Set during the Republican era, the story tells of a young girl by the name of Du Chun Xiao. A smart young girl who uses her strange but unique ability to deduct clues and solve mysteries through the use of tarot cards. However, one day she decides to return to Jiangnan with her friend Huang Meng Ching. As the Huang family accepts Chun Xiao as one of their own Mr Huang proposes the idea of marriage between his son Mo Ru, and Chun Xiao. Though she is not particularly attracted to Mo Ru, she continues to live with the Huang's until strange things begin to occur, that endanger her life. It is during her difficult times, that she notices Huang Mu Yun, the youngest son of the Huang's. As the two discover their feelings for each other, secrets regarding Chun Xiao's true identity, as well as the darker nature of Mr Huang's past deeds are unraveled.

Due to the mysterious death of his brother Siwat, Siwakorn disguises himself as him and goes into Khemmawat Group to find out the truth. There, he gets involved with every suspect including Chorprae, Siwat’s secret lover. While Daopradub, Chorprae’s niece tries to intervene between the two. Siwakorn & Daopradub’s closeness turns into love as danger approaches them as they get closer to the truth and finds out the true villain is the person they least expect.

Just when audiences thought the director couldn’t get more spectacular and outrageous, he unleashed this eye-filling, mind-bending “Martial Arts World” sequel of clan rivalries, ninja atrocities, wizard sorceries, and the mythical Silkworm style that changes our hero into a veritable Spider-swordsman. The screen practically explodes with colorful characters and kung-fu – all directed, co-written, and co-choreographed by Lu Chun-ku, and showcasing some of the best Shaw Brothers action stars. The original Bastard Swordsman was just the beginning, this superlative cult classic that out-phantasmagoricals the original.

The drama is about Tang Ping Kuen, the village head of Lucky Villaige, who is always at loggerheads with businesswoman Christine Fong. One day, Christine was shot dead during a paintball game. Since then, the spirit of Christine could not rest in peace until she finds out who murdered her. She decides to take host on Kuen's body. Since then, Kuen became known as Diana to his colleagues once Christine possesses him.

A sent-down youth who returns home after living in a rural area must deal with the consecutive tragedies in her life and a new family that she has never met before.

On Zhao Chun Lei's first day back in the city, she is devastated by the sudden passing of her father. Her stepmother Liu Feng Ying who has three children becomes the new head of the household. Zhao Chun Lei's lover Xu Hai Yang dies in an accident, yet a woman named Luo Gui Hua knocks on their door claiming to be pregnant with Xu Hai Yang's child.

Misunderstandings and squabbles start to plague the family. The selfish younger brother Wu Ming Guang is out to fight Zhao Chun Lei over the house deed. The younger sister Wu Ming Mei blames Zhao Chun Lei for all the bad things that have happened in her life. The youngest sister Wu Ming Li deals with relationship problems of her own. As more misfortunes befall the family, can Zhao Chun Lei bring everyone together and find her own happiness?

Typical mother Noguchi Satsuki spent her days trying to balance her life as a wife to her hard-working husband Kazuhiko and mother to their only son Tomoya, a seemingly withdrawn fifth-grader with whom Satsuki struggled to communicate. Seiko and Ozawa Hideaki, living in the same neighborhood as the Noguchi family, were raising a rebellious junior high school daughter Mihoko and their first son Kiyotaka a second-grader who was showered with much love and affection by his mother.

On that ill-fated day when Kiyotaka was reported missing and was later found dead, Tomoya was taken into custody by police as the prime murder suspect. Tomoya slowly begins to open up about his innermost feelings as the hidden truth reveals the true motive behind his cruel act of violence. Satsuki, as mother of the perpetrator, comes face-to-face with her son’s true self while Seiko, as mother of the victim, deals with her sorrow and anger.

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