17 year-old Hiruma is desperate to get laid and takes out his sexual urges on Anpai, a fat boy who has “boobs.” His classmate Tomono, a sickly loner, is in a serious relationship with their married teacher.

When Hinako was only a child she was separated from her two best friends, Fumiya and Sayori, as she moved to Tokyo. Now, many years later, Hinako has returned to the small village of Shikoku to meet her childhood friends, but it turns out that Sayori drowned many years ago. When Hinako starts seeing Sayori in her dreams and such, she seeks help from Fumiya, thinking that Sayori wants to hurt her.

A boy working at a small-town coffee shop notices an old man repeatedly pocketing sugar packets. The boy attempts to solve the mystery of the stolen sweetener, and when the answer isn't at all what he expected, he is forced to deal with some of life’s most basic questions.

Based on the true story Park Kyung-Won, one of the first Korean female pilots.

Park Kyung-Won dreamed of flying since she was a little kid. To achieve her dream of becoming a pilot, Kyung-Won, at the age of 26, travelled to Japan and enrolled in an aviation school. While studying at the aviation school, she supported herself by driving a taxi. One day, Kyung-Won picks up a male passenger, who turns out to be a Korean exchange student Ji-Hyeok. Ji-Hyeok is attracted to her and what she was trying to accomplish. Although he begins to court Kyung-Won, Ji-Hyeok leaves to enlist in the army.

A few years later, Kyung-Won flies her first flight and becomes a pilot. Her accomplishment is well received Korea. Meanwhile, Kyung-Won takes under her wings, fellow female Korean aviation student Jung-Hee, who wants to follow in Kyung-Won's footsteps. Also, Ji-Hyuk is discharged from the army and is commissioned as a officer in a aviation school. Ji-Hyuk and Kyung-Won meet again and soon realize their feelings are as strong as ever.

Eventually Kyung-Won hopes to take part in a long-distance flight to her home country of South Korea ...

A group of junior high school must find out the truth of their classmate's death is he was killed by someone or committed suicide.

So Po-wing or So Boring as everyone calls him doesn't have much going for him, career and personally. He has a boss from hell, toxic co-workers that steal his ideas and sabotage him, a office that doubles as the company storage room and an incompetent assistant that lets his co-workers steal his ideas just because they flirt with her. At home he has a younger sister that is a compulsive gambler and a mother that tries to trick him into selling the home his deceased grandfather left him. The only bright spot in his life is his ditsy girlfriend Bobo who always thinks she is dying and his loyal friend Wah Dee who tries to cheer him up but ends up making matters worst.

A guy decides to buy a used Taxi to make some money after his girlfriend breaks up with him. Business is going great at first but it doesn't take too long before his customers run out from the car in terror. He doesn't know why but soon he realizes that his taxi is in fact haunted by an evil ghost girl.

The once dignified male protagonist is now portrayed as a wretched swindler, the demure widow as a lustful woman with an insatiable appetite for her newfound prey. Hae Joo (Kim Won Hee) is a simple-minded, young mother who makes a living by renting out a room to passing travelers and selling flowers. Her undeniable beauty makes her the object of desire amongst the many bachelors in their small rural village. But the lonely widow has her heart set on her new visitor from Seoul, tall and good-looking veterinarian Duk Geun (Jung Jun Ho). Never the shy type, Hae Joo literally throws herself on him, much to dismay of her daughter and longtime admirer Sung Chil. For Duk Geun, a swindler in pursuit of money, Hae Joo's overtness is a nuisance - until he discovers her one million-dollar bank account. All of a sudden, there is a swift turn in the tide and Duk Geun is the one trying to win Hae Joo's heart using all of his known techniques. But, watch out, this naive-looking widow is not to be underestimated. This is an update of Shin Sang-ok's remarkable 1961 film of the same title.