FeiFei, a married writer that has just released a best-selling novel, starts an affair with her publisher AiKi. As FeiFei becomes more and more infatuated with AiKi, she starts to wonder whether she is lesbian or bisexual.

Something beyond comprehension is happening to Sheila. The signs are clear: evil has returned… older, stronger and there is nowhere to hide. Many believe that when a baby dies without baptism, it leads to the possession of evil. Sheila, Rina, Christian and Kerwin along with their friends do not believe in such stories. Against the advice of a concerned mythology professor, they decided to take an out of town trip during the holy week. They have other things in mind. Christian wants to start courting Rina, Kerwin wants to beat Christian to it, Hanz wants to spend time with his boyfriend and Rex simply wants to have fun. In the beginning, it would seem like they made the right choice. Then certain events, all seeming to revolve around the dreams and premonitions of Sheila about young evil lurking in the area, are deeply disturbing: disappearance, mysterious children, a strange old woman… The troubling incidents multiply, pointing to something wrong - terribly wrong - and it seems they have no way out. Then tragedy strikes closer when one of them turns out to be evil himself. Now, they realize that some of them must make the ultimate sacrifice to prevent the unspeakable terror that awaits them all. Some of them have to die for some to live. Tiyanaks is a shocking horror story about devil possession of unbaptized babies.

Professional killer Ken (Hirofumi Arai) is trying to break away from the yakuza. Taking up work at a local motorcycle shop, he forges a new life under the motherly eye of Yoko (Jun Fubuki), an older woman who owns the shop. However, Ken's dark past isn't letting him go that easily. Akira (Jun Murakami), Ken's ruthless mentor and himself an assassin, has been coming around and pressuring Ken to return to the family. Together with orphaned teenager Tsuyoshi (Niinobu Ryomei), Ken decides to take to the road and settle matters in the only way he knows - by the trigger of his gun. Featuring music by Snake on the Beach, a solo project of legendary singer and guitarist Yusuke Chiba, A Road Stained Crimson takes viewers down the high-octane expressway of bikes, guns and rock 'n' roll.

Wu Hongyan is a young woman working as a prison guard during executions of female convicts. She feels lonely after her husband died, and she takes a night train to another city to visit a dating service. After a series of unsuccessful dates, she meets Li Jun. It quickly becomes obvious that he is hiding a secret: he is the widower of one of the female convicts of which Wu Hongyan assisted in the execution. Li Jun is torn apart by his feelings, as he is both attracted to Wu Hongyan, and having a desire for revenge for his executed wife.

Tae Gu is an ace member of a crime gang. He has a younger sister and a nephew. His younger sister is sick. Tae Gu decides to leave the crime gang for his younger sister and nephew, but another crime gang targets Tae Gu. His younger sister and nephew are killed in a car explosion caused by the other criminal gang. Tae Gu takes revenge on the person he believes is responsible. Tae Gu then flees to Jeju Island. There, he meets Jae Yeon\, who doesn't have much time left to live. They both feel sympathy for each other.

During the period of the Beiyang government, the suona craftsman Yang Dashu played by Yang Shulin was kind-hearted, honest and sincere, and valued love and justice. In order to return his brother's fallen leaves to his roots, Dashu took his brother's ashes on a journey home. Who expected the ashes to be invaluable, and was targeted by the four gates of swindlers "Bee Sparrow" and accidentally involved in a conspiracy. During the course, he experienced countless scams along the way, avoiding chasing and killing again and again...

DRAMA SP

Tuna fishing. It doesn't exactly evoke the stuff of drama, yet very dramatic is this gripping yarn (puns intended) about the solemn, solitary lives of the men who catch what ends up as our sushi and sashimi. Opening with a shot of a young couple traversing sand dunes, the woman posits a question - women or fishing? This question fuels the drama of the next two-plus hours.