"If I am that right person for you then from now on, you can't say no to me."

From friends to lovers. How will this relationship go, when one is a good guy but the other one is a bad boy. Is it possible to turn a bad boy into a lover?

Detective Otonashi Tsukiko (Nagasawa Masami), who belongs to the First Investigative Division's Tannai team led by Tannai Ichio (Takenaka Naoto), is a geek with Toshi Densetsu mania. She claims that she became a detective to establish proof of Toshi Densetsu and dreams of officially announcing some day that Toshi Densetsu is involved in a case she investigated. When cases happen, she will always consider its associations with the manga. Because of that, the better part of the formal investigation would appear to be wrong. She feigns illness to slip out from work and stealthily proceed with her own investigation based on her theory that Toshi Densetsu is the cause. This angers Tannai every time.

This drama centers around Lady Kim, a scheming concubine, and the events from the reign of King Seon Jo to Prince Gwang Hae, which were filled with acts of immorality and bloodshed; all in the name of protecting the throne. Prince Kwang Hae’s sinful act of immorality didn’t only take place in Joseon dynasty. Under the name of protecting the throne, a parent killed their children, a brother killed a brother, and a wife killed a husband. But, their history was not written to be a just sinful act of immorality. No one can say the other kings might not have done what Prince Kwang Hae did if they were in his position as his throne was seriously threatened. Adapted from a novel Jago Ganeun Jeo Gureuma (자고 가는 저 구름아) by Park Jong Hwa (박종화).

A suspense drama depicting mothers engaged in a fierce social media battle to destroy each others' happiness for their own, to free themselves from oppression, hurt, and secrets, and regain their true selves.

Adapted from the novel "Haengbokbaeteul" (행복배틀) by Joo Young Ha (주영하).

Ai Luo Man is an outstanding and independent career woman with good qualifications, however, she is not favored by men. She even got told by her ex-boyfriend that nobody would dare to love her due to her difficult character. Her best friend of fifteen years is Lu Fei, a gentle and easy-going man who is always ready to adapt to others and loves cooking and taking care of his house and plants. Women love him, nevertheless, he hasn’t dated a lot and doesn’t even want to consider marriage. Both Luo Man and Lu Fei have already reached their thirties and strive to better themselves and live a better life in the big city. While doing so, they finally find love as well.

Police detective Chu Yi Han goes undercover to infiltrate a criminal organization in hopes of finding his mother. By chance, he encounters Gu Lin Na.

(Source: ChineseDrama.info)

Episodes: 24

20 year old Tsukimi Kurashita (Kyoko Yoshine) can barely see without her glasses. She came to Tokyo from Kagoshima Prefecture to become an illustrator, but she doesn't attend college or sells any of her illustrations. She lives at a communal apartment. At the apartment, only otaku type women live there. Tsukimi Kurashita likes jellyfish due to memories she has with her late mother. One day, due to a jellyfish, Tsukimi Kurashita meets Kuranosuke Koibuchi. He loves fashion and his hobby is to dress up like a woman. She also meets Kuranosuke’s older brother Shu Koibuchi. Her life soon changes because of them.

Based on the traditional Korean folktale of two brothers; the old and greedy older brother is Man Bo, who is a wealthy real estate billionaire and cares only about women and money. His younger brother, Choon Bo, is kind, caring, and submissive to him. The two brothers have not seen each other for nearly twenty years, since Choon Bo gave his youngest son, Yeong Goo, to Man Bo because he wanted a son. Choon Bo’s wife believes that her youngest son died at birth. Twenty years later, Choon Bo goes bankrupt, and with nowhere to go, asks his brother for help. Living in the small house next to Man Bo’s, Choon Bo brings his three children, his daughter-in-law, and his wife with him. Together they live towards a brighter day. Man Bo’s wife and daughter are eager to make Choon Bo’s daughter, Soo Jin’s life miserable. When Soo Jin and Mi Ree again fight over the same guy, it is no surprise that the nice girl wins. As two families clash over women, men, family secrets and money matters, the good guy teaches the “bad guy” a lesson – just like the Korean folktale.