To those of us who hit puberty in the 80's, the video game was not part of our daily life yet. It was a genuinely exciting start to the future that we know now. By 2013, video games would be over 30 years old. This drama revisits how the past and the present is linked together through breathtaking games. Every episode will feature an epoch making game, from makers like KONAMI, Sega, NEC, Sony, Taito, Nintendo, etc. It is the year 1983. At 15, Watanabe Reiji has totally no interest whatsoever in video games, even though his father runs a game center (Game Center Watanabe). On the other hand, another boy his age, Kido Akinobu, is so crazy about the games, he spends hours at Game Center Watanabe. His handler is "KID" and on the Game Center's scoreboard, he is ranked no. 1 in all the games. One day, Reiji sees a very pretty girl playing a game at the center, and he falls in love with her at first sight. Trying to impress her, Reiji pretends to be "KID", and thus begins his foray into video gaming.

It is the Bunsei era (1818 – 1830). While the finances of samurai families were tight, people would entrust their household budget on a half-yearly basis to a roving steward who is the modern day accountant and management consultant. Karaki Ichibei (Mukai Osamu) takes care of the household budgets of families in desperate financial situations. He is not only adept at the abacus but also the sword. The selfless Ichibei goes over to all sorts of residences with his favourite abacus and helps people tormented by evil with a sword supple like the wind.

Near the end of 1990s, the forestry industry began to "reduce production, limit logging, and lay off workers." For the first time, Gu Changshan's family and members of the 923 work team faced the choice of staying or leaving.

Gu Changshan has adopted Xingjie, the orphaned son of his late colleague who died on duty. Despite their initial hesitation, the Gu family decides to help Xingjie continue with his studies. Meanwhile, the layoff crisis among forestry workers gradually resolves itself as the younger workers became the first to leave. Gu Changshan leads the remaining people to participate in the "family ecological forest" project.

In 2007, in order to protect the ecology and improve people's livelihoods, the resettlement project in remote areas began, and the 923 team once again faced a tough choice. Xingjie is pulled back to the mountains as he takes over the task of mobilizing immigrants and bears the mission of forestry reform. Given the logging restrictions in 2014 and 2015, Xingjie actively responds to the call that "gold and silver mines are not as good as blue waters and green mountains" and leads the people towards a better life.

(Source: ChineseDrama)

Episodes: 30

Yaichi is a work-at-home suburban dad in contemporary Tokyo; formerly married to Natsuki, father to their young daughter, Kana. Their lives suddenly change with the arrival at their doorstep of a hulking, affable Canadian named Mike Flanagan, who declares himself the widower of Yaichi’s estranged gay twin, Ryoji.

Mike is on a quest to explore Ryoji’s past, and the family reluctantly but dutifully takes him in. What follows is an unprecedented andheartbreaking look at the state of a largely still-closeted Japanese gay culture: how it’s been affected by the West, and how the next generation can change the preconceptions about it and prejudices against it.

It tells the love story of Lu Jin Nian (Dylan Xiong) and Qiao An Hao (Li Xi Rui) spanning 13 years. They first got to know each other in school, but later parted ways again due to some misunderstandings.

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Sita lost her father and must face the bad people that intend to steal her inheritance. The good thing she has her boyfriend Worachon as her moral support. Besides the bad people, she must also face her parents who became pretas (hungry ghosts) who received their karma with torture. The only way they can be free is for Sita to release all 12 types of pretas. How will Sita find a solution? And will forgiveness be the answer to their freedom or not?