An experimental romantic thriller, Solo is the story of four different men, their love, rage and afterlife. Through four elements - water, air, fire and earth, they also represent different facets of Lord Siva.

Lu Xiao Xing is a rookie cop when one night, she abandons her post to find her brother, an aspiring singer, and bring him back home after his constant rebellion. As they fight in the car, Xiao Xing loses control of the vehicle and crashes into a truck. As a result of the accident, her brother dies and she is left blind.

Three years later, Xiao Xing is living life as a blind woman. Amidst a string of female disappearances in the city, she tries unsuccessfully to persuade her former police academy senior to allow her another chance at being an officer. Upset and unable to come to terms with the rejection and her brother's death three years ago, Xiao Xing faces a weird experience when she calls for taxi.

Several years after the events of Kamen Rider Gaim, Jonouchi has become a world-renowned pastry chef, but gains a bounty on his head set by Takatora Kureshima. With Jonouchi growing more and more popular by the day, a concerned Takatora approaches Oren Pierre Alfonso, while the mysterious Kamen Rider Sylphi lurks in the shadows...

Do you have experiences in your life that you write off to the indiscretions of youth? When you’re in the heyday of your youth, do you intentionally do things that are reckless because you know you can? A group of friends look back on their past, some with fear, some with regrets, as they think back to the mistakes and choices they made when they were young and wonder if they would do it all over again in the same way if they got another chance. “Bye, Old Times,” also known as “Bye, Old Days” and “Be, Jiu Shi Guang,” is a 2013 Chinese film directed by Li Xin. It stars Tang Ji Liang, Liu Cheng Rui, Qiang Yu and Hua Jiao.

Many films have drawn from classic Japanese theatrical forms, but none with such shocking cinematic effect as director Masahiro Shinoda's Double Suicide. In this striking adaptation of a Bunraku puppet play (featuring the music of famed composer Toru Takemitsu), a paper merchant sacrifices family, fortune, and ultimately life for his erotic obsession with a prostitute.

Oh Dae Su, was locked in a hotel room for 15 years without knowing his captor's motives. When he is finally released, Dae Su finds himself still trapped in a web of conspiracy and violence. His own quest for vengeance becomes tied in with romance when he falls for an attractive sushi chef.

The sublime opening sequence of Dust in the Wind follows a nearly imperceptible diffused white speck - perhaps the referential "dust" of the film's evocative title - as it momentarily shifts location near the center of the frame then continues on its inexorable course, gradually converging to reveal a light at the end of a tunnel from onboard a lumbering passenger train. It is an indelible metaphor for what would prove to be the bittersweet experience of first love in the lives of the two high school students commuting on the train: a pensive and diligent young man named Wan (Wang Jingwen) and his reticent, devoted girlfriend Huen (Xin Shufen). Faced with limited opportunity for his academic competency beyond handwriting dictated letters for illiterate neighbors in the bucolic peasant village (a seemingly inescapable reality reinforced by his father's comment, "If you want to be a cow, there will always be a plow for you."wink.gif, Wan decides to forgo his senior high school education and move to Taipei. Finding work as a printing press operator at a modest, family-run shop during the day - a job that was only made palatable by his unlimited opportunity to read the assortment of literature being published while typesetting - Wan is determined to further his education by attending evening classes, and strives to forge a career beyond the socio-economic sphere of his provincial coal mining hometown (where a night of carousing for the miners invariably ends up in a comic display of masculine competition involving the displacement of large rocks onto the street). After graduation, the less scholarly Huen follows Wan to Taipei and obtains a respectable job as a seamstress at a dressmaking shop that includes room and board, allowing her to occasionally send money home to her family. The film then follows the plight of the young couple as they drift through the waning days of adolescence between their humble work lives in Taipei and periodic visits to their hometown, reluctantly awaiting Wan's inevitable military conscription with the reassurring knowledge that they will be able to marry after completing his compulsory service.

“The King of Gore” Herman Yau returns with a gruesome tale that follows the cursed life of a young translator who collaborated with the enemy during Japan’s wartime occupation. He is tormented by guilt after turning his back on the...