In Woo and Tae Hee are two college freshmen who didn't believe in love at first sight but later find themselves wrapped in a deep relationship that would last forever. One day they vow to make their love eternal by sealing it with a bungee jump. But their promise is never fulfilled when Tae Hee suddenly disappears out of In-woo's life for what seems like an eternity. Seventeen years later, In Woo is still unable to get Tae Hee out of his mind even though he's married and has a loving family. While giving a lecture to his students, In Woo is reminded of the memorable times he spent with Tae Hee when one of the students asks about his first love experience. From this point on, In Woo thinks nothing of it until the student rehashes habits and sayings that are so reminiscent of Tae Hee. Clinging to his hope that he will meet Tae Hee once more, a strange mystery unfolds as In Woo tries to discover who this student really is.

Eran (Zhu Yin ) and the founding of the road (Wang Zhifei ) Married for many years, often because of trivial trivial things in the boring, in the 20th wedding anniversary, the two finally rebellious trouble to divorce, the road...

The story revolves around a 17-year old high school student and basketball player named Migiwa (Mitsuki Tanimura) who has a secret crush on a boy named Riku (Dori Sakurada). One day Riku asks her if she surfs, and without thinking she lies and says she does. She quickly begins practicing on her own to cover for her lie, but when she gets swept up in a wave, the board drifts away from her and gets lost. Panicked, she hops on her bike and pedals around the coastal area of Shonan looking for anywhere it may have washed up. Like a typical road movie, she meets various people in her travels and experiences some personal growth.

Young married couple Rie (Tomoyo Harada) and Sang (Yo Oizumi) move from Tokyo to Lake Toya in Hokkaido Prefecture to start a bakery restaurant named Mani. Sang bakes bread and his wife Rie makes food that complements the bread. Spring, Summer, Autumn and Winter, the customers leave in a happy state.

"My Girl and I" features the well-known plot of an ill-fated couple. Su-ho (Cha Tae-hyeon) is a plain high school boy, and Su-eun (Song Hye-kyo) is a bright and beautiful girl in the same school. For some unknown reason, Su-eun has a crush on the boy, and for equally mysterious reasons she rescues Su-ho in the sea (though he doesn't know who actually saved him). In the process, Su-eun loses her pager. When she discloses the relationship with Su-ho at school, despite envy and disbelief from other classmates, she asks Su-ho to buy her a pager so that they can communicate with each other through voice messages - a secret communication channel since So-eun's parents are quite strict. The way the couple develops affection is bearable, helped by images of a beautiful seaside village and equally enchanting coastlines. Supporting characters like Su-ho's grandfather (Lee Soon-jae) jazz up the otherwise too simplified storyline.

Among the steady stream of new Chinese movies opening in America, “A Beautiful Life” stands out — rather than an overstuffed, jingoistic historical tale or martial-arts blowout, it’s a contemporary romantic melodrama with a plaintive pop soundtrack that might call to mind “Terms of Endearment,” “The Other Sister” or, most strongly, a Nora Ephron comedy minus most of the laughs. (There’s also a bit of “Memento” thrown in.) It’s no great shakes, but a substantial number of American moviegoers — soft-hearted, slightly masochistic and largely abandoned by Hollywood — would like it if they found their way to it. The first hour, especially, is charming, before the balance shifts from romance to melodrama to, in the final minutes, the kind of maudlin crescendo that Asian audiences are accustomed to. The director, Andrew Lau, gives further proof of his versatility, having already shown that he can make very good gangster movies (“Infernal Affairs”) and so-so kung-fu epics (“Legend of the Fist,” which opened in the United States last month). He practices heroic restraint and delicacy, given the five main characters he’s been handed: one’s blind, one’s autistic, one’s mute, one has early-onset dementia and one’s a healthy, bitter drunk. Mr. Lau is helped by his charismatic stars, Shu Qi and Liu Ye, both of whom are very appealing within the narrow range set for them. Mr. Liu plays an upright cop who’s slowly losing his memory and leaves himself notes to remind him of his daily tasks; Ms. Shu has the Holly Golightly role as a real estate agent trying to strike it rich in Beijing so that she can support her parasitic Hong Kong family. (One not very convincing theme of the film is Beijing incorruptibility versus Hong Kong decadence.) She’s a bit forced and shrill in her drunk scenes, but otherwise she underplays adroitly and flashes some sly humor.

Set in the Republic of China, Axi has extraordinary skill in Kung Fu. After being sold to work at a dance hall, she is adopted as a goddaughter of a dance hall master. There, she fights internal corruption and also falls in love

"The Deserted Wraith" adapted from 1945 Xiangxi real supernatural events, the first time the "Xiangxi Vampire," "Hmong Gudu" Xiangxi Miao and other places thriller Confidential big screen. Videos and mountainous Xiangxi Miao creative depth to the ancient...