Set in Kabukicho, which is an entertainment and red-light district in Shinjuku, Tokyo, Japan. Tatsuhiko Shiratori (Gou Ayano) doesn't have money or a job. One day, he meets a scout named Matora (Yusuke Iseya) who recruits girls on the streets to work in the adult entertainment business. Matora likes Tatsuhiko and introduces Tatsuhiko to the world where he works. Tatsuhiko soon works as a scout too.

Choi Hae Kab (Kim Yoon Seok) has been a leftist activist since his university days and having a wife (Oh Yeon Su) and three children hasn't stopped him from fighting the man. He makes documentaries about social issues, thumbs his nose at the government and raises his kids with a devil-may-care attitude. His children are used to his eccentricities at this point. Hae Kab doesn't mind if they don't go to school and he doesn't worry when his son Na Ra (Baek Seung Hwan, Silenced) runs away from home. One day, Hae Kab's old friend Man Deok (Kim Sung Kyun) shows up with bad news: their hometown, the southern rural island of Deul, is being sold to a resort developer. With a new fight ahead, Hae Kab picks up and moves the entire family back to Deul for a back-to-basics life.

The vengeful spirits of Kayako and Toshio return to continue their deadly curse against any living person that cross their path. Four women’s lives become intertwined and ultimately affected when they come into contact with Kayako and Toshio. Driving home one night, an actress and her husband hit what they think is a cat. It soon becomes clear they have picked up an extra passenger - the vengeful child, Toshio, who purposely caused them to crash. The husband is put in intensive care and the wife loses their unborn child, but it gets even worse...

While fighting for the political supremacy of their respective families, a Hindu man and a Muslim woman share a forbidden romance.

Synopsis: In one of the most remarkable productions in many years, noted filmmaker Miike Takashi has created a stage play version of the Zato Ichi story. Based on the character created by Shimozawa Kan and popularized worldwide by the great Katsu Shintaro, this version is everything that the 'Beat' Takeshi film was not. The play is at once exciting, charming, suspenseful, humorous, and features superb swordsmanship. The Japanese classical theater, or Kabuki, has a long history of samurai era productions which eventually led to the rise of motion pictures. This play carries on that tradition and breathes new life into a beloved character in a surprising way.

Nagisa is transgender. She grew up in Hiroshima as a man, but now lives in Shinjuku, Tokyo as a woman. Due to an incident, she begins to live with middle school student Ichika, who is a distant relative. Ichika has been neglected by her mother Saori. From living in solitude by herself, to now living with Ichika, Nagisa develops maternal instincts for the first time.

Ha-yeong is dumped by her boyfriend on the 100th day of their relationship, an important milestone for every couple. Hyeong-jun is a wealthy and handsome man who melts women wherever he goes, but is not interested in dating. One day, as the later is driving his luxury car, the two will meet. Disgruntled by her recent rejection, Ha-yeong kicks a soda can out of frustration, which finds its way onto Hyeong-jun\'s head. Startled by the impact, he loses control of his car and scratches it against a wall. When Ha-yeong is unable to pay for the damages, he persuades her to repay him by signing a contract that binds her to his service for 100 days. What happens next is strictly by the (silly) book and inevitably, they both start having feelings for one another.

Her abusive husband is dead, killed by her lesbian friend who’d do anything for her. Now they’re running for their lives.

Adapted from the manga series "Gunjo" by Ching Nakamura.

~~ Adapted from the manga series "Gunjo" by Ching Nakamura.