After his wife and son are killed, a young man finds out the man behind the murder and fights against him, along committing some big mistakes.

Once famous for his quick blade, a retired assassin can no longer earn a living with his cut-throat skills. Summoned again, he partners with his chauffeur to carry out special missions – fullfilling the wishes of old people looking to kill themselves. When commissioned by a young girl who has been deserted by her parents and lover, the “Elderly’s Angel” squad finds an arresting way to complete its task.

Twelve year old Sei has hit puberty and is quickly becoming sexually aware, sometimes not as privately as he'd like; erections in school and other inopportune times plague him. He talks about it with his school friends, Kinta and Nyanko,...

Hsiang, a comedian, suddenly gets a call from her daughter Ling who she has not seen for the past ten years. Ling is now 18 and unexpectedly pregnant. She comes to Taipei to ask her father for shelter. But Ling has no idea that Hsiang is now a she, while Hsiang is still transitioning and living with her boyfriend. Fearing that Ling finds out, Hsiang wants her boyfriend to pretend to be her, while she will play the girlfriend role. How will Hsiang get along with Ling? Should she come out to Ling as her mother?

A pair of embroidered shoes, hidden a death curse, anyone who passed through the embroidered shoes were accidentally killed, no one was spared. An Wen (He Yixuan) was seriously ill and got rid of her husband Pan Hang (Hui Can)...

Dude fights immortal beings.

Following the collapse of his clan, unemployed samurai Hanshiro Tsugumo (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to commit ritual suicide on his property. Iyi's clansmen, believing the desperate ronin is merely angling for charity, try to force him to eviscerate himself—but they have underestimated his honor and his past. Winner of the 1963 Cannes Film Festival's Special Jury Prize, Masaki Kobayashi's Harakiri is a scathing denouncement of feudal authority and hypocrisy. Part Review from Film Reference http://www.filmreference.com/Films-Se-Sno/Seppuku.html The recurrent image in Seppuku is of Tsugumo in his black robes (having refused the white ones appropriate to the ritual suicide), seated cross-legged on the white harakiri mat in the center of the courtyard, surrounded by the massed spears of the Iyi warriors, and speaking in calm, unhurried tones. Around this image of charged stillness, the action of the film proceeds through visual compositions of intense lyrical beauty: most notably in the duel between Tsugumo and Omadaka, finest of the Iyi swordsmen, breathtakingly staged as a formal ballet of stylized, sweeping gestures amid long wind-tossed grass. Kobayashi's coolly reticent camera perfectly matches the rhythms of his studied narrative, supported by Toru Takemitsu's evocative score and, in the central role, a performance of epic stature from Tatsuya Nakadai. My Opinion In my opinion this film is a masterpiece and equally as good as any Kurosawa film. I really cant praise this film enough, if you only see one Japanese classic by a master director try this one.

Rigor Mortis is a tribute to the film series Mr. Vampire. Many of the former cast are featured in this film: Siu-ho Chin, Anthony Chan, Billy Lau and Richard Ng; additionally, Chung Fat who started in Encounters of the Spooky Kind is also featured. ...Rigor Mortis is set in a creepy and moody Hong Kong public housing tower whose occupants we soon discover, run the gamut from the living to the dead, to the undead, along with ghosts, vampires and zombies. (Written by Michael J. Werner)