When social unrest plagues a Kingdom in ancient China, the Imperial Court collects stockpiles of gold from local governments to expand the royal army. However, the gold is robbed while in transport. In a desperate move to retrieve the stolen treasure, elite royal guards are sent on a mission to go after the gold but soon find out they are not the only ones in pursuit of it.

Set in an urban Japanese city, three young models are on their first fashion shoot at an abandoned and deserted school. Without warning strange events begin occurring that causes the models and photo crew to question their sanity as one by one they begin dying an agonizing and painful death. Deaths seemingly caused by none other than themselves.

Go Hwan notices that his parents and his friends are acting strangely around him. His friends Namjoon and Gap Duk have started treating him ever so nicely and his moody father has announced that he will push Go Hwan in a wheelchair in a marathon. Although he is thankful, Go Hwan can’t help but think that he is soon going to die as he has been suffering from Lou Gehrig’s disease. He soon learns that this is the truth and when his best friends ask him what his wish is, Go Hwan tells them that he wants to have sex for the first and last time in his life.

In Sector 7, an underwater oil field located south of Jeju Island, Hae Jun is working as a marine equipment manager on an oil prospecting ship called Eclipse. Joining the crew later is Jeong Man, a former colleague of Hae Jun's father, assigned to Eclipse as captain. Though his job is to oversee the withdrawal of the ship, he suggests conducting some drilling one last time. After 3 weeks of preparation, Hae Jun takes new recruit underwater, but he sinks to the bottom of the sea when his equipment fails. Shortly after crew members begin to turn up dead, one by one, their bodies viciously mutilated. What the few survivors soon discover is a transparent underwater creature they encountered once before. The viral monster infiltrated the ship through the drilling pipe and has been feeding on the crew to survive. For Hae Jun and her colleagues, a fight for their lives begins.

A life-threatening hide-and-seek between a psychopathic killer and a deaf woman.

Kyeong Mi, a girl with hearing impairment lives with her mother. Working at the customer call center, one day she storms out of an unpleasant dinner with the client and drives home after she picks up her mother. Meanwhile, the murderer Do Shik spots Kyeong Mi's mother waiting for her daughter who went to park her car but changes his target when another girl So Jung passes him by talking on the phone. So Jung gets stabbed by Do Shik in the back alley and is found by Kyeong Mi, who ends up becoming Do Shik’s new prey.

When a mysterious loner and Karate master Kenji's little sister goes missing in Los Angeles, whoever stands in his way of finding her will face the wrath of a lethal KARATE KILL!

Just like thousands of Thai couples, during the 9 days holiday of Songkran festival, a guy and a girl choose to visit Korea for their own specific reasons. They did not start the trip to go together, but end up returning back home together

The most audacious film to date from visionary director Tsai Ming-liang, The Wayward Cloud is about a porn actor and the museum tour guide who enters into a strange relationship with him, unaware of his profession. Hsiao-kang (Lee Kang-sheng) is the same alienated youth whose chance encounter with Shiang-chyi (Chen Shiang-chyi) provided the spark that fueled Tsai's earlier films. Once again, these two lost souls cross paths—he now works as an actor in no-budget porn films, and she wanders around Taipei, hoarding bottles of water because of a serious drought. In fact, the government is recommending that people eat watermelons to hydrate themselves. This fruit sets in motion a perverse (and often hilarious) symbolic theme throughout much of the film. As in his earlier film The Hole (SFIFF 1999), Tsai adds campy musical numbers into the narrative. These sequences play against the raw sex scenes, creating a bizarre, existential chaos. The filmmaker has created a perfectly realized alternative universe in his ongoing exploration of sex, bodies and loneliness. His stationary camera perfectly illustrates the isolation and exploitation the characters are trapped in—yet the film is as funny as it is emotionally tortured. Tsai's characters are indeed wayward clouds, drifting through life without purpose, in a world without water. And prepare yourself for the film's unbelievable final scene (no spoilers here), which manages to be both weirdly erotic and profoundly disturbing. For mature audiences only.