Jung Il and Soon Nam are a married couple. Their son died in The Sewol tragedy. Jung Il feels guilt that he was not there with his family when his son died. Soon Nam misses her son dearly. She supports her family by working at grocery store. The film explores the aftermath of how The Sewol tragedy effected many families.

34-year-old Michiyo Mabuchi (Kumiko Aso) and 26-year-old Yoshimi Tendo (Shota Yasuda) meet at a screenwriting class. Michiyo Mabuchi, who is called "Basyauma", works hard to become a writer, but can't see a future for herself as a screenwriter. Meanwhile, Yoshimi Tendo is a bigmouth who never tries hard at anything. These two people fall in love.

Jung-il and Soon-nam were just ordinary parents who raised two lovely kids. It was not until their son Su-ho’s sudden death the family started to break apart, with all the happiness gone at once. While the pain seemed to grow every day, the bereaved families around the family try to console them at their best. Based on the true event of Sewol Ferry disaster which killed more than 300 people in Korea.

Following their landmark “Love Yourself” tour, BTS triumphantly returns to cinema screens in BRING THE SOUL: THE MOVIE. Shining brighter than any light on the stage, now the group invite us behind the spotlight. On the day following the final concert of their Europe tour, on a rooftop in Paris, BTS tells their very own stories from experiencing new cities to performing in front of thousands of ARMY across the globe. A glimpse into BTS’ world away from the stage, featuring intimate group discussions alongside spectacular concert performances from the tour, this is a cinema event not to be missed.

Midori Mantani (Akiko Kikuchi) and Masao Minamisawa (Ayumu Nakajima) are both 28-years-old. They have dated for 4 years, but their relationship seems to be just going through the motions. They think about breaking up. At that time, Midori becomes pregnant....

Three years ago, the drama tutor Lam Hiu-Yeung's brother was kidnapped and killed. The case was handled by Inspector Madem Ho Yuen Chun, who is known for her sharp wit and intelligence, but was unfortunately unable to save Lam Hiu-Yeung's brother in the end. Now Lam Hiu-Yeung faces the horror of losing her husband, Liu Quian, who has cancer. While trying to find a means to get the money to pay for his medical expenses abroad, Lam Hiu-Yeung recalls how the Police handled her brother's kidnap; and feeling desperate and helpless, she decides to risk it all and plan a kidnap for some quick ransom money. Her target is Tycoon Wong Sam's seven-year-old son, opening a case that is also handled by Inspector Madem Ho Yuen Chun. Strangely to Ho Yuen Chun, the kidnappers seem to be able to predict the Police's every move, turning the negotiation process into a psychological battlefield. As the Police periodically lose track of the kidnappers involved, they don't realize that they are in fact getting closer to find out the true identity of the criminals. Finally, just as the truth is about to be revealed, Ho Yuen Chun discovers that the hostage is in fact her own son, Ho-yin. As the pressure becomes too much for Ho Yuen Chun, she begins to lose her mind, driving her to use desperate measures and risk her career in order to solve the case once and for all.

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One of the five best Japanese films I've ever seen. The story is of two people. One is deaf, the other deaf and dumb. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys. The beauty of this charming yet realistic film is that the couple (who communicate with each other exclusively in sign language, which is subtitled) are neither patronized nor glorified by the director. They are treated straight, as two very normal people with ordinary lives, who just happen to be hearing-impaired. Alfred Hitchcock once described drama as "ordinary life with the boring bits cut out". Another great feature of this film is that much of the story consists of bits of ordinary life, yet it never becomes boring. Indeed, and this is amazing considering the domestic quality of the storytelling, the film proceeds at a cracking pace, covering about a decade in just under two hours. The couple decide to have a child, but the baby dies, and only because of their parents' deafness. After agonizing about laying blame, the couple put this tragedy behind them and have another child ... who turns out to be a ghastly little boy. And this is only the beginning of their troubles. The acting is first rate by all the major players. I particularly liked Akiko's spirited mother. But it's lead actress Hikedo Takamine who turns in a tour-de-force, with her expressive pierrot face. I cannot recommend this movie highly enough. It is simply wonderful.