In the chaotic days of the 1960s, Misuzu, a lonely high school girl from a troubled family, finds sanctuary with her nihilistic brother, Ryo, and his friends. They pass their days hanging around a shadowy jazz cafe bar, indulging themselves in a life of sex, drugs, and alcohol. Social unrest simmers, while their relationships gradually falter. Misuzu gets drawn into a dangerous plot against the society that was hatched by one of the rebellious youths, Kishi; they will rob a bank car of 300 million yen! The two accomplices set out for numerous rehearsals, while in their hearts they secretly and quietly become even closer. Then one rainy day, aided by coincidence, they pull off their heist successfully, which has a huge impact throughout Japan. However, it brings Misuzu only a great sense of loss and sadness, which she had never anticipated...

The 300 Million Yen Affair is one of the most well-known real-life unsolved crimes in Japan. The incident took place on the rainy morning of December 10, 1968, when a car that carried 300 million Yen was hijacked by a criminal wearing a fake policeman's outfit. Even though more than 100 pieces of evidence were left behind by the criminals, with 170,000 policemen against 110,000 suspects spending almost a billion yen in the investigation, nobody was arrested and the stolen money was never found. The investigation was officially closed for prescription in 1975.

Korean short film about a schoolboy, Hye Sung Won, who struggles with his feelings of inadequacy and tries to rationalize his guilt over a betrayal to his cherished and seemingly perfect friend, Jeong Hyuk Moon.

While a menacing typhoon approaches, an accident at the giant natural gas plant Regalia occurs. Japan Coast Guard rescue divers Daisuke Senzaki, Tetsuya Yoshioka and engineer Hiroshiichirou Sakuragi head together to the gas plant. During their rescue efforts an explosion occurs that traps Daisuke, Natsu Nishizawa Kazue Fukiishi and worker Hisayoneo Kizima. Daisuke then looks for a way out for his party with a man he just meets Takuya Hotori. Because of the typhoon, even a helicopter cannot approach the Regalia.

Meanwhile, at the head office of the Japan Coast Guard, the Japanese coast guard tries to find a way to rescue the trapped people, but the government officials put national interests first. Tension arises between these two parties. Daisuke's wife Tamakisai Senzaki prays for the safe return of Daisuke not only for her sake, but for their new born son.

Daisuke's party is still trapped in the giant plant have one last choice...

"The Last Message: Umizaru" was be screened in 3D at Japanese theaters. Post-production processes will transfer the film into a 3D film and increase the production cost by 50%.

Yeong Min and Mi Yeong are a young couple who get married after graduating from college. Following the honeymoon period, they begin to bicker with each other. While waiting for her husband at a cafe one day, Mi Yeong bumps into her ex-boss. Yeong Min sees this and gets the wrong idea. As they struggle to make their marriage work, Yeong Min and Mi Yeong gradually understand what love really is.

It's been two years since 32-year-old Hyo Jin lost her husband in an accident. One day she receives a request to take in 16-year-old Jong Wook, the son born to her late husband and his ex-wife after his grandmother develops dementia. She does not feel comfortable with this but ultimately agrees. Hyo Jin tries to get friendly with Jong Wook, but he does not. Later she discovers that Jong Wook is going around looking for his biological mother. She was told that his mother had passed away, but now she begins to question whether she might still be alive.

Teacher Akira Suzuki (Hiroki Hasegawa) breaks away from long held customs and norms at his school. He tries hard to have the ideal classroom by using his own "Suzuki method".

The new semester begins. His homeroom 2-A class is about to have a student council election and preparations for a school festival. A man (Shunsuke Kazama) then takes a female student hostage ...

1. Based on Kenzi Taketomi's manga series "Suzuki Sensei" (first published June 7, 2005 by Futabasha’s Manga Action magazine).

Sex or love, which is more important? There are three female flat mates: Vivian (Jo Kuk) is frivolous; Kitty (Rain Li) is prim and proper; and Mei Wah (starring Monie TUNG) is ditsy. Through new experiences of love and sex, they find themselves. Vivian is from a wealthy family who enjoys clubbing and socializing. Her life is wild and carefree, but she meets Donald (starring CHAN Fai Hung) who is totally different. He is an extremely pure and honest guy. While in love with him, she finds security and changes utterly, she wants to live a simple life with her new man. However the temptation of outside world comes from the bottom of her heart. How can she make a choice between love and sex? Kitty does everything by the book. She would have married her boyfriend Woody (Kwok Cheung Tsang) if he had not fallen for another. The pain of the break up inspires her to change. She devotes herself to experience the nightlife. The various sexual experiences broaden her horizons. When she meets Woody again she finds she still has feelings for him but she is no longer the same obedient girl as before. Can they rekindle the relationship? Mei Wah is in the habit of relying on others to make decisions for her. She is longing for someone who can truly love and protect her. When she looses her boyfriend Endy, she has a nervous break-down. At the same time her smart talented boss Ms. Lok comes into her life. Mei Wah realizes love can exist between two women and such kind of love is even more attractive and exquisite. However when Endy comes back to her, she feels unable to reject him. How can she handle the two relationships? Three women, with three different love and sex experience, tell us that sex and love cannot be separated. Women¡¦s talk is always thought provoking and stimulating.

It begins with Mitsue (Rie Miyazawa), a young librarian, rushing home in a thunderstorm, frightened out of her wits. Her terror, we soon see, is a product of the war, particularly the atomic bombing of Hiroshima, which she barely survived. She lives with her father, Takezo (Yoshio Harada), in their bombed-out house, now partly repaired. Dad is her confessor, adviser and friend, the only one she can tell about her fears, dreams and past. Most of her friends and family died in the bombing - including Dad. That Dad is with her only in spirit doesn't faze her. He looks, acts and talks like one of the living. But, as befits a ghost no longer bound by selfish earthly concerns, he is interested only in her problems. Particularly her budding relationship with the shy, bespectacled Kinoshita (Tadanobu Asano), who is researching the bombing and wants Mitsue's help - and possibly slightly more than that.