Shiva, a local Ruffian is unstoppable in his path as he had garnered the support and affection of the general public by fighting against the injustice that comes their way.

“The age of dejection.” This is how Director Lee Chatametikool remembers Thailand in 1997. Concrete Cloud is a film that tells us about the young men who survived an era of financial crisis. Mutt, who is working as a stockbroker...

Madarame Baku is a mysterious gambler. His nickname is Usogui (literally The Lie Eater). Club Kakerou is the top illegal gambling den, where gamblers vie to become the best in their profession. Seeing through the lies of others, Madarame Baku challenges a variety of high stakes games at Club Kakerou.

Tax Inspector Madogiwa Taro: Case File 24

One winter, Yu Jun Sang and Lee Jun Hwa, the two members of a band “J and Joy 20” get on a flight to Japan with an impulse to film a music video. They set off to Japan, without any actors or themes prepared and armed only with an ambitious plan to make a song for spring. As Japanese musical actor Nakagawa Akinori and two Korean actors Kim So Jin and Jung Soon Won gather together, a joyful production of the music video unfolds on a snowfield with Mount Fuji in the background. Spring Song is a record of passionate creations and a pleasant aria about artists with simple and pure minds.

I gave my life to film and now the only thing left is my screwed life!

After a sudden death of the director she worked with for a long time, a film producer Chan Sil is now unemployed. Jobless and money-less, she begins to work as a cleaning lady at an actress' place. By chance, she meets a young man who teaches French to the actress. Chan Sil is strongly attracted to him while her old anxieties begin to emerge; her already-gone-youth, screwed love, and broken career...

The film follows a group of circus performers who goes on a rampage after an accidental exposure to chemical gas left by the Japanese army in World War II, granting them superhuman abilities.

Synopsis from Midnight Eye: A sumptuous and at times super-charged swordplay fantasy, Gojoe puts the spin on one of Japan's most popular feudal legends: the battle at Kyoto's Gojoe Bridge. Though its multitude of characters and warring factions might make Gojoe somewhat confusing to Western eyes, the basic storyline is simple: warriors of the Heike clan get their heads chopped off by an invisible force at Gojoe bridge. Benkei, a former Buddhist monk plagued by the demons of his own past, sets out to destroy the evil force that lurks at Gojoe, aided by his graverobbing sidekick Tetsukichi. They soon discover that the perpetrator is in fact a young warrior, a former lord named Shanao, out for revenge against the clan that ordered the death of his family. The fact that Sogo Ishii, the creator of such contemporary punk masterpieces as Burst City (Bakuretsu Toshi, 1982) and Crazy Thunder Road (Kuruizaki Sandaa Rodo, 1980) is at the helm should be an indication that this is not your average swords-and-kimonos adventure. Gojoe plays less like a jidai geki than a true Ishii film in period garb. Elements and themes from his films from the 1990s - spiritualism, the metaphysical, man being a small but essential part of the greater cosmic scheme - are combined with a resurgence of the boundless energy of his work from the 80s.