Korean photographer Bae-Hwan (Kim Min-Jun) & gay Japanese hotel employee Ryu (Hoshi Ishida) work together on a series of photographs. Their relationship crosses uneasily between friendship and love, while they also battle their own internal scars. Their salvation comes by their photographs which helps them find the meaning of their lives ...

Based on the hit anime of the same name, "Honey and Clover" deals with five college art students. While the premise may sound simple, it's quite the opposite; the characters struggle through school, work, and love. All within the confines of a university, "Honey and Clover" showcases the journey that everyone must take from being a young adult and following the long and challenging road to becoming a full fledged adult.First off, the cast is wonderfully presented. Their likeliness to their anime counterparts is great and for the most part (albeit hair color) spot on. The mannerisms of the cast also reflected the anime greatly and fans of the anime will certainly enjoy this aspect of the film. Another great aspect of the film is definitely the cinematography. Since this film's environment is mostly held at or around an art school, you would expect for most part, as viewer, to be stimulated visually, right? Indeed this is the case with "Honey and Clover". The film accurately displays the happenings of an art school, from the constant unfinished student projects scattered about, to the multiple classes that art students participate in, it is faithfully recreated here.The musical score by famous composer Yoko Kanno is wonderfully implemented into the movie too. I for one have taken notice that Kanno is starting to produce more film scores, and she has done great job so far. With her most recent contributions to Su-ki-da and Kamikaze Girls, her slow transition from anime composition to film composition can only be seen as a good thing. I hope to see her contribute more to the realm of films in the future. Putting music aside though, "Honey and Clover" does run into some slight problems… Based on an anime series, one can truly see the tremendous amount of time and effort it would take to condense 26 episodes into roughly a two hour film. What happens in most cases when this occurs in other adaptations is that entire story arcs, characters, and original endings are left out. "Honey and Clover" suffers from the all these. While significantly better in many regards than most anime to film conversions, the story of "Honey and Clover" is just too character driven for a film. Maybe a Japanese TV drama would perhaps work well, but due to the time constraints of a film, it doesn't provide the adequate depth that the anime series does. This leaves viewers who aren't fans of the anime or manga sometimes clueless as to what is happening on screen. Some characters relationships might be questionable for those viewers who haven't seen the anime or read the manga. Some characters just pop in with little to no background and the viewer is expected to already know who they are, what their purpose is, and what their relationship is to plot. By the end of the film, all we are left is with a cast we don't really care for (even if you have seen the anime/read the manga). This hurts a film that otherwise is a moderately accurate retelling of a rather well crafted anime series.With all but one minor quibble (a major one if you haven't seen the series or read the manga), "Honey and Clover" is one of the better anime adaptations out there. While fans of the anime will definitely enjoy this film, non-fans will probably be asking themselves why certain characters do this or that, unknowing to the fact that their questions are clearly explained in anime. In the end though, I recommend this film for fans, but I have to say pass if you haven't seen anything that has to do with 'Honey and Clover".

Five girlfriends in their early twenties live in the dingy port town of Incheon. A close-knit circle in high school, their paths begin to diverge as they step into the adult world.

At the center of the group is the beautiful and vain Hae-joo, who dreams of becoming a successful career woman. She leaves Incheon for an apartment in Seoul and a junior position with a brokerage firm.

The other girls are left behind in a state of solitude and unease; Tae-hee works for free for her parents and takes dictation from a poet suffering from cerebral palsy and Ji-young seeks a job, while caring for her grandparents in their dilapidated apartment. The twins Bi-ryu and Ohn-jo buffer themselves from change with constant togetherness.

The cellular phones ring as the girls coordinate their meetings. A lost cat, Tee tee, enters the lives of these young women, passing from one owner to the next as circumstances pull lives and friends apart and others together.

MC Cha­trichalerm Yukol adapts one of the most fa­mous sto­ries of the Ayut­thaya King­dom, about a du­ti­ful sailor (Pongsakorn “Toey” Met­tarikanon) who ac­ci­dently steers the king’s barge into a tree and breaks the bow. Ac­cord­ing to law, he must be...

A young boy (and Ultraman addict) named Tsutomu finds a mysterious glowing ball that tells him it can make wishes come true. The one thing Tsutomu wants more than anything else is to meet Gamu, Ultraman's human counterpart, so he can give the boy some pointers on standing up to the school bully. Unfortunately, the bully finds the wishing ball and wishes for a giant monster to appear and start stomping around their suburban Tokyo neighborhood. Gamu and the Science Patrol team must then find a way to open a gateway between the two universes to stop the monster and try to help Tsutomu with his personal problems.

"A moving and human portrait of a group of unemployed and above all lonely men who stayed behind when their wives moved to the city looking for work. They worked in the timber industry in the province of Heilongjiang, but deforestation has taken its toll. For instance, we see 46-year-old San Liangzi. Twelve years ago, he divorced his wife and became unemployed. For 10 years, he has had an eye on Wang Meizi, the only unmarried woman in the area..."

Whereas Hostel was for kids, Grotesque is for adults. This is billed as the "cruelest Japanese splatter movie ever" and it truly lives up to that billing. It is no small relief that the film lives up to its Movie title, a torture porn genre that has largely taken over the horror field. No CGI effects here, just sadistic violence that rarely flinches away, use of excellent makeup and prosthetics and shot very convincingly. Needless to say, in the finest tradition of Japanese gore cinema, the plot is minimal, with a young couple played by AV actress Nagasawa Tsugumi and Kawatsure Hiroaki (recently in “OneChanbara”) being snatched off the street, only to wake up shackled in a grimy basement. Without even having the decency to explain why, a particularly sadistic madman (Osako Shigeo) proceeds to degrade, torture and mutilate them. This film is not for the faint of heart.

Ex-detective pimp Jeong Ho is angry because his girls keep disappearing without clearing their debts. One night, he gets a call from a customer and sends Mi Jin. But when Mi Jin meets the customer, Jeong Ho realizes the phone number of the customer matches that of the calls the missing girls got last. As something smells fishy, he searches for her. During his search, Jeong Ho dents a car in the alley. When Jeong Ho spots blood splattered on the driver’s shirt, he senses the man, Young Min, is the suspect. After an intense chase, Jeong Ho finally catches Young Min. But because of Jeong Ho’s pretense as a cop, they are both taken to the police station. At the station, he bluntly tells the policemen that he has killed the missing women, and the last girl, Mi Jin, may still be alive. As the police force is obsessed with a random search for corpses, Jeong Ho is the only one who believes Mi Jin is still alive. With only 12 hours left to detain the serial killer without a warrant, Jeong Ho’s hunt begins.