Katsu (Mitsuko Baisho) is a 73-years-old woman. She often makes trouble with her biting remarks. While raising a daughter alone, Katsu was unable to live the life she wished for. One day, Katsu goes to a photo studio and takes a picture. She leaves the photo studio, but finds that she is now 20-years-old (Mikako Tabe) again. Katsu changes out of her grandmother clothes, picks out a more youthful style and names herself Setsuko Otori. Later, Katsu decides to take part in a singing contest held in a shopping district. Her singing fascinates the audience and she wins the contest. Katsu begins to move closer to her past dream of becoming a singer.

This work is a human drama that revolves around two individuals: a doctor troubled by life’s challenges and a patient who has been given a terminal diagnosis. As they journey through various places, they seek the answer to the eternal question of why people live and what they leave behind.

When an abandoned haunted ship called 'Sea Bird' washes up on the shores of Mumbai, surveying officer Prithvi is assigned to solve the mystery and close the case

Director Chen Hung-I's Candy Rain could be the most perfectly titled film ever. Like candy, the film is sweet and tasty in small doses. However, too much is probably bad for you, and prolonged exposure would definitely lead to cavities. Also, the film's obvious meaning falls unavoidably like rain, and even an umbrella won't fully protect you. The best thing: staying indoors and avoiding it entirely. And it's time to stop the cheesy metaphors because they're strained and more than a little annoying. Oddly, "strained and more than a little annoying" could apply to Candy Rain too. Funny how that works out. An omnibus film about four lesbian relationships, Candy Rain leads off with a tale of two old friends (Grace Chen and Belle Hsin), who are tested by their burgeoning lesbian relationship. They sleep together and bask in each other's company, but minor differences get in the way of a smooth ride to happily ever after, leading to an inevitable break up and a possible make up. Story two centers on an OCD-suffering introvert (Sandrine Pinna) who works as a chef and meets possible partners online. Her new girl is a forward older woman (Waa, doing her best Bai Ling impression), and the two manage some semblance of relationship progression before clashing personalities - and one partner's irrational need for loneliness - gets in the way of extended bliss.

An ancient supernatural being, a fairy fox, travels to the human realm and causes some mischief then develops feelings for a human man and atones for his misdeeds by saving the man and his future wife.

On a spring night in 1784, from Kyoto’s Fushimi Magistrate, Kobori Masakata a live gift arrived at this Edo mansion. A woman had been abducted and sent to the mansion with the threat of death to her parents, who were being held in Kyoto’s Rokkaku jail. With their lives in her hands she is ordered to “do her duty” with the evil Senior Councilor Tanuma Okitsugu. This corrupt official had monopolized Shogun Ieharu’s patronage and was unequalled in power. He privatized politics and handed out positions according to the amount he received in bribes. It would take a man in a mysterious purple hood to try and save her and help the townspeople of Edo.

Hama-chan takes more paid holidays than anyone else at work, but is friends with the company's president, whom he calls Su-san. Su-san's doctor, concerned for the president's health, suggests that he retire. Su-san becomes depressed, goes fishing without telling anyone...