The movie is based on the novel Xian He Shen Zhen by Wolong Sheng. Ma Kwun-mo (Tony Leung) is saved by the stunning Pak Wan Fai (Anita Mui) and her pet crane Yuen Yuk. In gratitude, Ma promises not to reveal Pak's identity to anyone. Later, at a kung fu meeting attended by Ma, the evil So Pang Hoi (Lawrence Ng) orders a fleet of poisonous bats to kill every other student read more

A murder investigation reveals a deep-rooted sibling rivalry in director Miwa Nishikawa's brooding family drama. On the one-year anniversary of his mother's death, Tokyo art and fashion photographer Takeru (Joe Odagiri) returns to his small hometown in order to pay his respects. But all is not well back home, and when Takeru's authoritative father questions his sincerity, the frustrated son strikes back with accusations of violent conduct. Though the situation is initially diffused by Takeru's older brother Moniru (Teruyuki Kagawa), who stayed behind to run the family business, tensions once again start to run high when Tekeru, Moniru, and pretty childhood friend Cheiko (Yoko Maki) decide to celebrate their reunion by taking a hike in the wilderness.

On a sunny day, a boy named Jo-kang meets Ari, a girl in a yellow raincoat, and they become friends. Jo-kang falls helplessly in love with the quirky but attractive Ari, but one day, she suddenly disappears. Ten years pass and Jo-kang, now a high school student, gets a call from Ari and meets her again in a temple. Although they have not seen each other for ten years, they have such a great time together. Then, Ari disappears again. Jo-kang is devastated. Why has she disappeared again? What will become of them?

The Last Witness (Hangul: ??? ??; RR: Choehuui jeungin) is a 1980 South Korean mystery film directed by Lee Doo-yong, based on the 1974 novel of the same title by Kim Seong-jong. When the film was originally released, a 40-minute portion was cut due to censorship laws of that time.[1] A remake with the same title was released in 2001.

An MP's son-in-law and mayoral candidate takes a trip with his girlfriend to a vacation home and meets a mysterious neighborhood boy and his friends.

Kato (Watanabe Daichi), a scriptwriter, is in love with Miho (Nao)—but he can never manage to muster up enough courage to make the relationship anything more than a platonic friendship. Seemingly oblivious to Kato's feelings for her, Miho is always calling him up and spilling her guts about her own love problems. She's in love with someone else, it turns out, but Kato swallows his pride—hearing about it all is almost too much to bear, but he wants to be with Miho as much as he can. In the meantime, the script he's working on for a TV drama mirrors a lot of his relationship with Miho. One day, Kato's friends tell him that his views on love are all mistaken, that he shouldn't delude himself into thinking that his dead-end crush on Miho will go anywhere. Emboldened and motivated, Kato finally decides to tell Miho exactly how he feels.

In this alternative universe, women are the rulers and fighters due to the inability of men to resist and fight against the Black Witches spell. In a raid against one of the Black Witch lair, the third princess Lan Xi saves Chao Sheng's life and he instantly fell in love with her. He followed her to the main capital and trained as a dancer to the royal family in a bid to meet her again. However, an assassination plot to kill the empress during a royal banquet changes Chao Sheng's plan and separate them further. With an impending war with the Black Witch's undead army, both of them need to survive the courts' politics and the gruel battlefield.