The story revolves around the detective guards of Liu Shan Men, as they work together to solve the mysterious cases of Jianghu.

Mook, a single mother who lives with her 5 daughters, finds love with Tum, a widower with two children. They want to get married, but they're not sure if their children would be okay with this decision. Petch, Mook's eldest daughter, didn't want to see her mother regret because of love while Boom, Tum's son, was happy with their love. Since Mook and Tum don't know whether their children will be compatible, the two families then formed an agreement to try to live together for 1 year. If anyone in the house is not happy living together, Mook and Tum will give up.

Matsukata Hiroko is a super busy magazine editor. Just like any other 28-year-old woman, she enjoys going on dates with her boyfriend, fashion and her private life. But once she turns her switch into working mode, she sacrifices all that and dedicates her life to her job. That's when her colleagues refer to her as the Hataraki Man (working man). Her success at work however doesn't give her total satisfaction.

A story of young people residing at a co-living house. They do want to date, but they don't want to be serious. They prefer being free, but they also don't want to be lonely.

Cha Kang Woo is a single man in his 30's and he works as a psychiatrist. He is full of curiosity about human beings. Even though he is an attractive man, he is afraid of having a romantic relationships due to trauma from his past. A woman appears in front of him and he begins to have feelings for her.

Lee Na Eun is a freelancer copy editor. She is generous to good people, but she does not tolerate injustice. She hopes to become a novelist one day. Due to her situation, she has not had a boyfriend in 4 years. She begins to stay at the co-living house and develops romantic feelings.

When night falls on this city, shadows and spirits come alive in this horror anthology series focused on urban legends.

The novelist Shiraishi Kiyoshi (Yasuda Ken) receives a letter from a mother who has a son with a stuttering problem. She asks Shiraishi in the letter if he would encourage her son to not be daunted by his stuttering. Shiraishi thinks about his own childhood and decides to talk to his editor Nomura (Fuma Kikuchi) about writing his personal story. Muroi (Fukikoshi Mitsuru), an editor who is Shiraishi’s senior, picks up on his intentions. Shiraishi has had a stuttering problem since his youth, particularly the “ka” and “ta” columns of syllables and even stumbled over his own name. He transferred schools a number of times due to his father Kenichi’s (Mashima Hidekazu) work and was laughed at by classmates each time he introduced himself. The strain of transferring schools got to him in the first grade of elementary school. Even when Shiraishi was asked by his mother Yoko (Kanjiya Shihori) what present he would like for Christmas, he could not pronounce the name of the game he wanted because it started with the letter “gi”. Unable to convey his feelings to friends and family in words, Shiraishi wished for friends who could talk about anything. He mistook the hymn Kiyoshi Kono Yoru, better known as Silent Night in English, as Kiyoshiko no Yoru and the imaginary Kiyoshiko was his ideal friend. However, in reality, his Christmas became a day of miserable memories. He eventually wrote about the frustrations that he suffered in Kiyoshiko. Besides the title Kiyoshiko, Shiraishi also wrote about his exchanges with the lonely Occhan (Chihara Seiji) in Donguri no Kokoro, and about his decision to leave both his family and the university student (Fukuchi Momoko) who liked him, for further studies in Tokyo and his departure for the metropolis in Tokyo. Even though he still stutters as an adult, he has a pleasant life with his wife Saori (Nishida Naomi).

‘Windy City’ AKA Wife & Woman is the story about the people who are struggling between love and separation, and muster up their courage to attain their true love and to perceive the genuineness of life.

Two non-identical individuals met and lived together. What is left in their lives in the end? What are they achieving, and what are they loosing?

They gain wealth, success, and they have a child– Let’s stop this out-of-date thinking.

Since the two cannot be the same till the very end, wouldn’t it be better to just live as two individuals, instead of a married couple? And, there is one thing that we should remember about others. Before we have our roles as a husband, a wife, a parent, a son and a daughter, we are all human beings who have the right to accomplish our own genuine lives.

Despite the recent proliferation of webtoon adaptations infesting the airwaves – and I use the pejorative because when 미생 (Misaeng) is the best you can get in 18 months, you know we're not dealing with a quality-friendly trend – few people have thought of the closest expedient the drama canon can use to ensure a somewhat painless transition from the webtoon world – the omnibus drama! Be it sketch comedy, puppy love melodrama or even fusion horror, webtoons are often ill-suited for a drama transposition exactly because they weren't made for this longer running, more story-driven medium in the first place. Taking various stories and serving them in small, 20 minute long doses every week is not such a bad idea, especially when they're not monuments to complexity to begin with, and they would falter quickly.