A long day in the life of a washed-up actress who gets a loan, checks up on her mother-in-law, takes free photos upon her mom’s request, meets producers asking her for a cameo performance, and calms her crying baby.

The movie tells of several bizarre deaths in Chang'an during the anniversary of Wu. Because the cause of death is unknown, the rumors of the killing of flying murals in the Martyrs' Temple have intensified. The people all thought that...

This film mainly tells that when a five-member special operation team performs a special task, the superior gives orders to catch the second person of the criminal group alive.

Members of Thai girl group BNK48 share the ups and downs of preparing for the 6th Single Senbatsu General Election

In 2020, a small group of “alien research clubs” barely survived as most of the human race disappeared due to the invasion of the yellow liquid aliens. In the meantime, confusion arises when an alien buried itself in the body of one of the members. A moment of extinction that will kill everyone if you don't find and kill aliens within 30 minutes. Who is the alien in there hiding? Can the last humans be safe before the alien invasion? Since the situation of mankind that has been eroded by unknowns and reached the end is not the future, it is now 2020. It talks about the relationship between the majority and the minority, mainstream and non-mainstream through the mixed minority, human and alien relationship.

Kabir Grewal (Arjun Rampal), a Casanova film maker and screenwriter is making multiple films (GUNS Trilogy) based on a thief's life and robberies. All his films have been highly successful. In order to shoot the third part of the trilogy, he goes to Malaysia, where he meets a London-based film maker Ayesha Aamir (Jacqueline Fernandez). Kabir and Ayesha get friendly and soon fall in love. When Ayesha finds out about Kabir's Casanova attitude, she breaks up with him and returns to London. Dejected, Kabir goes into depression and returns to Mumbai, leaving his film incomplete. After several attempts, Kabir is unable to find the perfect climax for his film. On his assistant Meera's (Shernaz Patel) suggestion, Kabir attends a film festival as part of the jury, where Ayesha's film is being screened. Ayesha thinks Kabir is following her and asks him to stay away from her life. After his father's (Anupam Kher) death followed by him being sued by his film's financiers, Kabir decides to move on and complete his film. In a parallel story, an infamous Roy (Ranbir Kapoor) is a mysterious international art thief whom no country seems to be able to get their hands on, including Detective Wadia (Rajit Kapur). On his new assignment, Roy goes to an unknown foreign land to steal an expensive painting only to find that its owner is the beautiful Tia (Jacqueline Fernandez). Tia lives alone in a huge mansion where the painting is kept. Hence, Roy tries to befriend Tia during an art auction and soon impresses her with his charm. Sparks fly between them and both start spending time together, giving Roy entry into the mansion. Looking for the right opportunity, one night Roy runs away with the painting, leaving Tia heartbroken. Roy later regrets, as he realizes he has fallen in love with Tia. He decides to return the painting to her. After a small clash with the painting's new owner, Roy manages to get it back. On receiving the painting, Tia realises that Roy is now a changed man and forgives him. Meanwhile, Kabir's film Guns 3 is released and is hugely successful. It is then revealed that "Roy" was just an imaginary character in Kabir's film and Roy and Tia's story was actually the script of Guns 3. In the end Kabir proposes to Ayesha and they reunite, just like Roy and Tia reunite in Kabir's film. The movie ends with Roy and Tia walking together next to a bridge just like the painting Roy had stolen.

Former serial killer Byung Soo gets diagnosed with Alzheimer's. The doctor tells him that it's due to the aftereffects from a traffic accident 17 years ago; the same accident that stopped him from his killings and allowed him to live a normal life with his dear daughter. So when a series of murders occur near his town, Byung Soo gets worried whether the killings are his doing during his memory lapses. But then he comes across Tae Ju and instinctively realizes that he is the serial killer. He reports this to the police, only to learn that Tae Joo is one. Byung Soo tries to find firm evidence that Tae Ju is a psychopath, but only raises Tae Ju's interest in him and his daughter. And now with his memory slipping, Byung Soo must find a way to protect his daughter from Tae Ju.

Adapted from the bestselling fiction book by author Kim Young Ha.

Three teenage boys who were once close friends grow apart when they reach high school: Yong-ju lives hiding his true gender identity, Gi-woong becomes the leader of the school gang, and Gi-taek an obsessive manga fan. Tired of the constant malicious bullying by Gi-woong’s gang, Gi-taek betrays them by disclosing that Yong-ju has loved Gi-woong for years. Surrounded by an insecure boundary of the school and wounded by betrayals, the boys are driven into catastrophe.

After a tryst with a lover in a derelict, condemned building housing the ‘Night Flight’ gay bar, Yong-ju roams the streets of night-time Seoul and bumps into his ex-best friend, Gi-woong. They are in the same class but have long since gone their separate ways. Having become embroiled in a fight, Gi-woong snatches Yong-ju’s bicycle in order to escape and doesn’t give it back. Yong-ju threatens him, but Gi-woong is impervious to his warnings – his gang is notorious for their cruel bullying of an eccentric classmate named Gi-taek. His attempts to regain their old friendship mean Yong-ju also runs the risk of becoming a target of this terrorising clan, but he refuses to give in. Instead, Yong-ju cleverly draws Gi-woong into a power game of mutual humiliation and burgeoning memories which triggers a dangerous emotional duel. The director of last year’s Panorama film White Night has chosen anonymous and abandoned urban spaces in which to depict the emotional turmoil gripping the two schoolboys. His film is a portrait of a society being eroded by the compulsion to achieve, a society in which there is no place for minorities, friendship or passion.