Toyoko doesn't know how to love her daughter Terue and subjects the latter to physical abuse when she was a child. As a result, Terue was hungry for love but didn't know how to be loved. Years later, Terue grows up and has a daughter Migusa who is in senior high school when she reunites with her brother Takenori who was separated from her at birth. Due to the reunion, memories of her miserable childhood come flooding back. With the support of Migusa, Terue decides to head to Taiwan to look for her late father's grave and finds out the truth behind her mother's behaviour after meeting Toyoko there.

Based on the novel "Ai wo kou hito" by Harumi Shimoda.

In the last months of the Second World War, the Empire of Japan receives a final gift from the collapsing Nazi Germany: the I-507, a highly-advanced submarine equipped with experimental technology.

The mission, as revealed by the grim Chief of Staff Asakura (Shinichi Tsutsumi) following the Atomic bombings of Hiroshima and Nagasaki, is to intercept U.S. ships transporting a third nuclear weapon to Tinian Island, the principal base from which American B-29s Bombers are striking the Japanese home Islands. The man charged with the mission is Commander Masami (Yakusho Koji) - a brilliant destroyer of enemy ships relieved of his command when he opposed the navy's increasing reliance on suicide tactics. Given a last chance to redeem himself, he is burning with zeal, but is ignorant of the various secrets the I-507 carries on board.

Once at sea, Lt. Takasu (Ken Ishiguro), the owlish technician in charge of the imaging system, refuses to tell Masami what it is or how it works. Masami also discovers that two crew members belong to the "kaiten" suicide corps. He has no idea why they are there -- and neither, for the moment, do they.

Meanwhile, the U.S. Navy is tracking the I-507 with more than usual interest. What, Masami wonders, is going on here? Enough to say that a sweet-voiced teenage girl (Yu Kashi) is part of the master plan and that one of the minisub pilots (Satoshi Tsumabuki) becomes her protector -- and something more.

The stories of four pairs of girls as they go through the process of making cheese.

'Every flavour has a story'.

An artist struggles to finish his work. A storyline about a cult plays in his head. Fundamentalism will destroy the world. The artist destroys his muse in the process. He redeems her in the end.

A prominent up-and-coming author Min-woo readies his new much anticipated follow-up novel while suffering from writer's block, as well as frequent nightmares and hallucinations. This unexplainable condition affects both his personal and professional life. Soon he can't differentiate reality from fantasy and continues to have feelings of being chased. His own paranoia leads him to a café in a dark, unassuming alley and encounters a charming young woman named Mimi. Min-woo starts to wonder how he and this girl in front of him are connected and traces long-forgotten memories of his first love.

Elang, grade 2 high school student, was diagnosed with lymphoblastic leukemia. To delight Elang at the end of his life, Luna and Trian, his best friend, always trying to follow all the wishes Elang. When Elang expressed his desire to get his first kiss from his first love, Luna and Trian confusion. Moreover Maura is their seniors who already has a boyfriend. But, upon seeing the dying Elang, Luna and Trian willing to pursue love Maura. Elang, siswa SMU kelas 2, terdeteksi menderita lymphoblastic leukemia. Untuk menyenangkan Elang di akhir hidupnya, Luna dan Trian, sahabatnya, selalu berusaha mengikuti semua keinginan Elang. Ketika Elang mengungkapkan keinginannya untuk mendapat ciuman pertama dari cinta pertamanya, Luna dan Trian kebingungan. Apalagi yang diincar Elang adalah Maura, kakak kelas mereka yang sudah punya pacar. Tapi, saat melihat Elang yang sekarat, Luna dan Trian bersedia mengejar cinta Maura.

"If God created this world in 6 days, then I will destroy it in 60 minutes, and create a paradise." Suddenly, a mysterious man named S / Kamen Rider Eden, accompanied by thousands of believers, appears. Meanwhile, several large-scale terrorist attacks take place worldwide simultaneously. As people one after another fall and the world is in turmoil, Aruto Hiden stands up to stop S while Isamu Fuwa, Yua Yaiba, Gai Amatsu, Jin, and Horobi struggle to learn the truth. What does S, who shows incredible strength, plan for the paradise he is trying to create?

Amongst the heady line-up of Korean summer horrors, Shin Tae Ra's grisly psychological thriller Black House has emerged as the critical and box office winner of 2007. Shin previously directed the low-budget sci-fi Brainwave in 2005, but the scope for his new title is greater, as it is co-produced by Japanese filmhouse Kadokawa Pictures and will be seeing a wide theatrical release in Japan. Delving into the investigation of a psychotic killer, the film is based on popular Japanese writer Kishi Yusuke's novel, which was previously adapted for the big screen in 1999 by Morita Yoshimitsu. Featuring top-notch production design and photography, Black House is a stylish, spine-tingling exercise in modern gore and goth that goes straight for the root of fear. Acclaimed actor Hwang Jung Min (You Are My Sunshine) underacts to great effect, creating a remarkably restrained character opposite the chilling performances of Kang Shin Il (Hanbando) and Yu Seon (The Wig). When insurance investigator Jeon Jun Oh (Hwang Jeong Min) arrives at the scene of his latest case, a run-down house in the middle of nowhere, he is greeted with the sight of a little boy hanging from the ceiling. The child's father, Park Chung Bae (Kang Shin Il), is jumpy, shifty, and eager for insurance compensation, while frail, grieving mother Shin Yi Hwa (Yu Seon) bears signs of physical abuse on her body. The police close the case as suicide, but Jeon suspects Park of foul play and fears that his wife may be the next target. Projecting his own troubled past into the case, Jeon wants to he­lp Shin escape from danger, but soon discovers the shocking repercussions of digging too deep.