Asian Drama

Lost in Tomb (2024)

Focuses on two insomniac schoolmates, a boy named Ganta and a girl named Isaki. Both worry about their constant lack of sleep. After a chance meeting in the school's observatory-turned-storage room, the two share secrets, and begin having an unusual connection.

While investigating a drug-trafficking app, “Monster Cop” Ma Seok Do and his team discover a connection between the app’s developer, who was murdered in the Philippines, and an illegal online gambling organization. Meanwhile, in the Philippines, Baek Chang Ki is controlling the Korean online illegal gambling market and spreading terror with kidnap, assault and murder. His partner, the IT genius Jang Dong Cheol, is planning an even larger scheme in Korea itself. To put an end to the escalating threat, Detective Ma expands his operation by proposing an unexpected alliance… The fourth installment in the Roundup series.

(Source: Berlinale.de)

Release dates: Feb 23, 2024 (Festival)

Duration: 1 hr. 49 min.

Tezuka Osamu’s beloved manga, Black Jack, is being remade into another Jdrama, this time starring Issei Takahashi. Manga synopsis: Many of the tales feature Black Jack undertaking altruistic acts, seldom receiving acknowledgment. He frequently heals the impoverished and downtrodden without charge or imparts lessons in humility to the arrogant. Some narratives conclude with a virtuous individual enduring adversity, often facing unavoidable demise, in order to rescue others.

Brand new MMA documentary following the careers of several top Japanese fighters. Watch these men prepare for big fights and put their lives in the ring for spirituality and glory.

Varun and Sia do not trust relationships completely because of their upbringing. They try to figure out a way to live with their commitment issues by being a couple only on Tuesdays and Fridays.

It's New Year's Eve for the Hotel Avanti, and the whole place is in panic mode. There's an award ceremony and countdown party to prepare for, guests to greet, entertainment to organise, a persistent call girl to deter, an escapee duck to find, and more.

It is near impossible to sum up this film in a few neat concise paragraphs. The level of writing that has gone into this film is fantastic. Throughout, it really feels like a stage play. The viewer feels intimate with the story and characters, and there is a real warmth and closeness there that is rare to find. Perhaps it the writer's experience with the stage that allows that quality to come through, and as such it is a real strength for the film.

This intimacy really helps the viewer to involve themselves in the story, which is incredibly fast-paced and deliciously mischievous in design. The film is really funny, and represents a very full spectrum of humour, from "hmmm" funny to "hah hah", and wry to downright silly, but still manages to be quite understated. This isn't the kind of film that you will make Pepsi come out your nose, but it is really funny all the same, and and there are some hilarious cock-ups that will have you giggling gleefully.

The jokes of course wouldn't work without the film's biggest strength: the characters. They are all so enjoyable to watch, as their adventures and mishaps tangle and spiral together, gathering momentum in one huge snowball effect. Some scenes are the culmination of so many threads that it is wonderfully painful to watch it all come together. It is hard not to talk at the TV. To the writer's credit though, the film is often refreshingly unpredictable, and I was impressed to find that this comedy of errors didn't just rely on the same old gags as similarly styled comedies.

The film also carries a dramatic message, and while all of the characters are caricatures of sorts, they are much deeper than that, and live and breath to the extent that the viewer finds themselves genuinely caring about what happens to them. There are so many great characters and scenes in this film that it would be a very cynical viewer that couldn't take away something memorable from it.

The Uchoten Hotel is a delightful film, expertly written, directed and performed. Even as the film effortlessly straddles zaniness and sophistication, and its many threads entwine together, the viewer can, just as the Hotel Avanti promises, think of the place as their second home.

Seoul, 1910. HONG Jin-ho, who will become Joseon's first detective, travels around solving trivial family disputes for pocket money as a private detective. However, he is determined to go to America someday and is saving up for the trip. Then one night, Gwang-soo, a medical physician in training, discovers a corpse in the woods and secretly takes it to practice dissecting. But the corpse turns out to be the son of Seoul's most powerful man. While planning to flee in the middle of the night and afraid of murder accusations, Gwang-soo meets Jin-ho, and asks him to find the killer. When another corpse turns up in the woods, murdered in the same way as the first victim, Jin-ho and Gwang-soo use a piece of cloth they find in the victim's hand as the lead they need to bring them one step closer to the real killer.

When the world is hit with a naturally occuring virus that spreads among all living things, humans begin to turn into insatiable zombies. In a blink, the world as we know it collapses. Furthermore, the few remaining survivors are unable to use the available food resources. They therefore develop a new crop to support themselves. Survivors depend on one profession, their only hope; someone in this profession must brave the dangers to send and recieve food and packages of necessities. These people are called Riders.

It tells the story the obsessive and sadistic relationship between the banshee Xiao Rong and scholar Wang Huai Qing which opens a period of human devil's love, life and death.

Based on the webcomic "0.0MHz" by Jang Jak, which follows members of a club who are haunted by ghosts. They venture into a haunted abandoned house, planning to investigate and find a way to stop the paranormal happenings there but encounter something else instead.

Akashi Koji’s father committed suicide. His father was a whistleblower, involving a large corporation. Akashi Koji's family now faces ruin. Kitamura works at an orphanage. He approaches Akashi Koji. To protect the children, Kitamura does not mind committing crimes. Due to Kitamura, Akashi Koji thinks of taking revenge.