As same-sex couples, Cindy, Joanne, Charles, and Tim collaborate together to help each other to own a baby. Cindy is supposed to have two babies, but she loses one. Cindy is married to Joanne, but she doesn't trust her anymore. Cindy is having a baby, but she doesn't know where to go, whom to believe, nor whether it's her baby or not. Eventually, she is on her way from London returning to her hometown, Taiwan. Her best childhood friend, Tai, takes care of her with his whole heart and even promises to raise the baby with her. Confused about what a family should be like, Cindy finally plucks up her courage to face Joanne as well as Charles's and Tim's family. Even though it's not generally acceptable in many places in Taiwan to be same-sex parents, Cindy still believes that day will come.

At a secluded lakeside resort, biologist Zhang Cheng comes to find his ex-wife, Yan Tong, and is astonished to see her looking youthful again. He learns that she has been using a secret beauty product and discovers that strange disappearances of guests frequently occur at the hotel.

Years ago, Tae-Sik (Kim Rae-Won) was a feared henchmen for the mob, but after spending 10 years in prison Tae-Sik now only wants to live a normal life. He returns to a place he thinks of as home and to the woman (Kim Hae-Sook) who has looked after him like a mother. Trouble then finds Tae-Sik again, when gangsters want to build a nightclub over the land that Tae-Sik's mother occupies. Once the gangsters attack Tae-Sik's "adopted" family, Tae-Sik goes after the gangsters with pure vengeance.

Gang Goo and Myung Joo are married and they have three children: Sun Woo, Hyun Joo and Woo Jong. They move into a new home, but bizarre and terrifying things happen to the family. The devil transforms into one of the family members. Oldest child Sun Woo calls her uncle Joong Soo for help. Joong Soo is a Catholic priest, who performs exorcisms.

An unadorned perspective on impoverished life in Okinawa, an island in southern Japan whose modern history was tainted by the bloody battle for the Pacific. 17-year-old Aoi works as a nightclub hostess in order to earn rent money and to provide for her little boy. She also supports her lazy husband Masaya, who has no qualms about giving her a few slaps, particularly after he loses his job. What chance does this young family have to scrape their way out of the social mire, where they were driven by poverty and the imprudence of youth? How dark does reality have to get before it stifles the rays of hope that filter through? An intimate story that presents a less glitzy picture of Japan than is customary, demonstrating that social inequality impacts all corners of the globe.

16-year-old Jang Ji-Gu (Seo Young-Joo) takes care of his ill grandfather, while he hangs out with other troubled kids. He was abandoned by his parents at an early age. After another run in with the law, Jang Ji-Gu is sent to a detention center. One day, Jang Ji-Gu hears that his mother Hyo-Seung (Lee Jung-Hyun) has come for him at the detention center. Hyo-Seung had Jang Ji-Gu at the age of 17 and gave him up soon after birth. Can they repair their relationship?

It tells the story of Sade, a beautiful woman who discovered her husband disappeared after traveling with Korea, Sade resorts to a friend of the police, to help her discover hints about her husband's whereabouts. Mac, the driver drives her to find the husband who is in a house in Seoul, hoping to find the husband arriving at her discovered is a clue to a painful secret that can not trust anyone forever.

Sung-chan is a top detective of the special crime squad. He is notorious for punishing the opponent who hurts his pride. When Hyun-min impersonates Sung-chan and robs a cash transport car under the daylight, and seizes $10 billion worth of smuggled gold right before the cops eyes, Sung-chan is outraged. He cannot let this criminal slip through. Sung-chan goes after Hyun-min like a wild beast going after its prey, but Hyun-min cunningly threads through the investigation, even leaving traces in the crime scenes on purpose to allure and provoke Sung-chan.