Japan is in trouble. Serious trouble, to the tune of 800 trillion yen. At the current rate of national debt accumulation, the country will effectively collapse in a few years' time. The Ministry of Finance traces the beginning of the end to 1990 when a real estate cap set in motion a series of events that caused the bubble economy to burst, plunging the nation into hard economic times. But the Ministry has a crack plan to reverse all this. Into the picture comes flighty indebted bar hostess Mayumi (Hirosue Ryoko) whose mother has just passed away - or so she thinks until grave-faced civil servant Shimokawaji (Abe Hiroshi) shows up on her doorstep. It turns out her mother Mariko (Yakushimaru Hiroko) invented a time machine and traveled back in time to prevent the Finance Minister from making his disastrous policy move. Mariko has since gone missing, however, and now it's up to Mayumi to go back to 1990 to find her mom and, oh yes, save Japan. Directed by Baba Yasuo, Bubble Fiction: Boom or Bust is a delightfully over-the-top comedy that colorfully and good-naturedly pokes fun at Japan's contemporary concerns and past bubble economy. Heads would burst if one tried to analyze the time travel logic or economic reasoning presented in the film, but the goal here is laughter, and Bubble Fiction: Boom or Bust delivers it in large, sidesplitting portions. Director Baba contrasts the somber present with a hilariously excessive neon-lit 1990, a time when dresses were tight, eyebrows were thick, and money was everywhere for the taking. Abe Hiroshi (Trick) transforms seamlessly from a humorless, gray-haired salaryman to a goofy and irresponsible womanizer, while petite pop idol Hirosue Ryoko (Collage of Our Life) and former 80s idol Yakushimaru Hiroko (Always - Sunset on Third Street) make a formidable time-travelling mother-daughter duo. Packed with broad humor, pop culture references, and bubbly nostalgic fun, Bubble Fiction: Boom or Bust is easily one of the most enjoyable and entertaining films of 2007.

A romantic film directed by Kishore Tirumala, starring Sai Dharam Tej and Kalyani Priyadarshan in the lead roles.

A coffee shop struggling to pay their debts, while at the same time maintaining their principles.

Detective Dee's Ghost Blood Hand

Story depicts follows a family who runs a winery.

Ao (Yo Oizumi) and Roku (Shota Sometani) are brothers. In the past, Ao abandoned his family to pursue his dream, but his dream was lost. He then returned to his hometown. Now, Ao runs a winery at a grape farm and wheat field, which was left behind by his father. Ao devotes himself to making wine. His younger brother Roku, who holds mixed feelings, supports Ao.

One thousand years ago in Wiang Chai Chet Buri, Chao Luang Rangsiman arranges a weaving competition to select a wife, his Chao Nang Luang on the throne. On the day the textiles are to be presented, Anyanang Homnuan of Nakhon Pha Ngam is strangled to death just before the weaving is finished. All the killer left behind was the silk mark around her throat.

One thousand years later, ghost-enthusiast Achi is head of an online ghost-hunting program. He invites a team of friends Young Jae, Bambam, and Junior to Chiang Mai to make the show. He lies to his great-grandmother that he's come just for a visit, but she's doubtful and warns him not to enter the storage room. Her words have the opposite of their intended effect, though, and Achi enters the room where he finds a small, ancient bit of cloth. When he makes contact with it, the spirit of Anyanang Homnuan emerges and tells him that those who touch the cloth must find her killer within three days or perish.

Achi and his friends must come together to solve the quest in order to save his life.

A loose adaptation of Hamlet, "The Night Banquet" is set in an empire in chaos. The Emperor, the Empress, the Crown Prince, the Minister and the General all have their own enemies they would like to finish off at a night banquet.

Sequel to the 2015 film 'Surga Yang Tak Dirindukan'.