A-ho is a boy from an ordinary family. His father is a driver education instructor, his mother is a hairstylist, and his older brother is a high school student set to enter college. A-ho’s brother A-hao is a model student, and his father has high expectations of him. On the other hand, A-ho is a troublemaker and the black sheep of the family. One day, a terrible misfortune befalls A-ho’s family, and A-ho, who learns about his girlfriend’s pregnancy, gets into serious trouble because of his friends and ends up in a juvenile detention center. His father’s anger and contempt for A-ho grow extreme, and a series of crises completely shatter the family. Released from the detention center, A-ho tries his best as the head of his family, but society does not accept him and his life continues in a downward spiral. A Sun presents a realistic portrayal of the process in which an ordinary family pushed to the brink of their limits comes to embrace each other.

The film tells the story of four members of the National Intelligence Agency's secret ace agent "Warhead" team: "Strategist" Alex, "Various Rose" Bibi, "Stormy Hero" Blake, and "Cold Knife Madman" Collier. He was framed by the group and became a wanted criminal by the National Intelligence Bureau. Through a series of anti-terrorist operations such as being hunted down, going deep behind enemy lines, and rescuing hostages, after experiencing repeated hardships, he finally got out of trouble, found the leader of the criminal group, and wiped them all out!

Duration: 1 hr. 49 min.

A nameless hitwoman (Jacklyn Wu) who, for reasons not entirely clear, has a lower than average body temperature. She is cold-blooded in other ways as well, assassinating her targets with steely detachment and having only two real acquaintances: the Cambodian...

"Trivial Matters" is exactly what it says on the packet. Collection of seven vignettes -- some sad, others sardonic -- have little in common other than a concern with the small things of life and a throwaway attitude very typical of its creator, Pang Ho-cheung (aka Edmond Pang). Hard on the heels of his much more formal "Exodus," pic may baffle those unfamiliar with the Hong Kong writer-director's insouciant oeuvre, and will be best appreciated at Asiaphile events. Pic did so-so biz on local release last December. Though Pang is best known internationally for "Isabella" (in many ways his least typical movie), "Trivial Matters" is closer in spirit to earlier pics like "Beyond Our Ken" and "AV," in which the audience is never sure just how seriously to take what's being shown. Based on Pang's own collection of short stories, it also has a scattergun success rate that's also very characteristic of him. Best segs are the third and fifth, both of which are constructed as mini-movies rather than casual jottings, and are nicely played by their separate casts. In "It's a Festival Today," a girl (Isabel Chan) moves in with her b.f. (Eason Chan) but doesn't want to have sex; finally, at Christmas, she agrees to service the poor guy, which leads him to desperately hunt the calendar for other holidays in order to get pleasured again. Punchline is blackly witty. Tone in "Ah Wai, the 'Big Head,' " the longest and most slickly lensed of the bunch, is more wistful, sketching a friendship between two high schoolers -- quiet Kei (Stephy Tang) and spacey Ah Wai (Gillian Chung) -- as they drift apart but meet again at a class reunion. Stretching from the late '80s to the mid-'90s, and based around their shared liking for Cantopop legend Danny Chan, yarn has a lovely period feel and subtle chemistry between the two actresses that packs quite an emotional punch at the end. Other segs range from passing gags -- thesp Edison Chen as a dirty-mouthed pick-up artist -- to self-consciously clever playing with film form. The simplest, but with a piercing moment of sadness, is the sixth episode, "Recharge," centered on a hotel-room assignation between a businessman (Chapman To) and a Mainland hooker (Zhang Zheng). At a time when Hong Kong production has become increasingly conventional and middle-class, pic is notable for its natural, undogmatic approach to nudity and drug use. Casting of names in all the segments -- including Mainland helmer Feng Xiaogang in a witty cameo as the account manager of an assassination agency -- maintains interest for auds able to recognize the faces. However, general viewers are more likely to agree with pic's opening intertitle: "Life is rather trivial in hindsight."

Based on the successful Taiwanese movie of the same name, in Japan in the early 2000s Kosuke Mizushima is a popular yet childish high school student living a comfortable life. He wants to start a relationship with his classmate, but she's a serious honors student.

It tells the story of a woman, Ji Hye, who dreams of turning her life around, and her daughter infiltrates the house of a cultural asset broker with a fortune of 60 billion won.

(Source: Mnews.jtbc)

One day, Hye Sook is tricked by her mother into visiting her hometown. When she finds out that her mother is fine and tries to leave for Seoul, she hears about the passing of Taek Gyoo's father. After the funeral, Hye Sook plans to return to the city. Gi Ju, a struggling writer, tries to drown himself at Andong lake but Taek Gyoo saves him. Hye Sook used to draw for Gi Ju's writings when they were young. The two were each other's first love and through the reunion, they are about to rekindle their old romance.

Set against a chaotic, war torn Shanghai, “The Wasted Times” follows a local crime boss at the receiving end of the Japanese army’s attempt to forge a dubious alliance. Spanning three separate times during the period, the story details mindsets from various perspectives, all culminating in a suspenseful and tense finale.