Asian Drama

Hana is a high school student. Her parents suddenly died in an accident. Since then, Hana doesn't have any hope to live. One day, a man introduces himself to Hana as an agent from a special government agency. He asks Hana to talk about a dream she. She is confused by what he talked about. On that night, Hana has a strange dream.

Kyoji Narita is a high ranking yakuza member. On a rainy day, he wanders on the street. He hears a singing sound and he walks towards the sound. There, he meets junior high school student Satomi Oka and he invites him to go to a karaoke place to teach him to sing. Kyoji Narita badly wants to improve his singing so he won't place last in his gang's karaoke competition. Meanwhile, Satomi Oka is a 3rd grade junior high school students and leads the school choral club. Satomi Oka has a sincere personality, but he often makes biting remarks. He has one problem, which is that he has difficulties with high-pitched notes due to his voice going through puberty. Satomi Oka is embarrassed by the unexpected request from Kyoji Narita.

Based on manga series "Karaoke Iko!" by Yama Wayama (published August 25, 2019 by Kadokawa)

(Source: Asianwiki)

A fractured family of four brothers and one sister confront haunting memories of their mother’s passing fifteen years ago. Fifteen years had passed, as Nicole (Summer Chan) returns home to Hong Kong to be reunited with her three brothers, clinging to the shattered memory from the night of her mother’s passing. Through hypnosis sessions with her big brother Joseph (Simon Yam), the trauma that the family sustained is unexpectedly reawakened when she desires to connect back with the memories. Then, the whole world around this family takes on a dark form and love becomes almost undefinable.

Iconic Thai comedian Udom Taephanich recounts his misadventures and sharp observations from uncomfortable encounters to the absurdities of daily life.

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A group of seven friends decide to play a game at a dinner party. Placing each of their phones on the table, they agree to share the content of every message they receive. However, it soon appears that this is...

After Venky, Varun also gets married thinking he can keep the wife in control but both of them gets frustrated with the marital life which generates fun.

An ace police crisis negotiator, Chae-yoon, is called to the scene where her supervisor is taken hostage. Through the control room monitor, she is faced with the cold-blooded hostage taker, Tae-gu, whose demeanors are difficult to interpret. Against the 21-hour deadline Tae-gu has set, Chae-yoon tirelessly tries to crack the unusually calm perp over multiple video-calls. Eventually, the shocking truth begins to unveil.

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Donzumari Benki opens in a high school storage room reminiscent of If… a secret places where a personal rebellion unfolds. Narumi-chan’s with a boy. She pulls her panties up as he begins the patter of how good it was for him. She’s nonplussed. As a cicada begins its electric buzz she asks for 300 yen. Not much to charge for sex, but for Narumi, we will learn, this small fee exacted from the boys in her life represents taking some control. As he starts to fuck her again in voiceover, we hear her dispassionate voice: “I shaved my legs first when I was in the 5th grade and in 7th grade my armpits. My menstruation stated in the 8th grade and I had my first sex in the 11th grade. I was a woman.” We then see her with her teacher, Shimada (Shohei Uno) in a lab examining sperm samples, talking about mechanics and miracles – the chance of a sperm reaching an egg, the chance of love. She blithely adds her noncommittal rejoinders while stealing a vial of Shimada’s sperm. She later attempts to self-impregnate herself with said sperm. Sex itself is a means to something she can’t find – and in her own personal tragedy, will never find. She’s too self-centered, infantile and mixed up. But like a train that can’t stop, she powers on to her own wreck, taking whomever she can with her. Director Haruhi Oguri takes the whole sticky mess and twists it around into a perverse tale worthy of Bunuel, but with a decidedly post-feminist take that slyly lauds Narumi’s destructive energy. Actress Nahana informs the role of Narumi with a feral intensity. As an up and coming character actor, she risks being typecast as your basic girl punk. She got a mix of boyishness, electric energy and nihilism that was showcased magnificently in Takahisa Zeze’s Heaven’s Story. In that film, Zeze tamed her character with motherhood. In Donzumari benki, she’s allowed to go to full force into the abyss.

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Studying in Hong Kong but living in Shenzhen (the port city of Mainland China), Peipei has spent 16 years in her life travelling between these two cities. To realize the dream of seeing snow in Japan with her bestie, Peipei...