Two reserved strangers form an unspoken mutual crush as they share their daily elevator rides to work, but misunderstanding ensues as they dare not talk to each other.

Duration: 19 min.

Content Rating: Not Yet Rated

Morita Sae (Takimoto Miori) lives in the town of Futaba in Fukushima Prefecture. One day, when she visits Spa Resort Hawaiians with her family and their pet dog, Choco, she sees girls doing the hula dance and gets completely engrossed. Time passes. Sae joins Spa Resort Hawaiians. She fulfils her dream to become a hula girl and enjoys her days to the fullest. But on 11 March 2011 at 2.46 p.m. when she is taking a break back stage after the end of a show, the Great East Japan Earthquake hits. Her peaceful, regular life undergoes a sudden change. Transportation and telecommunications are disrupted due to the earthquake. At the hotel, the manager Haseda Takeshi (Ihara Tsuyoshi) issues instructions to staff to take care of guest needs as much as possible. Sae and fellow dancers, Takezawa Kasumi (Haru) and Shimano Hikari (Sasamoto Rena), wait for their families to contact them. She focuses on her family and Choco. At the Moritas at that moment, her father Zenko (Taguchi Hiromasa), mother Ayano (Nakahara Kannan) and elder sister Ami (Sato Megumi) are all safe, but a temporary evacuation warning has been issued because of a second earthquake alert. Sae finally gets hold of her family. The next morning, she rushes over to the evacuation centre where they are waiting. However, Choco is not there. Sae dissolves into tears at the memories of Choco. She had always had her family and Choco by her side. It was Choco that cheered her up each time she came back home after she joined Spa Resort Hawaiians and got yelled at by the instructor, Yoshimoto Minako (Kikuchi Momoko), for not being able to dance to her satisfaction, and whenever she had difficult moments. Forced into harsh circumstances because of the earthquake, Sae and the hula girl members grow depressed. But they also believe in resuming their dance and begin to practice with Minako’s encouragement. Meanwhile, taking Hikari’s suggestion, they pay visits to evacuation centres as well as start the Hula Girls National Kizuna Caravan to hold free performances nationwide to cheer up and bring smiles throughout Japan with the hula dance. The hula girls including Sae transform their sorrow and pain into smiles for the sake of Fukushima’s rehabilitation and Spa Resort Hawaiians’ reopening. Like the hula girls 46 years ago, they head to various parts of the country. However, adversity beyond their imagination awaits them.

Listen to the fragile sounds in this experimental film. Taki, Toto, and Hajime go to a private school where drugs have taken over their lives. They began experimenting with curiosity but soon find themselves in an inescapable trap. After an...

23 people participate in a game of psychological warfare in which they wear a special device called “SCM” which can be used to turn other players into their slaves. Eia Arakawa is a girl with a cold personality who dabbles in various romances without taking anything too seriously. Meanwhile, Yuuga Oota is an eloquent, smart young man who gradually descends into insanity when he becomes wrapped up in the darkness of the game.

In order to benefit the people, the wealthy Shen Fu of the Ming Dynasty paid for the construction of the city wall. Unexpectedly, during the construction process, the river demon rampantly destroyed the city wall under construction, and the people were panicked for a while. To appease the people, the emperor ordered Shen Fu to offer the heirloom pot of treasures to suppress the evil spirits, and was given a three-day deadline to order Shen Fu and Li Han Yang, the left minister of the Ministry of Works, to repair the city wall. The river demon is still going around, and Shen Fu investigates with his companions to discover that there is something else going on. What is the secret behind it? While fighting the monster, how can Shen Fu solve the case within the three-day deadline?

A wild bachelorette weekend in a foreign city spins hilariously out of control in this over-the-top sequel to the box office smash GIRLS. After a drinking contest with some questionable local spirits, three friends wake naked on a beach to discover two are handcuffed to a locked suitcase, one has a strange new tattoo, and none of them have any clue what happened the night before. When they soon find themselves pursued by local gangsters, their only shot at making it home - and to the altar - is to piece together the previous night's events while on the run.

ZEGEN (The Pimp). “Of Imamura’s late films, Zegen is the most like his early masterworks: epic, energetic, sexually impudent, and grotesquely funny. A satire about colonialism, commerce, and carnality, Zegen is based on the true story of a hairdresser, Iheiji Muraoka (Ken Ogata), sent to Manchuria to spy on the Russian army. A born entrepreneur, Muraoka set up a chain of brothels throughout Asia —a kind of fornication franchise— and became ‘the big Boss of the South Seas.’ As Imamura portrays him, the ‘zegen’ is a decent but doltish and blindly patriotic businessman who views his development of a prostitution empire throughout Southeast Asia as the vanguard of Japan’s military adventurism: ‘For the sake of a great cause, I procure women.’”Imamura's rambling epic is filmed entirely outside Japan in early 1900's South East Asia. It satirizes Japanese imperialism with considerable bite, but is also very entertaining in its characters and story. Based on the autobiography of a Japanese business man named Muraoka, if follows the main character from when he jumps ship swimming ashore in Hong Kong harbour, to Manchuria where he works as a Japanese spy using prostitutes to gain information from the Russians, to Malaysia where he sets up brothels of Japanese prostitutes in a effort to further Japanese colonization in the area. Ken Ogata plays the lead, giving a nuanced performance of the man who runs brothels as part of his noble service to the Emperor. There is also a compelling love story, some very humourous satirical lines and plenty of half clothed women. What more could you want?Note: The title 'oyabun' is used for Muraoka often in the film. It means Boss, or Big Boss or Godfather... I think you get the picture. Trivia: Director Takashi Miike was given his first film credit, as assistant director on Zegen. He was a student at the Japan Institute of the Moving Image at the time. The Institute was founded by Imamura.

The story of two animals and their adventures. Chatran, the cat, and Pusuke, the dog, are two animals who grew up together on the same farm. One day, the two are separated and begin a journey to find each other. The adventurous, and often perilous quest finds the two animals traveling across mountains, plains, and snow-covered lands searching for one another.