens to destroy their futures. However, their plan unravels when a mysterious 4th individual becomes involved, and the 3 men become the targets of wrath instead.

Radically rethinking the tired talking-heads template, Tsai Ming-liang's latest digital experiment turns the human face into a subject of dramatic intrigue. Comprised of a series of portrait shots of mostly anonymous individuals (Tsai devotees will no doubt recognize his long-time muse, Lee Kang-sheng), the film shrewdly deemphasizes language while reducing context to a bare minimum. In their place, the beauty and imperfections of each face take center stage. Accompanied by Ryuichi Sakamoto's soundtrack of dynamically modulating drone frequencies, Tsai's subjects variously speak, stare, and, at one point, sleep as the camera quietly registers the weight of personal history and accumulated experience writ beautifully across every last pore and crevasse.

"Girlfriend is an entry in the 'Love Collection', a series of six low-budget, DV-shot features obviously modelled after 2000's Love Cinema (which was best known for the Miike entry Visitor Q and to which Hiroki himself contributed Tokyo Trash Baby). Including entries by both established filmmakers such as Kazuyoshi Kumakiri (A Volatile Woman) and promising newcomers like Yuki Tanada (Moon and Cherry, see below), the overall quality of this new venture is astonishingly high, certainly given the restrictions imposed on the filmmakers. Hiroki's instalment, scripted by Vibrator scribe Shotaro Oikawa, follows the exploits of Kyoko (Yamada), a young upstart photographer whose life is something of a shambles. She has clear aims for herself, but doubts her own ability to achieve them. When one of her many short-term boyfriends, the editor of a magazine with amateur nudes, asks her to take pictures for his publication, she agrees, seeing it as at least a step forward and an opportunity to develop her skills. Despite the fact that Kyoko's a girl herself, approaching women on the streets and asking them to pose nude for her proves to be quite a chore. At first she accosts every pretty girl that walks by, until Miho (Kawai) catches her eye. Feeling that she has that certain something special, Kyoko insists that Miho pose for her. Her own life floating rudderless after the separation of her parents, Miho accepts, half entertaining the idea to get back at her father (Taguchi), who has gone on to form a new family and who hasn't been in touch with her in years. The two girls walk around town, Kyoko snapping pictures and listening to Miho's stories. Gradually the two young women begin to sense a mutual attraction. When the time comes to get down to the nitty gritty of the nude shots, the girls' defences come down along with their clothes."

The ever popular Misora Hibari stars as Okiku, who returns from the grave to seek vengeance against the lover that murdered her. In this unique take on the traditional Japanese ghost story, a woman's love is misused, and unfortunately she pays with her life, only to come back seeking vengeance. Unlike the usual story, there is an element of mystery here, as Okiku's ghost seeks to find the truth before acting against her beloved. Can Okiku's ghost find out the truth behind her tragic death? A brilliant little black and white film with an all-star cast featuring some of Japan's most popular actors along with singer/actress Misora Hibari, who is still considered the Japanese people's all-time favorite actress.